Living in the World(1985)

Cinnamon(en)

An experimental film that lifts the veil on the world of African American drag racing.

Brighton Beach Memoirs(en)

Eugene, a young teenage Jewish boy, recalls his memoirs of his time as an adolescent youth. He lives with his parents, his aunt, two cousins, and his brother, Stanley, whom he looks up to and admires. He goes through the hardships of puberty, sexual fantasy, and living the life of a poor boy in a crowded house.

Aprile(it)

Nanni Moretti takes another look at the ebbs and flows of life in April 1996, as he becomes a father for the first time and seems unable to focus on his documentary about the upcoming national elections.

The Emblazoned Apparitions(en)

An alchemically treated lullaby to the end of cinema, featuring Charlie Chaplin and Buster Keaton.

Atlantis(en)

A documentary portrait of Utopia, loosely framed by Plato’s invocation of the lost continent of Atlantis in 360 BC and its re-resurrection via a 1970s science fiction pulp novel.

The Ronda Rousey Story: Through My Father's Eyes(en)

This documentary chronicles former Olympian and UFC champion Ronda Rousey's ascent to iconic status in the world of mixed martial arts.

Kata(en)

Nature, gymnastic movements, a cat...

Vineyard IV(en)

Glen Denny observed: "This film is not ocean, it is panther stalking jungle." Camera flows because it is free to move through space.

Swimming Stone(en)

Fluidity of stone. Subatomic motion asserting a surface. Mind loop wandering. Visitation of sound matrix. Liquid solid. Nature transforms a planetary cycle. Relations of a timeless void.

The Island(en)

The Island is a short film shot entirely on Pulau Bidong, an island off the coast of Malaysia that became the largest and longest-operating refugee camp after the Vietnam War. The artist and his family were some of the 250,000 people who inhabited the tiny island between 1978 and 1991; it was once one of the most densely populated places in the world. After the United Nations High Commissioner for Refugees shuttered the camp in 1991, Pulau Bidong became overgrown by jungle, filled with crumbling monuments and relics. The film takes place in a dystopian future in which the last man on earth - having escaped forced repatriation to Vietnam - finds a United Nations scientists who has washed ashore after teh world’s last nuclear battle. By weaving together footage from Bidong’s past with a narrative set in its future, Nguyen questions the individual’s relationship to history, trauma, nationhood, and displacement.

NAO_VA_EMBORA.mp4(pt)

Pyramid(en)

Pyramid is a single screen work on Abraham Maslow's theory on the hierarchy of human needs filmed through the rhythms and choreography of middle class South England. Filmed in color and b&w on 16mm film, it continues Salmon's interest in the performance of the artist/cinematographer within both spontaneous and constructed situations and incorporates methods developed by various movements within documentary and avant-garde history. Using an array of sounds, music and conversation as well as silence, Salmon constructs an abstract documentary which both develops and challenges the themes presented in Maslow's theory as well as her own interest in human iconography, stereotype and domestic rhythm. The image of Maslow's pyramid and his pragmatic dissection of human needs and possible motivations provide a system of organization for the family and a philosophical framework for the video.

Head, Tail, Rail(en)

The starting point of this film was a set of 35mm trailers acquired from various abandoned cinemas. This work reveals the veiled and forgotten images used by the commercial film industry.

It's Such a Beautiful Day(en)

Bill struggles to put together his shattered psyche.

Men Boxing(xx)

Experimental film fragment made with the Edison-Dickson-Heise experimental horizontal-feed kinetograph camera and viewer, using 3/4-inch wide film.

Junior War(en)

In Junior War, a throng of highschoolers congregate at night for a party in the woods sometime in the year 2000. A band plays, the kids get drunk, the boys and girls tepidly flirt, and groups deploy into cars for the purpose of destroying mailboxes, tee-peeing houses, breaking lawn ornaments, and sparring with the police. The film is composed entirely of footage Trecartin took during his senior year of high school in exurban Ohio; as such, it baits the viewer with genealogical significance.

Never Goin' Back(en)

Angela and Jessie are best friends intent on taking a wild beach trip, but when their roommate loses all of their money in a drug scam, the girls -- blissfully stoned -- go to increasingly daring and absurd lengths to get it back.

Taxi zum Klo(de)

Frank, a gay school teacher, has a very active sex life and an interest in making films. One evening, he meets Bernd and they become lovers. But while Bernd is attentive and caring, Frank gets bored and continues his polymorphously perverse ways.

Ravage(en)

While you wait to hear if they'll pay your claim, there is almost nothing like the silent buzz at the other end of the line. Or when you say something that requires a response and the world says back, "no worries". There's an art to miscommunication, unthinking, the void, and the customer service call. Phoning it in might just be a necessary part of life. This rough-edged sketch mixing performance art living and film is a study of the phone call, American doofiness, and blank minds under the reign of the corporate call script. Everyone is impotent in the institutional setting.

idizwadidiz(en)

Two friends walk and draw circles. It is what it is, idizwadidiz, c’est ce que c’est, seskecé. Nice weather.