Ann Barton, the daughter of a once-wealthy family, is forced to clerk at the cigar counter of a village hotel, where she meets James McDonald, a breezy, handsome salesman. Ann is adopted by an aristocratic aunt, who disapproves of James's manners and breaks up Ann's relationship with him. Ann soon revenges herself on her aunt by placing both her aunt and herself in compromising positions.
Jenkins
Ann Barton, the daughter of a once-wealthy family, is forced to clerk at the cigar counter of a village hotel, where she meets James McDonald, a breezy, handsome salesman. Ann is adopted by an aristocratic aunt, who disapproves of James's manners and breaks up Ann's relationship with him. Ann soon revenges herself on her aunt by placing both her aunt and herself in compromising positions.
1925-09-06
1
Two young women transform from an innocent girls into a jazz mad flappers.
Angered by his son Dick's boastful ways, which in one incident lead him to lose a business deal, an automobile manufacturer challenges him to complete four difficult missions.
Peggy Raymond, a country girl, comes to New York with plans for a career in art and is taken by mistake to a Fifth Avenue address where she meets Dick Merwin, the scion of a wealthy family, whom she mistakes for her cousin. Later, in Brooklyn, she finds that her relatives have moved, and Mabel Hines takes her in and gets her a job. By necessity, Peg is forced to demonstrate fat-reducing rollers in a shop window, where she is unfavorably viewed by Mrs. Schuyler and her husband. She is admired by Sam Billings, a wealthy old bachelor, and becomes involved with Maddox, who affects an interest in her paintings. But through a series of reversals and complications, Peg is made to realize that Dick is the worthier man.
The story of two feuding Irish immigrant families living in a tenement.
Fannie joins Johnny to perform a music-hall act which becomes a success, until two Broadway producers catch the act and offer Fannie a job on their latest show; however, they have no place for Johnny, so Fannie turns down the offer. (Film considered lost.)
William Bradberry, an absent-minded Egyptologist, turns from a henpecked husband to a dominating one who, unknown to his daughter Betty and wife, writes theatre musical comedy on the side. And saves his daughter from the unsavory millionaire, Victor Smith she almost marries before she marries the decent man Tommy Dawson. A lost film.
Based on the David Belasco stage production of the Max Marcin play in which heavyweight-champion Jack Dempsey played the role of the fighter, Tiger: This "behind-the-scenes look of a heavyweight-championship fight" looks much like all of the other boxing films in which the Champ gets involved in a frame-up and is asked to take a dive.
In this comedy-drama, May Allison plays Teddy Hayden, a very independent society miss. When her childhood sweetheart, Gerry West (Wallace MacDonald) takes her to a Greenwich Village cafe, she thinks she's found where she belongs. So she spends all her time there and gets herself in a load of trouble.
Mazie, a shop-girl of New York City's Little Ireland, goes to the aid of a young man in formal attire involved in a street fight. Though badly beaten, he bears a strong resemblance to Lord Lytton, the hero of a magazine story Mazie is reading in installments. Although he is, in reality, a soda clerk, Mazie permits his attentions, and together they read the "Sloppy Stories" yarn about English nobility.
The adopted Irish daughter of the Rosensteins, Second Avenue pawnshop owners, Rose is much sought after by Tim McCarthy, a wealthy Irish contractor many years her senior. Meanwhile, Nat, her adopted brother, is accused of stealing from his firm and is arrested and put in jail; Rosenstein, heartbroken, becomes seriously ill.
Molly, a glamorous clothing model in New York, though yearning for a life of luxury, spurns the advances of her boss's son in favor of a shipping clerk, late of the backwoods.
Working as a wardrobe girl in a cheap traveling stock company, Mamie Judd secretly loves Jenks, the leading man, who scarcely notices the young girl. She saves Neal Selden, son of a small-town banker, from being accused of robbery and murder, acts committed by the company's manager and leading lady.
Humanitarian Roberta induces her father to hire former convict, Bill, as his gardener. When she leaves on vacation, Bill steals her jewelry and eventually sells a brooch to her boyfriend, Richard, who unknowingly gives it to her as a present.
Amos Kerran and his wife live a traditional, old-fashioned life on a Connecticut farm, while their son and daughter, Arthur and Maybelle, are successes in New York society. The children want to invite their parents to the city at Christmastime but are ashamed of their unrefined appearance.
On the way to Sunday school, Edgar meets the lady of his heart--and his hated rival. The Sunday-school lesson on David and Goliath so intrigues Edgar that he sees himself as David, saving the entire school, sweetheart and rival included, from Goliath's sword. Edgar's answer to the teacher's question proves his straying thoughts. As a result he is placed on the platform, where he sees himself descending to the "lower regions" as the "worst boy in the school." Edgar's Sunday adventures end with him at peace with the world, after two helpings of pie.
Young and pretty, Margery Dean, companion to Mrs. Sawyer, a wealthy lady, chances to meet Jack Drislane, a young clerk. It is raining hard; she has not an umbrella; he secures one and escorts her home. He is duly impressed when she enters a large brownstone mansion, particularly as the girl does not enlighten him as to her real social position; Later, they see each other again in passing autos and then Jack, who has been unable to forget Margery, asks permission to call, neglecting to mention, however, that he is a working man and not a wealthy idler.
The sinister mesmerist Svengali hypnotizes a group of people and compels them to perform various humorous acts in a Trilby segment from David Henderson's Aladdin, Jr. burlesque. Lost.
The Leigh Sisters perform a risqué Trilby-inspired dance with an umbrella. Scene from David Henderson's Aladdin, Jr. burlesque. Lost.
Millionaire Joshua Barker insists that his daughter, Faith, must marry Phil Langhorne, a man that neither likes, and Faith is in love with and eager to marry her childhood sweetheart, John Temple.
Hajj, a rascally beggar on the periphery of the court of Baghdad, schemes to marry his daughter to royalty and to win the heart of the queen of the castle himself. This film is believed lost.