An extraordinary love story of Irena and Avguštin Maučec from Turnišče, a village in the region of Prekmurje, Slovenia. In the 1990s, soon after their wedding Irena and Avguštin had a bad car accident that left Irena with a serious brain injury. Failing to wake up, she was given up on by the doctors to die a slow death. Avguštin would not agree: he took her home and has since been giving her selfless care. After years of battling the healthcare system, he decided at the age of 40 to study law. He is now about to take his bar exams, and find a job to be able to take proper care of Irena.
Herself
Himself
An extraordinary love story of Irena and Avguštin Maučec from Turnišče, a village in the region of Prekmurje, Slovenia. In the 1990s, soon after their wedding Irena and Avguštin had a bad car accident that left Irena with a serious brain injury. Failing to wake up, she was given up on by the doctors to die a slow death. Avguštin would not agree: he took her home and has since been giving her selfless care. After years of battling the healthcare system, he decided at the age of 40 to study law. He is now about to take his bar exams, and find a job to be able to take proper care of Irena.
2017-01-01
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Planeta Blanc is a documentary about the first-ever disabled expedition to conquer the South Pole ,Following the last steps of Ernest Shackleton. A history about the capacity of the handicapped.
Deep beneath the surface in the Syrian province of Ghouta, a group of female doctors have established an underground field hospital. Under the supervision of paediatrician Dr. Amani and her staff of doctors and nurses, hope is restored for some of the thousands of children and civilian victims of the ruthless Syrian civil war.
In a candid and unflinching portrait of Palestinian prisoners, Shimon Dotan takes viewers inside the highest security prisons in Israel where thousands of Palestinians fill these detention facilities.
Ella Adoo-Kissi-Debrah was a nine-year-old girl who lived in south-east London and died in 2013. The cause of death was listed as air pollution, now her mother is fighting to make clean air a human right.
In the aftermath of a tragic fire in a Romanian club, burn victims begin dying in hospitals from wounds that were not life threatening. A team of investigative journalists move into action uncovering the mass corruption of the health system and of the state institutions. Collective follows journalists, whistle blowers, and authorities alike. An immersive and uncompromising look into a dysfunctional system, exposing corruption, propaganda, and manipulation that nowadays affect not only Romania, but societies around the world.
In the panorama of Kurdish music, Koma Berxwedan (Group Resistance) is one of the most interesting, innovative, experimental groups. To a deep love for music research the group has always associated a strong political commitment. Some of its members have joined the PKK guerrillas in the mountains of Kurdistan. Three of them died in combat. Some have been forced to live in exile and others continued to challenge the Turkish authorities by carrying out their work in Kurdistan.
Oxana is a woman, a fighter, an artist. As a teenager, her passion for iconography almost inspires her to join a convent, but in the end she decides to devote her talents to the Femen movement. With Anna, Inna and Sasha, she founds the famous feminist group which protests against the regime and which will see her leave her homeland, Ukraine, and travel all over Europe. Driven by a creative zeal and a desire to change the world, Oxana allows us a glimpse into her world and her personality, which is as unassuming, mesmerising and vibrant as her passionate artworks.
Tanjung Gusta Prison is the largest prison in North Sumatra. The North Sumatran region has the highest crime rate in Indonesia. In 2013, Tanjung Gusta experienced major riots caused by several internal and external problems. This could happen to other prisons in the future and will continue to worsen if the government does not fix the root cause of social issues throughout country.
In April 2015, two shipwrecks in the central Mediterranean resulted in over a thousand deaths. The first, on 12 April, occurred when an overcrowded boat was approached by a large commercial vessel. Less than a week later, on 18 April 2015, a similar incident led to over eight hundred deaths after an overcrowded vessel collided with a cargo ship that had approached to rescue its passengers. Both incidents are in part the result of changing EU policies toward at-sea rescue, particularly the retreat of state rescue operations and a resulting onus on commercial vessels to fill the ‘rescue gap’.
Going to the doctor to make a diagnosis or to have a treatment is a common thing in the outside world. But for every prisoner it is a very difficult or impossible path. Lander Garro, the director, turns to those who have lived the experience of being ill in prison to better understand its consequences. It uses a language that goes beyond political discourse, exploring the helplessness of prisoners whose right to health is limited from an emotional point of view, through cinematographic tools. 'Tipularen sehaska kanta' ('Nana de la cebolla' - 'Lullaby of the onion') more than a political film is an artistic film, narrated in the first person and from the entrails. Based on the poem 'Nana de la cebolla' by the Spanish poet Miguel Hernández, who died in prison in 1942, the film makes a historical analogy: if it didn't make sense to die in prison in 1936, does it make sense today?
Desperate, broken men chase their dreams and run from their demons in the North Dakota oil fields. A local Pastor's decision to help them has extraordinary and unexpected consequences.
The workers of Safai Karmachari Andolan, led by Roman Magsaysay Award winner activist Bezwada Wilson, are on a mission to eradicate manual scavenging, a practice in which lower-caste men and women manually clear human excrement from gutters, and liberate those forced into this occupation by dint of their birth.
The story puts İlhan Çomak at the center, even though he is not physically present in the film. It focuses on the 21 years that İlhan spent in prison and his family’s experience of those years without him. The narrative is constructed through the letters İlhan wrote and aims to describe his life, his emotions and longings. The film constructs İlhan’s history through a chronology in the prison but refrains from restricting it only to a “prisoner’s quest for justice”, and rather tells a story of the situations he finds himself in over the years and his emotions and their equivalents in life.
In a darkened classroom, the white cracked walls serve as a movie screen. We are in a remote mountain village in Georgia. The light from the projector breaks the darkness: the children's first cinematic experience is about to begin. Among the kids are Iman and Eva, two Muslim girls, for whom the experience becomes a turning point and inspires them to pick up a camera and start filming their daily lives. The girls are growing up in a valley infested by radicalism, where most people live in constant fear that their relatives will sacrifice their lives in the name of God.
A documentary about the atrocities committed against the Hmong people by the Laos government. Shot by Hmong people with cameras provided to them in 2006, this film provides a unique look into one of the worst, and silent, human rights tragedies of the 21st century.
Anya was an ordinary Moscow teenager who found a chat group of her choice online. They talked about animals, the stars and social issues. A man called Ruslan D joined the group, who set up an office space for the online group to meet. Step by step, he began to lead young people who were critical of the Putin's regime towards political activism. Ruslan D placed a camera in the meeting room, and when he had enough footage, he handed it over to the prosecutor. The police raided the teenagers' homes and they were arrested on charges of planning to overthrow the government and terrorism. Three years of legal proceedings transformed Anya's mother from a loyal follower of Putin to a hunger-striking activist. Moscow-based director Anna Shishova followed Anya and her mother's life throughout the event and eventually revealed the true identity of Ruslan D.
X-Mission explores the logic of the refugee camp as one of the oldest extra-territorial zones. Taking the Palestinian refugee camp as a case in point, the video engages with the different discourses — legal, symbolic, urban, historical — that give meaning to this exceptional space.