This early public information film puts out an appeal for more women to take up munitions work - showing training centres, opportunities for work in the aircraft industry as well as the tempting prospect of a fun social life. (source: British Film Institute)
This early public information film puts out an appeal for more women to take up munitions work - showing training centres, opportunities for work in the aircraft industry as well as the tempting prospect of a fun social life. (source: British Film Institute)
1917-01-01
0
10.01917, The Train from Hell is an historical documentary about a train accident during WW1.
4.7Warsaw's Central Railway Station. 'Someone has fallen asleep, someone's waiting for somebody else. Maybe they'll come, maybe they won't. The film is about people looking for something.
0.0Esther Johnson’s film uses local archive footage to convey the story of Sunderland's involvement in the First World War, from the men who fought in the fields to those who stayed behind to work in the region’s shipyards and munitions factories.
5.0Documentary on American troops in France in the First World War.
6.0Documentary on the atrocities the germans committed at the start of WW I in Dinant.
6.0A young woman researches the hidden story of Indian soldiers who came to fight in France and Belgium during the World War I. The presence of these 140,000 soldiers in Europe is a virtually unknown fact of history.
5.0The story of how newspapers were distributed during the Blitz, stressing the importance of an accurate and objective press on the home front.
This lost WWI documentary appears to be about the German zeppelin attacks on Londonon September 2nd, 1916.
6.7The last shots had been fired in the First World War — but peace had yet to be made. Inspired by Margaret MacMillan’s acclaimed work of popular history, Paris 1919 takes us inside the most ambitious peace talks in history, revisiting the event with a vivid sense of narrative. Evoking a pivotal moment when peace seemed possible, director Paul Cowan reflects upon the hard-learned lessons of history.
This program provides, through 1st hand accounts & contemporary films & photographs, a rare insight into what really happened. Together with meticulously researched stories, it provides a unique analysis of the Gallipoli campaign, including never-seen before interviews with the last 10 Gallipoli Anzacs, rare film footage showing the beach & trenches at Gallipoli.
7.1The Gallipoli campaign of World War I was so controversial & devastating, it changed the face of battle forever. Using diaries, letters, photographs and memoirs, acclaimed director, Tolga Ornek, traces the personal journeys of Australian, New Zealand, British and Turkish soldiers, from innocence and patriotism to hardship and heartbreak.
10.0Canada was led to war by a bigoted, ignorant, self-obsessed Minister of Militia, who may well have been clinically insane, but the importance of Canada's contribution in that war owes a great deal to him. The man of course, was Colonel - later made Lieutenant General by his own hand - Sam Hughes. Sam's Army is a compelling portrait of a complex man and the formidable military he built. Sam Hughes was not your standard-issue military leader. Canada's World War I Minister of Militia and Defence concentrated power in his own hands, insisted that the Canadian military use the ill-conceived Ross rifle and liberally promoted his cronies. But there was no denying Hughes was a visionary. He assembled the world's largest-ever volunteer army and bucked superiors to keep his ferocious fighting force together in one Canadian Corps.
10.0A two-hour documentary which recreates for the viewer one of the greatest battles in Canadian military history. The film was made to show that Canadian character at its best, forging an identity for a country that before the First World War had been seen only as a British colony - an identity and a character that became recognized and respected throughout Europe.
0.0Raymond Roy is a 64-year-old idealist, an energetic social activist ready to give everything he has to those living on the edge: the alienated, impoverished and exploited members of society. Raymond is also a priest, doing what he has wanted to do ever since he was a teenager. Filmmaker Serge Giguère paints an intimate portrait of a man who has spent 30 years fighting for an alternative vision of life in his community. The film is a blend of cinema vérité and social history that provides a view of the man and his work from without and within, from the poetry of his personal diary laced with doubts and self-criticism, to the many achievements of the community groups he helped. Filming over several years, Giguère gives us a sense of the changes in values and attitudes of those who run our society, along with the role of the community groups who provide solutions, inspiration and a sense of renewal.
7.7In suburban Buenos Aires, thirty unemployed ceramics workers walk into their idle factory, roll out sleeping mats and refuse to leave. All they want is to re-start the silent machines. But this simple act - the take - has the power to turn the globalization debate on its head. Armed only with slingshots and an abiding faith in shop-floor democracy, the workers face off against the bosses, bankers and a whole system that sees their beloved factories as nothing more than scrap metal for sale.
5.5Women from Turkey and Mecklenburg are working together side-by-side at a fish-processing factory in Lübeck. As they work, they share stories about their lives, including their sorrows, griefs, hopes, and dreams, while expressing their longing for home and feelings of being lost in a foreign place.
7.2Single mother Anna and her four children live in the front-line war zone of Donbas, Ukraine. While the outside world is made up of bombings and chaos, the family is managing to keep their home a safe haven, full of life and full of light. Every member of the family has a passion for cinema, motivating them to shoot a film inspired by their own life during a time of war. The creative process raises the question of what kind of power the magical world of cinema could have during times of disaster. How to picture war through fiction? For Anna and the children, transforming trauma into a work of art is the ultimate way to stay human.
6.0Professor Niall Ferguson argues that Britain's decision to enter the First World War was a catastrophic error that unleashed an era of totalitarianism and genocide.
0.0Documentary to mark the WI's centenary. Lucy Worsley goes beyond the stereotypes of jam and Jerusalem to reveal the surprisingly radical side of this Great British institution.
0.0This film takes us into the harsh realm of BC's early coal mines, canneries, and lumber camps; where primitve conditions and speed-ups often cost lives. Then, the film moves through the unemployed' struggles of the '30s, post WWII equity campaigns, and into more recent public sector strikes over union rights.