Concert in Venezuela at the July 1998 under the AMNISTIA festival. Here Ruben forgets a part of the lyrics and the musicians, although they still play, are surprised at what happened. TrackList 01. Que Sera 02. Pablo Pueblo 03. Idilio 04. Pedro Navaja 05. Gitana 06. Buscando Guayaba 07. El Gran Varon 08. Nacimiento De Ramiro 09. Plástico 10. Plantacion adentro, 11. Homenaje a Hector Lavoe
Concert in Venezuela at the July 1998 under the AMNISTIA festival. Here Ruben forgets a part of the lyrics and the musicians, although they still play, are surprised at what happened. TrackList 01. Que Sera 02. Pablo Pueblo 03. Idilio 04. Pedro Navaja 05. Gitana 06. Buscando Guayaba 07. El Gran Varon 08. Nacimiento De Ramiro 09. Plástico 10. Plantacion adentro, 11. Homenaje a Hector Lavoe
1998-06-16
0
Tremendos artista, tremenda orquesta, honor a los grandes. VIVA LA SALSA!!!
The film portrays two of the most important producers of a movement born in the early 2000s, as well as the testimonies of some of its signatures dancers. In addition, it shows the initiative of Abstractor Collective to rescue and export the authenticity of a catchy rhythm that begins to count amongst its followers important producers and artist of the international electronic scene.
The first sketch show by Escuela de Nada. A christmas movie produced by EDN in which you'll see how they try to save christmas after having lived a truly shitty year.
An independent rockumentary that comprises first-hand testimonials about the history of Sentimiento Muerto, the most influential band in Venezuela, as well as the projects that came after its dissolution: Dermis Tatú and PAN.
Two decades ago, Venezuela's power trio Dermis Tatú released their only album, "La violó, la mató y la picó" ("Raped her, killed her and cut her"). The band was an offspring from the separation of Sentimiento Muerto, and was formed by Carlos "Cayayo" Troconis (voice and guitar), Héctor Castillo (bass) and Sebastián Araujo (drums). The record is still considered by many as the most influential in the Venezuelan rock scene. Twenty years later, Castillo and Araujo remember the stories behind the recording, as a group of the current generation of Venezuelan rockers, not only explain its influence and impact, but also play all the songs from the album, making them their own.
After several undistinguished albums in the early 80s, D’León began a return to form with 1984’s Con Cariño. Between 1985 and 1987 D’León issued a succession of albums featuring some of his strongest material, inspired playing and assured arrangements, which justified his position as one of salsa’s true international stars. The definitive albums of this period were 1987’s Riquiti..! and La Salsa Soy Yo. In June and October 1988, D’León demonstrated his live reputation by playing three sell-out concerts at London’s Hackney Empire. The last was recorded and broadcast in 1989 as a programme in BBC television’s Rhythms Of The World world music series, then released as Oscar D’León Live, the first salsa video to be issued in the UK.
It’s Karla’s first birthday away from home. And music will be her way back.
Through humor, anecdotes and their songs, mythical Venezuelan ska band Desorden Público tells their story and that of three decades of their country.
Celebrated actor, political activist, songwriter, and multiple Grammy Award winning performer Rubén Blades returned to the stage with the live tour "Todos Vuelven". It has been seen by over one million people worldwide.
Stop wasting energy following the plot. Who cares if your socks don't match? This is the mental vacation you needed. So sit down, relax and enjoy the best that a mercantile society can offer us: Fake remedies, seizure-inducing lights and the tenderness of opening your heart to a bandit. Classic songs with new faces and new songs that promise to be pool aerobics classics.
In its heyday, Changa Tuki, aka Raptor House, attracted thousands of young people to afternoon parties called "matinees", from those parties a controversial subculture grew, one that still echoes to this day. This is the story as told by its protagonists.
2008 concert movie of the Venezuelan rock / punk band called "Caramelos De Cinanuro" (Cyanide Candies). Songs Performed: Veterana Surfer Girl Las Notas No Eres Tu Las Estrellas Flor De Fuego El Último Polvo Baby Cohete El Flaco Bruja - Pistolero - Tu Mamá Te Va A Como Serpiente Sanitarios- Veronica- Canción Suave: Despecho #2 Retrovisor La Terraza El Martillo
This documentary tells the story behind "Indeleble", the album with which Los Mesoneros received four Latin Grammy nominations and toured many countries. "10 Años de Indeleble" features interviews, stories, and songs that had never seen the light of day, along with a live show in which Los Mesoneros perform, in order, the songs that were part of that first record.
From oratory classes to operating room, Beauty Factory follows five girls for four months as they compete for the coveted Miss Venezuela crown; revealing the process that has won Venezuela more international beauty pageants than any other country.
A young couple with disabilities seek help to enhance their sexual relationship, and make a film about it. Their journey of obstacles reveal that the hardest hurdles are not physical.
Music documentary by director Rafael Marziano Tinoco from Venezuela
Caracas has been changing since the nineteenth century this is a story that tries to explain why the Venezuelan capital is complex, chaotic and fertile. In light of these new evidences, community experiments, social awareness and organization of people, seem to be the necessary ingredients to rescue a metropolis that is not yet completely lost.
Pedro is about to be appointed a judge of the supreme court Spanish, but a call announces the death of his grandmother in Venezuela and its subsequent inheritance. This news forces him to "take suitcases", never imagining that this country change the way you see life, justice and love.
The film tells the story of a parrot who after being sold to traffickers of animals as a child at the time of Marcos Pérez Jiménez, passes from hand to hand all his life and changing its name depending on your business, while being observed before his eyes the evolution of Venezuela for 50 years (1950 to 2000).
Directed by Solveig Hoogesteijn, Macu, the Policeman's Woman (1987) is a Venezuelan crime drama based on a true story. The film follows Macu, a young woman living in a Venezuelan shantytown, who becomes romantically involved with a local policeman named Ismael. As their relationship develops, Ismael's jealousy intensifies, leading to tragic consequences. The narrative delves into themes of power, control, and the dynamics of abusive relationships within marginalized communities. The film is notable for its exploration of gender roles and societal issues in Latin America.