2012-03-23
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A documentary about a 78-year-old Indian woman in New York who is the world's most passionate theatergoer. Nicki Cochrane has been seeing a play every day for more than 25 years, acquiring free tickets using a variety of ingenious means.
PBS Frontline takes an in-depth look at the multibillion-dollar "persuasion industries" of advertising and public relations and how marketers have developed new ways of integrating their messages deeper into the fabric of our lives. Through sophisticated market research methods to better understand consumers and by turning to the little-understood techniques of public relations to make sure their messages come from sources we trust, marketers are crafting messages that resonate with an increasingly cynical public.
A documentary capturing the modern day VHS culture and VHS collectors.
A documentary exploring the existence of UFOs and the possible visit of aliens to Earth at sometime in the past
'The Accordion's Journey' narrates the story of three Colombian musicians. Year after year they participate in the world's largest competitive accordion festival, held in Valledupar, Colombia. But they never win. One day a letter arrives, inviting them to play alongside the legendary Hohner Accordion Orchestra in Trossingen, Germany, the birthplace of the 'Corona', Colombia's most popular accordion. It's the first time abroad for our three heroes and they discover a very different culture, a first encounter with snow and ice and make new friends. But will their adventure help them in winning the accordion festival back in Valledupar?
In 1997, Hirano Katsuyuki, a married, middle-aged AV director, and his 26-year-old actress and lover, Hayashi Yumika, set out to cycle from Tokyo to Hokkaido. Two video versions of their trip already exist, the intimate documentary Yumika and its gonzo porno alter ego 41-Day Adultery Bicycle Tour. Hirano’s Kantoku Shikkaku reframes this ambiguous relationship in light of Yumika’s death in 2005.
In 1968 the Soviet ballistic missile submarine K-129 sank in the Central North Pacific. American intelligence located it within weeks of its demise. The CIA crafted a secret program to raise the submarine in 1974. Now after much secrecy, this story can be told, by the men who made it happen and with never-before-seen footage of the actual salvage attempt, and new evidence of the project's successes and failures.
Fat Wreck Chords... The influential music label proud to say they've spent the past 25 years "ruining punk rock". A Fat Wreck tells the story of founders Fat Mike (of the legendary punk band NOFX) and his ex-wife Erin Kelly-Burkett, spanning the birth, growth, struggles, and survival of the Fat Wreck Chords label.
Home video changed the world. The cultural and historical impact of the VHS tape was enormous. This film traces the ripples of that impact by examining the myriad aspects of society that were altered by the creation of videotape.
Documentary focusing on the thrash metal band Kreator but also exploring the economic and social situation of Essen at the time.
Run Wrake is an English filmmaker, animation director, and music video director. He studied graphic design at Chelsea College of Arts before completing a master's degree in animation at the Royal College of Art in London. In this interview for the BBC's Channel 4, he describes some of his films, their inception, and their production. He also comments on technological and cultural developments that have changed how animated films are produced and perceived.
After the insurrection erupted in Libya in the spring of 2012, more than a million people flocked to neighboring Tunisia in search of a safe haven from the escalating violence. When a massive refugee camp was hastily constructed near the Ras Jdir border checkpoint in Tunisia, a trio of filmmakers carried their cameras in and began filming with no agenda. This on-the-fly chronicle of the camp's installation, operation, and dismantling captures a postmodern Babel complete with a multinational population of displaced folk, a regime of humanitarian aid workers, and international media that broadcasts its “image” to the world. Visually stunning and refreshingly undogmatic, Babylon reveals a rarely seen aspect of the Arab Spring.
Godard constructs a lyrical study of the cinematic and creative process by deconstructing the story of his 1982 film Passion. “I didn’t want to write the script,” he states, “I wanted to see it.” Positioning himself in a video editing suite in front of a white film screen that evokes for him the “famous blank page of Mallarmé,” Godard uses video as a sketchbook with which to reconceive the film. The result is a philosophical, often humorous rumination on the desire and labor that inform the conceptual and image making process of the cinema.