The Verve: Bittersweet Memories(2017)

The Harder They Come(en)

Ivanhoe Martin arrives in Kingston, Jamaica, looking for work and, after some initial struggles, lands a recording contract as a reggae singer. He records his first song, "The Harder They Come," but after a bitter dispute with a manipulative producer named Hilton, soon finds himself resorting to petty crime in order to pay the bills. He deals marijuana, kills some abusive cops and earns local folk hero status. Meanwhile, his record is topping the charts.

Shine a Light(en)

Martin Scorsese’s electrifying concert documentary captures The Rolling Stones live at New York’s Beacon Theatre during their A Bigger Bang tour. Filmed over two nights in 2006 with an all-star team of cinematographers, the film combines dynamic performances with archival footage and rare glimpses behind the scenes, offering a vibrant portrait of the band’s enduring energy and legacy.

Tossing a Nigger in a Blanket(en)

A method soldier boys have for amusing themselves in their leisure moments. New comrades are frequently initiated by the old-fashioned sport of tossing in a blanket. The newly arrived recruit, who is the victim of their sport, enjoys himself, perhaps, less than the other participants.

The Warwick Rowers - WR17 England Film(en)

A beautifully crafted documentary that takes you behind the scenes of our 2017 calendar shoots in England. Shot on location in England in glorious color and full 4k definition, available as a download only. The Warwick Rowers are back for a 2017 video to support charity.

Dams: The Lethal Water Bombs(en)

Documentary short about the disastrous dangers of aging, ailing dams.

I'm the Vet(en)

A story about my sister, Dr. Lindsay Eisenhour, one of the lead veterinarians at Neel Veterinary Hospital in Oklahoma City, battles the reality of her profession and of pet care.

A Complete Unknown(en)

New York, early 1960s. Against the backdrop of a vibrant music scene and tumultuous cultural upheaval, an enigmatic 19-year-old from Minnesota arrives in the West Village with his guitar and revolutionary talent, destined to change the course of American music.

Boundin'(en)

On a high mountain plain lives a lamb with wool of such remarkable sheen that he breaks into high-steppin' dance. But there comes a day when he loses his lustrous coat and, along with it, his pride. It takes a wise jackalope - a horn-adorned rabbit - to teach the moping lamb that wooly or not, it's what's inside that'll help him rebound from life's troubles.

A Jupatarama(es)

Das Freie Orchester(de)

"The Free Orchestra" is a group of young people who have various careers, and get together in their free time to make music. Improvisation and original hand made instruments mark the group's style. The individual members of the band are filmed at their daily work life and at one of their concerts. A collage of sounds arises, which conveys their life feelings and experiences, in a satirical and grotesque language.

Little Taiko Boy(en)

Little Taiko Boy's soundtrack is a safer-sex parody of the American Christmas carol "The Little Drummer Boy" interspersed with the slow rumble of a traditional Japanese taiko drum that sounds like a massive throbbing heart beat. Against this backdrop, several men meet in Tokyo's bathhouses, love hotels and cruising spots for intimate encounters, watched over by a glamorous drag version of Amaterasu Omikami, the Shinto goddess of the Sun played by Japanese activist and artist MADAME BONJOUR JOHNJ.

Naim and Wadee'a(en)

A documentary exploring social life in Yaffa before 1948 through a miniature portrait of a Palestinian couple, Wadee’a Aghabi and Naim Azar, constructed through the oral histories presented by their daughters and relatives.

La casa delle vedove(it)

LA CASA DELLE VEDOVE portrays a group of widows who, he thinks, lived in a constant ‘dialogue‘ with death. In the house where they all lived ‘every colour was saturated with that special reddish shade that you see everywhere in Rome, and furthermore the rooms were filled with a stale, musty smell.‘

Once When I Served My Dear Landlord(be)

Based on a Belarussian folk song, movie tells a story of a poor peasant who goes to serve the landlord and is not successful in it.

Screen Snapshots (Series 1, No. 20)(en)

Intimate views of the movie stars of the Silent Era, at work and play; featuring Sessue Hayakawa, Lillian Gish and others.

Ayumi Hamasaki - Arena Tour 2003-2004 A(ja)

Ayumi Hamasaki Arena Tour 2003-2004 A was released on September 29, 2004

Space Miami: Abandoned Aerojet Everglades Rocket Factory(en)

In 1963 Aerojet-General built a rocket manufacturing plant in the middle of the Everglades. They were hoping to build rockets for the Apollo moon mission. The rockets were built and tested in a 150 ft. deep silo, the deepest hole ever dug in Florida.

Cherry Pop(en)

Cherry Pop was no ordinary cat. Beloved by her wealthy socialite owners, she lived life in the lap of luxury. Her taste for filet mignon and the comfort of Rolls-Royces made Cherry Pop a celebrity before her death in 1995. This delightful story will tickle your funny bone and touch your heart.

Workers Leaving the Lumière Factory(fr)

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Land Without Bread(es)

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.