A beautiful, sensitive, reverent performance. Fischer allows Bach to speak with no unnecessary flourishes. Padmore as the Evangelist is superb, and the other soloists and choirs are near perfect. And of course the Concertgebouw orchestral musicians are absolutely first class.
Christ
Soprano
Mezzosoprano Alto
Mezzosoprano Alto
Bass
Conductor
A beautiful, sensitive, reverent performance. Fischer allows Bach to speak with no unnecessary flourishes. Padmore as the Evangelist is superb, and the other soloists and choirs are near perfect. And of course the Concertgebouw orchestral musicians are absolutely first class.
2012-04-07
0
Requiem in D minor, K 626 by Mozart, Wolfgang Amadeus Performer: Walter Berry Gundula Janowitz Christa Ludwig Peter Schreier Orchestra/Ensemble: Wienere Symphoniker Orchestra Conductor: Bohm Karl Chor der Wiener Staatsoper Period: Classical Written: 1971 ; UNITEL
This is an exhilarating experience both visually and aurally. How wonderful that Barenboim is havng such success with Verdi this late in his career.The excitement and power is there in all the big movements and the tempi shouldn't upset anyone. There is clarity and drive in all the big choral fugues and the climaxes will knock your socks off. But it was the quiet moments I found most moving. The incredibly detalied camera work increases this sense of intimacy and the video quality is excellent. Really.
Deutsche Grammophon celebrates Nikolaus Harnoncourt's 80th birthday with this 2-DVD release of rare, vintage, period Bach performances for the first time. Never released on DVD and, to the dismay of fans, long unavailable--these glorious Bach pieces are conducted by period instrument pioneer, Nikolaus Harnoncourt, as only he can. Harnoncourt, a notable cellist, performs in two concertos and on gamba in one. Harnoncourt warns, "If we lose contact with the great works of Bach, we lose our contact with humanity." Vocalists Janet Perry, Robert Holl, and Peter Schreier sing with distinction in the Coffee Cantata. The Surround Sound makes clear that they revel in the acoustics of the visually magnificent Baroque library of Wiblingen Monastery.
The moon landing is juxtaposed to Dante and Beatrice's journey through paradise in this visual oratorio composed by Jacob ter Veldhuis.
George Frederic Handel's oratorio Theodora, in its first-ever staged version at the Salzburg Festival, was among the highlights of Handel Year 2009. Acclaimed director Christof Loy presented Theodora as the profoundly moving tale of a woman who prefers death to denying her faith, an interpretation captivated with bravura by world-renowned video director Hannes Rossacher. A luminous Christine Schaefer and countertenor Bejun Mehta formed a perfect leading couple altogether suited to conductor Ivor Bolton's vigorus reading.
Johann Sebastian Bach’s St John Passion with the Berliner Philharmoniker and Sir Simon Rattle was one of the outstanding events of the past season. As before with the St Matthew Passion, star director Peter Sellars succeeded in creating a staging which made the spiritual and dramatic content of the Passion story even more intensive. The New York Times also praised the “brilliant and energetic” playing of the orchestra, the Frankfurter Allgemeine Zeitung the “haunting, almost unsurpassable singing of all those involved.”
Young members of a pop band seek their first sexual experience.
Complete collection of music-videos from Pat Benatar. Featuring never-before-scene concert footage, original commentary by Pat Benatar & Neil Giraldo, as well as vintage performances from the Benatar archives.
Gary Burton – vibraphone Julian Lage – guitar Scott Colley – bass Antonio Sanchez – drums
Sex, death, reptiles, charisma and a unique variant of the electric blues gave the Doors an aura of profundity that has survived the band's demise. In September, 1968, The Doors gave a history making performance at The Roundhouse in London's Chalk Farm. They gave powerful renditions of their best songs. Part of the Pioneer Artist Concert Film Series.
Alf Bicknell, who was the Beatles' driver and road manager, shows footage, photographs and outtakes taken while he was employed by the Beatles.
Geoffrey Giuliano is a Beatleologist who has written lots of books about them ,notably an interesting Harrison biography (Harrison reportedly said: "this guy knows more about my life than I do").He appears in his movie,as some kind of tourist guide who takes the viewer to Abbey road,the roof-where-the-last-concert-took-place ,and the gates of Strawberry Fields. Most of the interviews come from the post-Beatles era: Pete Best (and Fred Seaman ) speaks of the savage days in Hamburg .There is a lot of unseen photographs although they are sometimes anachronistic : for instance,they are talking about the campaign for peace while showing pictures of Lennon with his second son Sean.
Bursting out of the L.A. glam scene in the late 1980's, Guns N' Roses have gone on to epitomise everything that a rock band should be. Now, some 15 years later and with only one original member, they have somehow managed to retain an enormous army of de
This documentary, shot entirely on location in Havana, includes many band members' insights into this revival, and features performance footage of an All-Stars' concert at the city's Salon of Dreams.
Based on the Andrew Lloyd Webber/Tim Rice musical. The story is based on the "coat of many colors" story of Joseph from the Bible's Book of Genesis.
A coming-of-age story about a high-school girl who wants to use magic, featuring the 11-member experimental band Vampillia
Depeche Mode's 'Touring The Angel' was one of the most successful, highly grossing and critically acclaimed tours of 2006. Hailed as the greatest live performances of their career, it was recorded at Milan's Fila Forum on February 18th and 19th 2006 and sees the band at their live best with a pulsing sound, electric stage presence and ecstatic audience.