
The story about how Britt-Marie took back the brush factory from her husband’s cruel brother at the end of the fifties was one of Malin’s childhood fairy tales. Britt-Marie is now 95 years old and trying to set the story straight with the help of her daughter behind the camera. Together they outline a powerful life story that is slowly fading away.

Herself
Herself
Himself
Himself
Himself

The story about how Britt-Marie took back the brush factory from her husband’s cruel brother at the end of the fifties was one of Malin’s childhood fairy tales. Britt-Marie is now 95 years old and trying to set the story straight with the help of her daughter behind the camera. Together they outline a powerful life story that is slowly fading away.
2019-01-26
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0.0The filmmaker's mother describes stories of his lustful youth over the phone, causing them to reflect on his current love life at the age of 30.
0.0"My mother is spending all her time with her dying father. I’m spending all my time filming her. As the end is getting closer, my mother and I start doing the filming more and more together. It becomes our way of dealing with the time we have left." —Marius Dybwad Brandrud
7.8This documentary film follows for 22 years a nine-member family involved in the manufacturing of Udon in the Goto Islands, Nagasaki prefecture. Mr. Toru Inuzuka called by nickname "Tora-san" is making famous 'Goto Udon' and natural salt on the island on which the depopulation is progressing. Seven children get up at 5 o'clock every morning, helping to make udon, and go to school. Children's help is recorded on the time card, and it is pocket money for children. The film talks about children's growth, marriage, childbirth, homecoming, and parting. The 22 years of familiarity of the family is drawn.
1.0Chevrolet presents this tribute to the American woman and her thrifty ways with money. The film also salutes the individuality of the Amerian citizen and the variety of choices we have in the marketplace.
0.0Seven strangers are interviewed to talk about the relationship they have with their mother.
8.0Australian filmmaker Sophia Turkiewicz investigates why her Polish mother abandoned her and uncovers the truth behind her mother's wartime escape from a Siberian gulag, leaving Sophia to confront her own capacity for forgiveness.
8.2Thomas Haemmerli is about to celebrate his fortieth birthday when he learns of his mother's death. A further shock follows when he and his brother Erik discover her apartment, which is filthy and full to bursting with junk. It takes the brothers an entire month to clean out the place. Among the chaos, they find films going back to the 1930s, photos and other memorabilia.
0.0Unconditional: A Journey of Selfless Love explores the love, care, and sacrifices family caregivers give to their loved ones and the many loving choices they have to make. Learn what it means to be committed and loyal to someone no matter the circumstances as highlighted through four caregivers and their journeys.
3.5The film is about the director’s mother, the movie actress Nina Antonova. Now she is 80. She has had hundreds of roles – big and small. It is a personal story about an honest and sad life, about self-sacrifice and freedom. Real fame as an actress came to her only once in her life. It was the leading role in the first Soviet colour TV series Varka’s Land. That was 45 years ago…
0.0Maria José's life story reveals not only the harsh reality she and her family faced, but also a portrait of the real Brazil. Like a butterfly that is born crawling, she finds her beauty where it is not convenient to be found and sets her flight free to the sky.
0.0A film essay that intertwines the director's gaze with that of her late mother. Beyond exploring mourning and absence as exclusively painful experiences, the film pays tribute to her mother through memories embodied by places and objects that evidence the traces of her existence. The filmmaker asks herself: What does she owe her mother for who she is and how she films? To what extent does her film belong to her?
0.0Artistic director of the National Theater Eric de Vroedt writes and directs a performance about his own mother Winnie, who passed away in 2020. This piece, titled The Century of My Mother, is a family story about the migration from the Dutch East Indies to the Netherlands. It is De Vroedt's way of examining the relationship with his mother and not having to say goodbye to her yet: 'I can let her live on stage, but when the curtain falls, when the play is completely finished, then she is really dead'.
9.9An 80-year-old former fashion model and cult film actress reflects on her life after surviving cancer and COVID.
0.0This film is a documentary portrait of the great Bulgarian Writer and poet Valeri Petrov.
0.0"Until one day... when the first shot was fired, everyone had to leave their homes." – In 1975, Ema was awaiting the arrival of her first child, in Angola. However, her tranquility was abruptly interrupted by a force that pulled her from her comfort and changed her life forever.
6.8The real story behind Rudy Giuliani's infamous press conference at Four Seasons Total Landscaping in November 2020, delivered just as the presidential election was being called for Joe Biden. One year after the event, and with exclusive access to the Four Seasons family, learn what really happened that day and what became of the small business that was thrust into the national spotlight.
6.9Cambodian refugee Ted Ngoy builds a multi-million dollar empire by baking America's favourite pastry: the doughnut.
0.0Filmmaker Diego Gutiérrez knows that he is soon to lose two loved ones: his mother Gina Coppe and his best friend Danniel Danniel. Both ask him to film them during this final phase of their lives—Gina in her apartment in Mexico City, Danniel in a Dutch restaurant where he feels at home. What stories do they want to leave behind?
0.0Tatjana in Motherland is a partly animated documentary essay about Slovenia and its men. It is a “documentary-tale” of how Slovenian society has been disintegrating in an invisible way. The story will unveil a Slovenian Oedipus archetype of the possessive martyr mother type and her relationship with her son, in which she through emotional manipulation, by constantly creating feelings of guilt, burdens her son to such a degree, that he remains dependent on her for the rest of his life. In order to put this relationship to its best use, all Slovenian governing structures have elevated mother figure on the level of a saint and have assigned to it the cultish role. The result of the Slovenian maternal cult is a typical Slovene male, who is pathologically obsessed with his mother.