A CBS television special, renowned for its legendary "Yma, Ava....Yma, Uta... Yma, Oona" sequence. Annie: the Women in the Life of a Man (1970), won Anne Bancroft her only Emmy for her portrayal of 14 different woman in 14 musical and comedy sketches. Bancroft's husband Mel Brooks contributed to the script and also appears onscreen.
Himself
A CBS television special, renowned for its legendary "Yma, Ava....Yma, Uta... Yma, Oona" sequence. Annie: the Women in the Life of a Man (1970), won Anne Bancroft her only Emmy for her portrayal of 14 different woman in 14 musical and comedy sketches. Bancroft's husband Mel Brooks contributed to the script and also appears onscreen.
1970-02-18
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Bancroft funny. Bancroft sad. Bancroft singing and dancing. Watch and be dazzled.
It's Charlie Sheen's turn to step in to the celebrity hot seat for the latest installment of The Comedy Central Roast.
In this variety special, Olivia shares the evening with Andy Gibb, Elton John, Ted Knight, Gene Kelly and Toni Tennille. The special included songs from Grease and the Totally Hot album as well as some other artists' covers : the Eagles, Bob Seger, Elton John and Buddy Holly. Olivia also performed a parody of the jazz/blues classic Makin' Whoopee with Gene Kelly, changing the lyrics to Makin' Movies and dealing with Olivia's dream of producing a musical. The show was aired internationally and did very well in the ratings, as did her two previous US television specials on the same network. It is to be noted that Tina Turner's appearance on Olivia's special helped her sign a contract with then Olivia's manager Roger Davies, who ultimately helped her to go back into the spotlight.
George Carlin is in top form with these stand-up recorded at the Beverly Theater in Los Angeles in 1986. Routines included are "Losing Things," "Charities," "Sports," "Hello and Goodbye," "Battered Plants," "Earrings," and "A Moment of Silence." Also included is a short film entitled "The Envelope" co-starring Vic Tayback.
Recorded at Carnegie Hall, New York City in 1982, released in 1983. Most of the material comes from his A Place for My Stuff, the album released earlier that same year. The final performance of "Seven Dirty Words," his last recorded performance of the routine, features Carlin's updated list.
George Carlin changes his act by bringing politics into the act, but also talks about the People he can do without, Keeping People Alert, and Cars and Driving part 2.
Steve Martin's fourth NBC special was in the spirit of his previous association with Saturday Night Live. It was broadcast live from Studio 8H, produced by Lorne Michaels and featured some original cast members of the show.
When George Carlin is asked which HBO concert is his favorite, his answer is always, "Jammin’ In New York." The show, taped at the Paramount Theater in Madison Square Garden and winner of the 1992 CableACE Award, is a perfect blend of biting social commentary and more gently-observed observational pieces.
Carlin returns to the stage in his 13th live comedy stand-up special, performed at the Beacon Theatre in New York City for HBO®. His spot-on observations on the deterioration of human behavior include Americans’ obsession with their two favorite addictions - shopping and eating; his creative idea for The All-Suicide Channel, a new reality TV network; and the glorious rebirth of the planet to its original pristine condition - once the fires and floods destroy life as we know it.
This was the first of two one-hour musical specials which were part of CBS' 1968 multi-million-dollar contract with Doris Day's production company, a contract that Day insists to this day was negotiated by her husband and manager Martin Melcher without her knowledge. When Melcher died suddenly in April 1968, Day chose to go ahead and honour the contract, appearing in both specials as well as starring in her eponymous sitcom for five seasons, from 1968-1973.
From an ominous Lecturer, a small 1930s middle American community learns of the Harper Affair, in which young Jimmy Harper finds his life of promise turn into a life of debauchery and murder thanks to the new drug menace marijuana. Along the way, he receives help from his girlfriend Mary and Jesus Himself, but always finds himself in the arms of the Reefer Man and the rest of the denizens of the Reefer Den.
Ruth Sherwood and her sister, Eileen, have moved to 1935 Greenwich Village. They're surrounded by colorful Village characters (including an out-of-work football player known as the Wreck, and Mr. Appopolous, a modern painter and their landlord) and embark on various New York adventures. Ruth, who's trying to make it as a writer, meets up with a sleazy newspaper writer named Chick and a kindly editor named Bob, both of whom take an interest in both her career and her.
George Carlin hits the boards with the former Hippie-Dippie Weatherman's take on Brooklynese pronunciations of the names of sexually transmitted disease ("hoipes"), plus a prayer for the separation of church and state, feuds between breakfast foods, and the absurdity of wearing jungle camouflage in a desert.
Performing at the Celebrity Star Theater in Phoenix on July 23, 1978, Carlin mesmerizes his audience in the second of his 12 HBO specials. The show was originally planned as part of a concert/sketch movie, The Illustrated George Carlin, that never came to fruition.The routines include: Death, Kids & Parents, Newscast #2, Time and Al Sleet, the Hippy-Dippy Weatherman. -- From Amazon.com
In this hour and a half special, writer/director/comedian/podcaster Kevin Smith conducts a riotous and outrageous Q&A session about the aftermath of his latest film, Red State. Topics include such misadventures as his pissing off the entire movie blogger community at the Sundance Film Festival and being followed around the country by the highly devout, and highly angered, Phelps Family.
Liza Minnelli stars in a television concert directed and choreographed by Bob Fosse. She performs her songs such as the title number and a medley of songs from the film Cabaret (1972).
Hosted by Cyril Ritchard, with performances by Florence Henderson, Barbara Harris, Stanley Holloway, John Cullum, Patricia McBride and Edward Villella. Songs include; On A Clear Day, The Heather On The Hill, Wait Till Were Sixty-Five, Wouldnt It Be Loverly?, Camelot, Why Cant A Woman Be More Like A Man?, How Could You Believe Me?, I Remember It Well, Without You, Gigi, Im Getting Married In The Morning, Hurry, Its Lovely Up Here, Melinda, On The S.S. Bernard Cohn, What Did I have That I Dont Have?, Ive Grown Accustomed To Her Face, Its Almost Like Being In Love, Bonnie Jean, Waltz At Maxims (She Is Not Thinking Of Me), I Could Have Danced All Night, On The Street Where You Live, and Come Back To Me.
This program features then-newcomer Sandy Duncan in her first network television special. Only a few years after being passed over by Gene Kelly for a role in Hello Dolly, Duncan's star had ascended so far so fast that he was now her special guest star. Paul Lynde is also featured in a campy version of "Bad, Bad Leroy Brown".
Peter Pan is a 1976 musical adaptation of J. M. Barrie's Peter Pan, or the Boy Who Wouldn't Grow Up, produced for television as part of the Hallmark Hall of Fame, starring Mia Farrow as Peter Pan and Danny Kaye as Captain Hook, and with Sir John Gielgud narrating. Julie Andrews sang one of the songs, "Once Upon a Bedtime", off-camera over the opening credits. It aired on NBC at 7:30pm on Sunday, December 12, 1976, capping off the program's 25th year on the air. The program did not use the score written for the highly successful Mary Martin version which had previously been televised many times on NBC. Instead, it featured 14 new and now forgotten songs, written for the production by Anthony Newley and Leslie Bricusse.
Several roasters, and the master himself Kevin Hart, make fun of Justin Bieber.
In 1968 Harry Belafonte and Petula Clark sang together her song On the Path Of Glory for this special on NBC. Not such a remarkable event in itself, but Petula touched Harry's forearm during the duet and made TV history. It was the first time a white woman had touched a black man on US television. The sponsor insisted the touch be cut from the programme, the programme makers refused. In the decade’s “year of revolt”, Clark found herself at the centre of a media controversy involving race, censorship and endemic bigotry in a newly desegregated yet depressingly divided US.