Charlotte
1923-11-29
0
A rancher begrudgingly goes east in order the fulfill the requirements of his uncle's will and receive his inheritance.
A free-spirited young girl has three middle-aged admirers, each of whom sees her from a completely different perspective. Unknown to her, they also happen to be the guardians of a wealthy young man to whom she is attracted. Only a small fragment of this film survives.
In order to land an important client, Morgan is obliged to escort a beautiful redhead to a costume ball. Finding out about this, and suspecting that some hanky-panky is involved, Morgan's wife Angela dons a mask and a red wig and offers herself as the companion of her unwitting hubby. Angela's jealousy-motivated subterfuge works to everyone's advantage when she manages to cinch the deal for Morgan.
A woman has second thoughts about her socialite fiancé when she finds a grey veil in his overcoat. When she discovers that the veil belongs to the owner of a beauty shop, she begins to investigate.
In Bagdad, Princess Badr al-Budur, the daughter of the Sultan, falls in love with Aladdin, the son of a poor tailor, and rejects the suit of evil alchemist al-Talib, her father's choice. Al-Talib consults his Evil Spirit, who advises him to find the magic lamp hidden in an underground cave. Unable to get it himself, al-Talib hires Aladdin, who secures the lamp but keeps it when he realizes al-Talib's wickedness. With wealth obtained through wishes, Aladdin courts the princess. After the lamp changes hands between al-Talib and Aladdin, al-Talib steals it and abducts the princess to the desert. Aladdin follows with only a gourd of water. Suffering from thirst and exhaustion, Aladdin nearly succumbs, but the horsemen of the Sultan, who learned of his daughter's abduction, ride up and rescue Aladdin.
Jerry Martin quits his dull job as a bank clerk and falls in with a band of hobos. He takes on the guise of Bachelor, the "king of the market," and finds himself pursued by dangerous men who are after the real Bachelor. *Only fragments are known to exist. Preserved by the Academy Film Archive in 2010.
The story of two feuding Irish immigrant families living in a tenement.
The story of a poor young woman, separated by prejudice from her husband and baby, is interwoven with tales of intolerance from throughout history.
A sexy young nightclub singer sets her sights on a young man she believes to be a millionaire playboy, although he is in reality only an insurance agent.
The international criminal Helene Voigt, who calls herself Countess Montigno, is on the run from the law.
After his defeat at the hands of "Spider" Flynn, the welterweight champion of Europe, boxer Jimmie Dolan and his trainer, Thomas Jefferson Jones, leave for a principality near Paris. Having lost all their money on the fight, Jimmie accepts Count Conrad's offer to impersonate Prince Frederick in return for a large sum of money.
Jack Calvert bets four friends that he can travel from New York to Constantinople without a cent.
Lawyer Hanover Priestley plots with his friend Henry Winkley to marry off young heiress Leila Calthorpe to Winkley's nephew, John Warren. When John refuses, preferring to select his own wife, they lure him east by a false report of Winkley's death. Indignant at his rebuff, Leila disguises herself as Perkins, a maid, and romances him, leading him to believe that Aunt Agatha is the heiress. Complications develop, and after saving her from a fire John discovers her identity and agrees to marry her.
Eve Orrin is at the mercy of her possessive mother, who has a case of "nerves" every time her daughter tries to show a mind of her own. Mrs. Orrin and her friend, Mrs. Marchant, have determined that Eve will marry Mrs. Marchant's milquetoast son, Henry, and Eve is willing to go along with it just to placate her mother. But Eve herself finally has an attack of nerves, and she falls in love with Doctor Harmon, the physician called in to care for her.
Just as Galeen and Wegener's Der Golem (1915) can be seen as a testament to early German film artistry, The Story of the Kelly Gang (1906) symbolizes both the birth of the Australian film industry and the emergence of an Australian cinema identity. Even more significantly, it heralds the emergence of the feature film format. However, only fragments of the original production of more than one hour are known to exist, preserved at the National Film and Sound Archive, Canberra; Efforts at reconstruction have made the film available to modern audiences.