I Remember Nothing(2017)

Heredity(fr)

Flora, 30, is a French geneticist. She analyzes what is transmitted or not between generations. She lost her parents who were fervent Maoists within the proletarian Left from the end of the 1960s. She must now sort through her parents' apartment: what to choose to keep or not from their memory?

Erhal - Ves-te'n- Diari de la plaça Tahrir(ca)

The Bastard Images(es)

Embracing a temporary visual impairment, a filmmaker immerses in her family’s 1990s home movies, composing a narrative that reimagines her father’s vision. They reconnect in the present, amid vulnerability, awkwardness and love: the story of a gardener and a one-eyed woman.

Faces of Death(en)

A collection of death scenes, ranging from TV-material to home-made super-8 movies. The common factor is death by some means.

Farce of the Penguins(en)

In this spoof of "March of the Penguins," nature footage of penguins near the South Pole gets a soundtrack of human voices. Carl and Jimmy, best friends, walk 70 miles to the mating grounds where the female penguins wait. The huddled masses of females - especially Melissa and Vicki - talk about males, mating, and what might happen this year. Carl, Jimmy, and the other males make the long trek talking about food, fornication and flatulence. Until this year, Carl's sex life has been dismal, but he falls hard for Melissa. She seems to like him. A crisis develops when Jimmy comes upon something soft in the dark. Can friends forgive? Does parenthood await Carl and Melissa?

Tunisia Clash(ar)

Journalist and director Hind Meddeb follows cult and controversial figures of the Tunisian rap scene as they clash with police and the ruling power. Rapper Weld El 15 (on the run from police while awaiting trial) and his friend, fellow artist Phenix, show her around their country, from working-class suburbs of south Tunis to the central regions' desert plateaux.

El pisto(es)

Le regard de Georges Brassens(fr)

An atypical portrait of singer, songwriter, poet Georges Brassens.

Tunisie : Une oasis dans un grain de sable(fr)

Tokyo Poltergeist(ja)

I have captured something unbelievable. Are you brave enough to see real ghosts? 1. The smell of incense sticks in a room 2. Curtains and whiteboards swaying in an empty room 3.vibrating and flashing lighting fixtures 4. wall clock blows 5. don! Don! and the sound or voice that hits the wall violently 6. a mirror that spouts water 7. Human voices and bells that shouldn't be there 8. A ball suddenly thrown from the ceiling 9. white human hand floating in the mirror 10. and finally! A white hand appeared in front of us from a place no human can enter! ! *No CG or editing has been added to the ghost images in this movie.

Hometown: A Portrait of the American Opioid Epidemic(en)

An intimate look at the human faces of America's current opioid epidemic. Seen through the eyes of a mother and the lens of a small town.

The Wild Blue Yonder(en)

An alien narrates the story of his dying planet, his and his people's visitations to Earth and Earth's self-made demise, while human astronauts in space are attempting to find an alternate planet for surviving humans to live on.

Their Houses(en)

Filmmaker Cam Archer examines and explores his ordinary, suburban neighborhood in search of hidden truths, new narratives and a better understanding of his fading, creative self. Combining heavily degraded video with personal photographs and real life neighbors, Archer re-imagines the concept of 'home video'. In an attempt to distance himself from his subjects, actress Jena Malone narrates the piece as Archer in the first person.

Mary Remembering(en)

A short animated documentary featuring archival recordings of the filmmaker's Volga-German Great-Great-Grandmother, Mary Frank Lind, in which she recalls key memories of childhood—her father's windmill, warm rains, wolf sightings, bone trading, and her passion for carpentry, which broke gender norms but was supported by her father.

Negotiating Amnesia(en)

Negotiating Amnesia is an essay film based on research conducted at the Alinari Archive and the National Library in Florence. It focuses on the Ethiopian War of 1935-36 and the legacy of the fascist, imperial drive in Italy. Through interviews, archival images and the analysis of high-school textbooks employed in Italy since 1946, the film shifts through different historical and personal anecdotes, modes and technologies of representation.

Synonymous With(en)

A student's increasingly intimate line of questioning causes his interview with a local horror host to take a vulnerable turn.

La bisabuela tiene Alzheimer(es)

A meeting between the daughter and the grandmother of the director, Iván Mora Manzano, at a time when the memories of one, the girl’s, were taking shape, and the other’s the grandmother’s, were vanishing. This starting point is used as a pretext to talk about other topics such as the importance of family memories and the search for memory.

Bloodline(en)

One man's journey into the world of the so-called 'Bloodline' conspiracy, at the heart of Dan Brown's The Da Vinci Code, where a secret society, the Priory of Sion, claims to have guarded evidence of the marriage of Mary Magdalene and Jesus Christ, their children and their descendants down through the centuries.

Nobody Wants Your Film(en)

Director Peter Judson's semifictitious tale opens a revealing window into the indie filmmaking process, capturing the trivialities, aggravations and enthusiasm that go into completing a picture. Using footage from an indie movie set, e-mails constructing a plotline about distributor difficulties and interviews with indie mainstays such as Steve Buscemi and Sam Rockwell, the film provides a riveting look at one producer's rejections and rewards.

Apollo: The Forgotten Films(en)

Recently discovered footage reveals the secret history of NASA's first landing on the moon, and using this brand-new evidence, former astronauts and experts challenge everything known about the Apollo missions.