Sancho Panza enters a movie theatre in a provincial city. He is looking for Don Quixote and he finds him sitting off to the side and staring at the screen. The theatre is almost full; the balcony is entirely occupied by noisy children… La proiezione è cominciata (The Projection Has Begun) is an adaptation of The Six Most Beautiful Minutes in the History of Cinema by Giorgio Agamben. It is a portrait in 24 daguerreotypes per second.

Himself

Sancho Panza enters a movie theatre in a provincial city. He is looking for Don Quixote and he finds him sitting off to the side and staring at the screen. The theatre is almost full; the balcony is entirely occupied by noisy children… La proiezione è cominciata (The Projection Has Begun) is an adaptation of The Six Most Beautiful Minutes in the History of Cinema by Giorgio Agamben. It is a portrait in 24 daguerreotypes per second.
2006-06-02
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No idea is more fundamental to who we are than the idea that we are free to choose what we do and who we will become. This idea is known as free will. But are we truly "free" from the forces around us? In what sense are we free? Is it even possible to truly be "free"?
0.0The times are fueled by anxiety, and our tweets will not say the opposite. A feeling of the end of the world hangs over our economic model. The frustration, for those who feel it, seems inevitable. The question of meaning has never been so acute. It’s time to talk about it, and who knows, to find answers.
Mike Tyson escaped a life of poverty and petty crime to make a name for himself, becoming the youngest Heavyweight Champion of the World and a household name—but his rise was followed by a very public fall. In this remarkably candid portrait, the boxer addresses his controversial past, including the rape charge that sent him to prison and his struggles with substance abuse, while also detailing his ultimate recovery and comeback.
0.0Nathan Verhelst, a 44 year old man from Sint-Niklaas in Belgium, demands and receives euthanasia after several failed gender operations. Nathan was born as 'Nancy'. His backpack of life is filled with rejection and incest. Thinking of himself as a freak, he can't find peace as a woman nor as a man. Three doctors decide that his life quality issn't guaranteed anymore and give Nathan permission for euthanasia. After trying to convince him not to do it, his friends start to support him in his choice. Hoping he would feel loved again, and would find a reason to live. But Nathan doesn't change his mind. "I'm certain", he said, "for the full 300 procent". He went. Dancing. The lethal injection was given at the University Hospital in Brussels. Nathan suffered from unbearable psychic and physical pain.
0.0For the first time in six years, Barbara Morgenstern, pioneer of German-style electronic intimate pop, works on a new album. Her laptop sits on a shoebox, in the privacy of her home she finds first lines and harmonies: “I like to be alone,” one song begins. One by one, musicians join her. Intuitive ideas take shape. A window has opened. Arrangements, rehearsals, recordings follow. Step by step, the music enters public space, images are produced, videos, narratives. Questions arise: New beginning or back to the roots? New Biedermeier or tough political comment? The bigger the band, the riskier the booking. The more crisis-ridden the environment, the more comforting the music-making.
7.1Documentary examining Bokassa's rule in the Central African Republic using the testimony of witnesses and visits to key sites.
5.0NOTFILM is a feature-length experimental essay on FILM -- its author Samuel Beckett, its star Buster Keaton, its production and its philosophical implications -- utilizing additional outtakes, never before heard audio recordings of the production meetings, and other rare archival elements.
7.3In the French music world, the beginning of the 2000s was marked by the arrival of a young rapper, Diam's. Over the course of three albums, she has become a phenomenon in France, as well as in many countries around the world. Diam's has won some of the most prestigious awards in French music, graced the covers of countless magazines, and sold millions of records. However, in 2010, at the height of her fame, Diam's made a life choice that shocked the French: she converted to Islam. How did a tortured and suicidal artist find her way to peace? For the first time Diam's, known to her family as Mélanie, tells us the real story.
6.5A visceral documentary focusing on the Slovenian collective art movement known as NSK ('Neue Slowenische Kunst') and its varied branches: 'Laibach', 'Irwin', and 'Red Pilot'.
0.0The filmmaker’s grandmother moved into this house in 1971. When Rolande Ségalini died, everything remained as it was during her lifetime. But what to do with all the accumulated things? As her granddaughter Céline begins to film this material legacy, she realises that her grandmother has remained an enigma to her to this day. Room by room, she inventories, classes, counts, sorts the possessions retrieved from wardrobes, drawers, cabinets and boxes and arranges the objects into new still lives. It is an attempt to understand the deceased woman better and find out more about her. Step by step, the heiress discovers various connections to France’s colonial history.
10.0The documentary focuses on the annual Mani Rimdu festival of Tibet and Nepal, an event which encapsulates the Himalayan Buddhist experience.
6.5Ninja is famous around the world for her fierce ballroom performances, but she is not as well-known in her native country of French Guyana. But a trip home to teach a workshop might change that.
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10.0A grandson shows his grandmother how to navigate an iPad 2 full of clues for solving a puzzle. Over a phone call, she recites an email she wrote seven years prior.
5.5A woman with a deep love of the land, Yolande Simard Perrault sees her life as having been shaped by a planetary upheaval in Charlevoix, Quebec, millions of years ago. As enduring as the Canadian Shield, she’s a woman of strength and spirit, a child of the crater left by the meteor’s impact. This documentary portrays a determined woman who’s the reflection of a land created on an immense scale. She was the creative and life partner of filmmaker Pierre Perrault, who gave up everything to be by her side. The film charts the influence of her unquenchable dreams and her contribution to the building of a people’s collective memory. In a stream of images and words, Simard Perrault recounts the splendours of the landscape and the people who shaped it. Generous and boundless, she embarks on a quest for identity that nurtures and perpetuates the oeuvre of the man who breathed new life into Quebec cinema.
8.1A documentary about the technological progress responsibility in employment destruction, analyzed by philosopher Zygmunt Bauman and others.
0.0Metzer 58 play Punk. They were founded in a meet-up at Lebenshilfe Münster, an NGO that provides housing and other services to people with disabilities. The band consists of disabled people and able-bodied people. That doesn't really affect the topic of their songs or the amount of chaos and excess at their gigs, though. In this documentary, director Tobias Stiegler follows the band on tour and paints an intriguing portrait of Metzer 58
6.7The world's greatest pin-up model and cult icon, Bettie Page, recounts the true story of how her free expression overcame government witch-hunts to help launch America's sexual revolution. When she saw the film The Notorious Bettie Page, produced by HBO in 2006, the main person concerned reacted unequivocally: “Lies! Lies!” In a long interview recorded shortly before her death, the woman who entered the collective unconscious as the ultimate pin-up gave her version of events to director Mark Mori. In a gravelly voice, Bettie Page tells her own story and lifts the veil on areas often hidden by images that have made so many men and women fantasize since the 1950s: her abused childhood, an eclipse that lasted forty years, her mental illness. Through testimonies and unpublished archives, this documentary brings back to life a body and a face endlessly declined before our eyes, just as Bettie wanted: “I would like people to remember me as I was in the photos.”