The Russia We Lost(1992)

Victory in the West(de)

A Nazi propaganda film about the lead up to World War II and Germany's success on the Western Front. Utilizes newsreel footage of battles and fell into disfavour with propaganda minister Goebbels because of it's lack of emphasis on Adolf Hitler.

Crimean Conference(ru)

The Crimean (Yalta) conference of the leaders of the three powers - allies in the Anti-Hitler coalition was held from February 4 to February 11, 1945 in the Livadia Palace near Yalta.

Safeguarding Military Information(en)

World War II propaganda short which focuses on the dangers of inadvertent dispersal of military information.

Digging The Great Escape(en)

The classic movie "The Great Escape" was based on a real life escape attempt during the second world war. This documentary follows Archaeologists who are trying to find the original tunnels dug by the real prisoners of war who escaped. Some of the surviving prisoners also join the team to assist with the tunnel locations and to describe what it was really like to live that situation. In an effort to understand the technical details of how this feet of ingenuity was achieved, the team recreate some of the equipment used by the prisoners.

Shameless Propaganda(en)

This feature documentary examines its own genre, which has often been called Canada's national art form. Released in the year of the NFB's 75th birthday, Shameless Propaganda is filmmaker Robert Lower's take on the boldest and most compelling propaganda effort in our history (1939-1945), in which founding NFB Commissioner John Grierson saw the documentary as a "hammer to shape society". All 500 of the films produced by the NFB until 1945 are distilled here for the essence of their message to Canadians. Using only these films and still photos from that era, Lower recreates the picture of Canada they gave us and looks in it for the Canada we know today. What he finds is by turns enlightening, entertaining, and unexpectedly disturbing.

Kino-Pravda No. 8(ru)

Dziga Vertov-directed Soviet newsreel covering: A bet is placed on the outcome of the Trial of the Socialist Revolutionaries / The verdict / People in streetcars and on the street / A crashed aircraft / Reconstruction of streetcar line 13 / Peacetime use of tanks – airport construction work.

Kino-Pravda No. 9(ru)

Dziga Vertov-directed Soviet newsreel covering: Congress of the "Living Church" / Opening of the horse racing season / Demonstration of an American movie camera / Operation of mobile projection units.

Kino-Pravda No. 10(ru)

Dziga Vertov-directed Soviet newsreel covering: International Youth Day and demonstrations / All-Russian Olympiad / Streetcar collision / Construction of automobiles in a Petrograd factory.

Kino-Pravda No. 11(ru)

Dziga Vertov-directed Soviet newsreel covering: All-Russian Congress of Trade Unions / Delegations and diplomats / Renaming of a confectionery factory / Unloading supplies / Komsomol Day / Red Army maneuvers.

Kino-Pravda No. 12(ru)

Lost Dziga Vertov-directed Soviet newsreel

Kino-Pravda No. 14(ru)

Dziga Vertov-directed Soviet newsreel covering: IV. Congress of the Comintern / Congress of the Profintern.

Kino-Pravda No. 16: Spring Pravda. A Lyrical View Newsreel(ru)

Dziga Vertov-directed Soviet newsreel covering: Arts and crafts exhibition / Actions against hunger / Eisenstein's first film "Dnevnik Glumova" ("Glumov's Diary") / Young Pioneers / May 1, parades

Soldiers in Black(nl)

From 1940, around 25,000 Dutch people served in the Waffen-SS. In spite of their large number, they did not make much public disclosure after the war. Eight Dutch former SS men tell their story in this documentary. Never before have former SS men talked so openly about their motives, their (wrong) acts, their experiences on the (Eastern) front and their struggle with the memories of the past.

Cartoons Go To War(en)

This remarkable documentary dedicates itself to an extraordinary chapter of the second World War – the psychological warfare of the USA. America’s trusted cartoon darlings from the studios of Warner Bros., Paramount, and the “big animals” of the Disney family were supposed to give courage to the people at the homefront, to educate them, but also to simultaneously entertain them. Out of this mixture grew a genre of its own kind – political cartoons. Insightful Interviews with the animators and producers from back then elucidate in an amusing and astonishing way under which bizarre circumstances these films partially came into existence.

Elie Wiesel Goes Home(hu)

A documentary chronicling the adolescent years of Elie Wiesel and the history of his sufferings. Eliezer was fifteen when Fascism brutally altered his life forever. Fifty years later, he returns to Sighetu Marmatiei, the town where he was born, to walk the painful road of remembrance - but is it possible to speak of the unspeakable? Or does Auschwitz lie beyond the capacity of any human language - the place where words and stories run out?

Brigadistas(de)

A Company of Heroes(en)

Easy Company, the 2nd Battalion of the 506th Parachute Infantry Regiment of the 101st Airborne Division, fought their way through Europe, liberated concentration camps, and drank a victory toast in April 1945 at Hitler's hideout. Veterans from Easy Company, along with the families of three deceased others, recount their horrors and victories, bonds they made and the friends they lost.

Francisco Boix: A Photographer in Hell(es)

In 1939, just finished the Spanish Civil War, Spanish republican photographer Francesc Boix escapes from Spain; but is captured by the Nazis in 1940 and imprisoned in the Mauthausen concentration camp, in Austria, a year later. There, he works as a prisoner in the SS Photographic Service, hiding, between 1943 and 1945, around 20,000 negatives that later will be presented as evidence during several trials conducted against Nazi war criminals after World War II.

The Nazi Jesus(en)

While Nazi ideology dominated Europe, Adolf Hitler used all dogmas to his advantage and fed the cult of his personality. How did the Führer manage to transform the Bible, the Church and the symbols of Christianity into instruments of power, winning the support of the Germans? This documentary traces the rise of a little-known theological organization: the “German Christians”, which became the most powerful propaganda tool of the Third Reich.

The Ugliest Car(pl)

The youngest protagonist of the documentary is Wartburg, an automobile over 50 years of age. The car is still on the road, driven by Bogdan, a 70-year-old who is taking his mother to visit the German factory where she was forced to work during WWII. In this road movie which takes place between Majdanpek and Germany, the trip becomes a journey into the past, retracing memories from the war and revealing a unique relationship between an old son and his elderly mother.