Technoburger, a horror-satire anthology, uncovers the unnerving implications of technology addiction as four individuals' lives are disrupted by their digital obsessions, blurring the lines between reality and the virtual world under the omnipresence of a dominating tech corporation.
Three separate stories all concern the relationships between adult children, their somewhat distant parent (or parents), and each other. Each of the three parts takes place in the present, and each in a different country. Father is set in the Northeast U.S., Mother in Dublin, Ireland, and Sister Brother in Paris, France. The film is a series of character studies, quiet, observational and non-judgmental. A comedy, but interwoven with threads of melancholy.
This three-part ballad, which often uses music to stand in for dialogue, remains the most perfect embodiment of Nemec’s vision of a film world independent of reality. Mounting a defense of timid, inhibited, clumsy, and unsuccessful individuals, the three protagonists are a complete antithesis of the industrious heroes of socialist aesthetics. Martyrs of Love cemented Nemec’s reputation as the kind of unrestrained nonconformist the Communist establishment considered the most dangerous to their ideology.
Centered around a television station which features a 1950s-style sci-fi movie interspersed with a series of wild commercials, wacky shorts and weird specials, this lampoon of contemporary life and pop culture skewers some of the silliest spectacles ever created in the name of entertainment.
Four tales of terror: "Blood Witch": A twisted Goth girl summons a murderous seventeenth century witch to exact gory revenge on anyone who crosses her path. "Mike Wuz Here": Night shift workers at an old movie theater are terrorized by the ghost of a former employee who committed suicide in the building. "One Foot In The Grave": When a beautiful young dancer loses one of her feet due to malpractice, she uses black magic to bring the severed appendage back to life. "Slay Ride": Left behind by her family on Christmas eve, a teenage delinquent punk chick quickly becomes surrounded by murder and mayhem.
A young boy tells three stories of horror to distract a witch who plans to eat him.
Dr. Tremayne is an enigmatic psychiatrist running an asylum that houses four very special cases. Visited by his colleague Nicholas, Tremayne explains his amazing and controversial theories as to why each of the four patients went mad.
Three tales of very different women using their sexuality as a means to getting what they want.
In this anthology film, a female actor cheats on her formerly famous husband, a married couple go to extremes, and an antiquarian falls for a young man.
Horror/sci-fi anthology with a punk streak, co-directed by and starring — among other newcomers — Asia Argento.
When the pieces of a singular figure are unearthed and then joined together, a devil of the lowest category breaks into a small Mediterranean village. From that moment on, the demon will enter the life of a painter named Bernardino, in the affairs of a "modern" marriage, in the existence of a frightened gardener and, finally, in the day-to-day life of the Great Momo.
At the Bench is an anthology film showing glimpses of the everyday life of various people that gather by this little bench.
A vampire attacks a horror author on the street and then invites him to a nearby club as a gesture of gratitude, which turns out to be a meeting place for assorted creatures of the night. The vampire then regales him with three stories, each interspersed with musical performances at the club.
A compendium of three short science-fiction films, each with a decidedly feminist slant.
A horror anthology film starring the U.K.'s own Tromette, Kitty Kiss, more commonly known as Nurse Meow.