Bandh Honth(1984)

Benaam Badsha(hi)

Found in a garbage bin, abandoned by his biological parents, a young man grows up to a paid assasin, kidnapper, and rapist (Anil Kapoor). One of his rape victims' is Jyoti (Juhi Chawla), who is raped on the day of her marriage to a doctor groom. Her life ruined, unwed, she decides to convince her rapist to marry her, and goes to live in his neighborhood. But her rapist will not marry her, however, she continues to pursue her goal, and after feigning a pregnancy she does convince him to allow her to move in with him - amongst ruins, without a roof. She soon starts to transform him, with considerable success. She names him Deepak, so that he has a name others can call him by. Deepak receives a contract to kill Kaameshwari (Rohini Hattangadi) by Jaikal (Amrish Puri).

Pehla Pehla Pyar(hi)

Sapna runs away from her aristocratic home, fed-up of the hatred and family politics. She meets with Raj, who she is attracted to. Raj, at first wants to get rid of her, then eventually falls in love with her. Then the two of them have to be on the run as her family find out where she is after they put up a reward for her whereabouts.

Main Atal Hoon(hi)

Statesman and poet Shri Atal Bihari Vajpayee's eloquence and vision shaped India's destiny. A look at his remarkable life as he led his country through a challenging period of change and development as the 10th Prime Minister of India.

Gasping for Air(tl)

When his sister disappears after leaving their home in hopes of singing stardom, Luis tracks her down and discovers the grim reality of her whereabouts.

Ni Main Sass Kuttni 2(pa)

A vengeful mother-in-law locks horns with her daughter-in-law in a twisted tale laced with dark comedy, political intrigue, and chilling thrills.

Liberation: Direction of the Main Blow(ru)

This five part epic war drama gives a dramatized detailed account of Soviet Union's war against Nazi Germany during world war two. Each of the five parts represents a separate major eastern front campaign.

Main Theme(ja)

A kindergarten teacher meets a novice magician and together they travel to another city to find love.

Six Reasons Why(en)

In a desolate place called the Badlands, four men stand off with guns drawn, their fingers ready at the trigger. Among them are a fugitive seeking redemption, a son out to avenge his father's murder, a loyal servant with a secret and a murderous criminal hired to kill with a vengeance. This is their story...in a place where revenge, deception and cruelty are a way of life.

Hello(gu)

During one of their night stays, three college teens play a silly prank where they randomly call people and tell them that they know who that person is and what they have done. What will happen when things take a dangerous turn?

Main Krishna Hoon(hi)

In answer to an orphan boy's prayers, the divine Lord Krishna comes to Earth, befriends the boy, and helps him find a loving family.

Maine Gandhi Ko Nahin Mara(hi)

Once known for his intellectual prowess, a retired professor (Anupam Kher) begins experiencing memory gaps and periods of forgetfulness. But while he tries to laugh it off, it soon becomes clear that the symptoms are a sign of a more serious illness, prompting his grown daughter (Urmila Matondkar) to move in as his caretaker. Meanwhile, as his mind regresses, he recalls a traumatic childhood memory involving the death of Mahatma Gandhi.

Michael Lives Alone(en)

A young photographer's home is haunted by it's former residents.

Disney Presents: Main Street Electrical Parade - Farewell Season(en)

Catch the spark after dark at Disneyland Park. And say farewell to one of the Magic Kingdom's most celebrated traditions - The Main Street Electrical Parade. Where else, but in The Main Street Electrical Parade, could you see an illuminated 40-foot-long fire-breathing dragon? And hear the energy of its legendary melody one last time? It's unforgettable after-dark magic that will glow in your heart long after the last float has disappeared.

Men(en)

Men will be men.

Divers at Work on the Wreck of the "Maine"(fr)

Divers go to work on a wrecked ship (the battleship Maine that was blown up in Havana harbour during the Spanish-American War), surrounded by curiously disproportionate fish.

Painting for the main bedroom(el)

A man is painting a landscape. A woman is holding two cups. What can go wrong? A nightmare in pink.

Bird Thongchai Concert #1/1988 Kaolao ThongChai (Mai-Ngok)(th)

Relive the magic of Thongchai "Bird" McIntyre's captivating performance at Bangkok Youth Center in 1988

12(tl)

Anton and Erika started out as friends for five years and got into a romantic relationship for seven years. Anton is a commercial director while Erika is a former band member and becomes his stay-at-home partner. The day finally comes when he asks her to marry him.

Main Line to Terror(ja)

Akiyama is an intern, disgusted with the noise pollution caused by the bullet trains and the heart attacks that noise has been causing in older hospital patients, plots to disrupt and, in ten days, destroy a unit of the operation. He warns the Japan National Railway, that, if nothing is done to reduce the noise, he will derail a bullet train. Takigawa is the police detective sent to stop him.

Man(en)

A worn-out, aging shearer who once rained king of the high country, gets on the gear to keep up his numbers. But when the drugs take over he must learn what it really means to be a man, before he loses so much more than his country pride -- MAN.

Maya Darpan(hi)

In his debut feature film, Kumar Shahani employs highly innovative forms for depicting the conflict between oppressive feudal norms and a changing industrial landscape while making female sexuality and its complex mindscape the focus. The protagonist, Taran, the younger daughter of a Rajasthani zamindar revolts against the social code set by the class system by a sexual encounter with an engineer. This film was one of the earlier and successful examples experimentation in colour during the advent of New Indian cinema.

Panjab '95(hi)

Based on real events, Honey Trehan’s second feature tells the story of human rights activist Jaswant Singh Khalra’s courageous campaign to uncover murderous corruption during the nadir of Punjab’s period of insurgency.

Ya Rab(hi)

The idea behind Ya Rab is to show how Islam has been used as a tool to propagate terrorism. The film focuses on issues where so called self proclaimed Maulanas (Islamic Preachers) misinterpret The Quran and its real meaning to breed terrorists and terrorist activity. Ya Rab is a genuine effort to show the right face of Islam and to guide the misguided on the right path.

Line of Descent(hi)

A classic crime narrative in the backdrop of Delhi merges a dysfunctional, mafia family at war with each other as an undercover officer fights his demons by assisting in their downfall.

Mammo(hi)

Mammo is an account of a certain period in the life of Riyaz, a teenager who lives with his grandmother Fayyazi as they get a visit from his grandma’s sister Mehmooda Begum Anwar Ali, commonly known as ‘Mammo’.

Nazar(hi)

A middle-aged antique dealer and money lender recollects his marriage to a 17-year-old orphan girl.

Sanam Teri Kasam(hi)

A love triangle forms after a male finds his best friend has married his sweetheart.

Hum Dil De Chuke Sanam(hi)

A newly-wed man discovers that his wife is in love with another man and decides to unite them. Ignoring the ridicule he might have to face for this, he takes his wife to Italy in search of her love.

Sanwri - Love Beyond Gender(hi)

Bhanwar, a simpleton young man in the rural Rajasthan wants a bride for him but gets duped. Instead of a woman, he is married off to a transgender person – Sanwri. Having no resort Bhanwar and his uncle decide to keep Sanwri for their household work but fearing the social ostracization they also try to keep her actual identity a secret. Bhanwar and Sanwri eventually fall in love and fight to survive as a couple in a conservative, oppressive society where marriages are meant to take place only between a man and a woman, and traditional norms are more important than humanity.

Tathastu(hi)

Circumstances force a mill worker with a sick child to take the law into his own hands. It is only when he arms himself with a gun and storms into the hospital that people begin to notice his plight.

Tarang(hi)

Rahul, the son-in-law of an old industrialist and one of the heirs to his fortune, clashes with Dinesh, the industrialist’s nephew who is openly unscrupulous. Rahul, on his part, conceals his personal ambition under a cloak of liberalism and encourages indigenous production.

Hume Tumse Pyaar Kitna(hi)

A bookstore owner falls in love with a talented author who doesn't feel the same way about him. His desire to get what he wants turns into a strange and dangerous obsession which complicates their lives together.

Gulmohar(hi)

Batra family has just four days left to vacate their house of 34 years. Amidst the mayhem and uncertainties of the future, insecurities and secrets surface.

Demons(hi)

We are thrust into the decaying crumbling marriage of Megha and Vinay. A relationship that is now running only on toxicity and vitriol for each other. Accusations fly, perceptions have been distorted and what is left is an unreliable narration of events. The only thing certain is that there is no redemption when they try to address this by inviting guests…

Stolen(hi)

The five-month-old baby of impoverished tribal woman Jhumpa Mahato is stolen. Two brothers, Gautam and Raman, who witness the kidnapping, try to help her and become embroiled in the complexities of the investigation.

Mahal(hi)

A young lawyer is involved with a ghostly woman in his new house, where the builder and his fiancée died shortly after it was built.

The Doings of Lord Krishna(hi)

Shri Krishna Leela is a 1971 Hindi religious film directed by Homi Wadia. It was produced by his Basant Pictures banner. Written by B. M. Vyas, the story and dialogue were by S. N. Tripathi.

Housefull 4(hi)

Three couples who get separated from each other due to an evil ploy, reincarnate after 600 years and meet each other as history repeats itself again and their respective partners get mixed up this time.

Unakkaga Naan(hi)

Malaal(hi)

When a rowdy Shiva’s world collides with that of a demure Aastha’s, whose family has just moved into the chawl he resides in, sparks fly between them. But given their completely different backgrounds, is there any scope for their romance to bloom and survive?