Bo Kata, loosely translated in English means hacked! That is the victory battle cry when kites are eliminated in raging sky duels, sometimes lasting hours. Filmed entirely in Lahore, Pakistan, over three continuous days, Bo Kata is a rare cinematic documentary treat, depicting uniquely the rooftop kite flyers of Lahore, who have been a traditional part of Pakistan's culture and heritage that has lasted for over 400 years. Their sport is now under threat from a complete ban, after a series of tragic fatalities involving children and motorcyclists, resulting in decapitations and dismemberment from illegal chemically coated strings used to fly the kites. The documentary highlights a population that is associated with the mysterious art of kite dueling amidst the political backdrop of an impending ban
Bo Kata, loosely translated in English means hacked! That is the victory battle cry when kites are eliminated in raging sky duels, sometimes lasting hours. Filmed entirely in Lahore, Pakistan, over three continuous days, Bo Kata is a rare cinematic documentary treat, depicting uniquely the rooftop kite flyers of Lahore, who have been a traditional part of Pakistan's culture and heritage that has lasted for over 400 years. Their sport is now under threat from a complete ban, after a series of tragic fatalities involving children and motorcyclists, resulting in decapitations and dismemberment from illegal chemically coated strings used to fly the kites. The documentary highlights a population that is associated with the mysterious art of kite dueling amidst the political backdrop of an impending ban
2007-02-07
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0.0Ishq e Qalandar - The Beautiful Sindh is a travel film that takes viewers through one of the most ancient civilizations on Earth called Sindh. Shezan Saleem Jo-G takes a journey of self-realization, the discovery of his roots, and building a connection with people and spirituality in Sindh.
4.6A documentary which explores the lives of gay people and the challenges they face in Pakistan, a country whose laws explicitly outlaw homosexuality.
0.0In the remote valleys of the Hindu Kush live the Kalash people, the smallest ethnic minority in Pakistan. With a distinct culture and polytheistic religion, they are said to be descendants of Alexander the Great’s troops. But modern life is reaching their valleys and their culture and way of live is under threat.
0.0A Hazara film director follows a gravestone maker, a water girl and a man who buried his limb, as their daily lives unfold in a graveyard.
6.0A Balinese documentary about the traditional art of kite-making.
0.0Today India and Pakistan are home to one fifth of the world's population. They are rising powers but hostile neighbours. Their enmity can be traced back to the week of their birth, 70 years ago. On 15 August 1947, Britain would give up the Indian Empire, partitioning it in into two independent countries, India and Pakistan. This film tells the story of the seven days that led up to their independence and the last days of the British Raj.
0.0Looking at the consequences of first cousin marriage in Britain.
0.0In Pakistan, the public space is dominated by men. The confidence with which they walk the streets or weight train quickly disappears once they are confronted with female sexuality. Off-screen, several anonymous women talk about their sexuality. The images of the conventional partiarchal society are in sharp contrast to the liberating explicitness of the accounts of clit stimulation, sex with multiple partners, pissing, abortions, and rape.
7.0In 1962 Joris Ivens was invited to Chile for teaching and filmmaking. Together with students he made …A Valparaíso, one of his most poetic films. Contrasting the prestigious history of the seaport with the present the film sketches a portrait of the city, built on 42 hills, with its wealth and poverty, its daily life on the streets, the stairs, the rack railways and in the bars. Although the port has lost its importance, the rich past is still present in the impoverished city. The film echoes this ambiguous situation in its dialectical poetic style, interweaving the daily life reality (of 1963) with the history of the city and changing from black and white to colour, finally leaving us with hopeful perspective for the children who are playing on the stairs and hills of this beautiful town.
7.0Every year hundreds of people - mostly women - are attacked with acid in Pakistan. Follow several of these survivors, their fight for justice, and a Pakistani plastic surgeon who has returned to his homeland to help them restore their faces and their lives.
9.0Politically Exposed Persons (PEPs) are people who hold a public function and as a result, present higher risks of being involved in bribery or corruption. Offshore leaks have revealed repeatedly that PEPs use British finance and British offshore jurisdictions to launder their wealth, hide their wealth and re-invest it into the global financial system. London is the place where they buy property, where they take legal action against their critics and where they live when they fall from grace. But what happens when a developing country fights back and attempts to get Britain to return the money that it claims has been stolen? Watch Behind Closed Doors and find out.
7.1A woman in Pakistan sentenced to death for falling in love becomes a rare survivor of the country's harsh judicial system.
5.0The film based on a true story, tells the story of two soldiers who fought off an assault by 1500 attackers while defending section level outpost of an Infantry Battalion in South Waziristan Agency. 43 soldiers were killed in the battle on the night of 29 May 2009.
9.0Flying Paper tells the uplifting story of resilient Palestinian youth in the Gaza Strip on a quest to shatter the Guinness World Record for the most kites ever flown.
0.0Chronicles from Kashmir seeks to create a sense of “balance”: between differently positioned voices that emerge when speaking about Kashmir; between differently placed narratives on the “victim”/“perpetrator” spectrum. While there is an inevitable streak of political commentary that runs throughout the work – a political current that cannot be escaped when talking about Kashmir – Chronicles from Kashmir does not espouse any one political ideology. We see ourselves as being artists and educators, using aesthetics and pedagogy to engage audiences with diverse perspectives from/about the Valley.