Documentary about filmmaker Jean Grémillon.

Documentary about filmmaker Jean Grémillon.
1969-01-01
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The escort vessel with the harpoon searches for whales. The sailor on the observation mast points to a whale. The whale is hit with the harpoon. The prey is pulled into the main ship with winches, where it is cut up and processed immediately.
The film offers three excerpts from the life of a working blind person. It shows in particular the extent to which the guide dog can replace the blind person's lack of sight and how this results in a relationship of loyalty between man and animal of rare intimacy.
0.0Rare documentary footage from around 1900 depicts the mood of life in Berlin at the turn of the century.
0.0The social democrats of the sixties and seventies worked on their grand plan to build a highway network in Germany that every German citizen could reach within five minutes of their home. The little film hangs around between and on the streets of this network - where the country discos, pedestrian zones, shopping centers, hospitals and roads home are behind noise barriers.
6.8Children get ready to start the first grade. They start learning the first letters.
10.0Cinema and painting establish a fluid dialogue and begins with introspection in the themes and forms of the plastic work of a woman tormented by the elongated specters, originating from her obsessions and nightmares.
0.0The T.N.P., the Théâtre National Populaire, an important experimental theater directed by Jean Vilar. Franju combines sequences from theatrical performances with documentary images, creating links and confrontations between theater and the real world.
I started from the assumption that the discourse about the hospital could be the objective pretext for communication between two people, the link that allows them to continue writing to each other, the intermediary between two desires.
7.2A cinematic portrait of the homeless population who live permanently in the underground tunnels of New York City.
Students from nine nations unite on August 7, 1950 at the Franco-German border near Germanshof, tear down the barriers and remove the border posts and barriers, which they burn in a ceremony. This act is a commitment to Europe and a protest against the arbitrariness of borders between nations.
The film reports on the return of Soviet units from Czechoslovakia (CSSR) to their stationing areas in the GDR. It depicts the reception by the population of the GDR.
Presentation of the economic upswing in the GDR, emphasizing the discovery of the process for the production of high-temperature lignite coke and the commissioning of the Lauchhammer large-scale coking plant.
0.0Documentary on the former border patrol sergeant Klein. Klein deserted in 1961, defected to the enemy and betrayed state and military secrets. He was caught by the security forces.
Short film intended for the mobilization of NVA units to secure the state border in Berlin on 13 August 1961.
0.0In order to meet the commissioning deadline of the VEB Erdölverarbeitungswerk Schwedt on April 1, 1964, around 450 NVA pioneers support the work to complete the start-up stage over the Easter holidays. The ceremonial commissioning takes place punctually on April 1 in the presence of Minister Erich Pasold.
0.0A group of leftist activists expose the exploitation of immigrant workers by a criminal network with connections to local government officials. The movie was produced by the group SLON (Société pour le Lancement des Oeuvres Nouvelles, also the Russian word for elephant). SLON was a film collective whose objectives were to make films and to encourage industrial workers to create film collectives of their own. Its members included Valerie Mayoux, Jean-Claude Lerner, Alain Adair and John Tooker, and Chris Marker.
0.0A film about problems in providing the population with housing that meets their needs. Affected citizens and representatives of the responsible state institutions give their views.
5.2The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890.
The film shows the various stages of the Stahlhelm's integration into the NSDAP and the Third Reich.