
For months filmmaker Thierry Knauff lived with the Cameroonian tribe, the Baka. This is his document of that time.


For months filmmaker Thierry Knauff lived with the Cameroonian tribe, the Baka. This is his document of that time.
1995-09-20
7
7.130 years ago, on June 23rd, 1991, Sonic the Hedgehog was released on the SEGA Genesis, beginning a new era of gaming. Since then, Sonic has been running through countless zones, beating badniks, and saving the world with the help of his friends. This performance is to thank you, all of you, for being there every step of the way, and to remind us all of the amazing journey we've been on. Happy 30th Anniversary, Sonic!
6.3Someone from another planet crashed on Earth and evil is chasing him, and then love appears, and it defeats evil through an amulet.
5.8A music clip OVA using full versions of songs that were from the anime.
7.4A documentary film depicting five intimate portraits of migrants who fled their country of origin to seek refuge in France and find a space of freedom where they can fully experience their sexuality and their sexual identity: Giovanna, woman transgender of Colombian origin, Roman, Russian transgender man, Cate, Ugandan lesbian mother, Yi Chen, young Chinese gay man…
6.2A man is painting a landscape. A woman is holding two cups. What can go wrong? A nightmare in pink.
6.7When madly in love high school graduates Riley and Chris are separated by a tragic car accident, Riley blames herself for her boyfriend's death while Chris is stranded in limbo. Miraculously, the two find a way to connect. In a love story that transcends life and death, both Riley and Chris are forced to learn the hardest lesson of all: letting go.
7.5The blood-soaked land of Kolar Gold Fields (KGF) has a new overlord now - Rocky, whose name strikes fear in the heart of his foes. His allies look up to Rocky as their Savior, the government sees him as a threat to law and order; enemies are clamoring for revenge and conspiring for his downfall. Bloodier battles and darker days await as Rocky continues on his quest for unchallenged supremacy.
7.0Forging his own comedic boundaries, Anthony Jeselnik revels in getting away with saying things others can't in this stand-up special shot in New York.
6.7A former U.S. Navy Seal is forced to become the international criminal he once fought against when a powerful and violent drug cartel kidnaps his wife and daughter.
6.0After Suman's father leaves her in the care of another family while he travels abroad, she falls in love with Prem. However, in order to for them to marry, Prem has to prove to Suman's father that he is not the same as his own dad.
6.3Hazel runs a beauty salon out of her house, but makes extra money by providing ruthless women the oppurtunity to perform hit jobs. L.T. is a parasite, and contacts Hazel looking for work after he runs out of money. She is reluctant to use him for a hit, since she prefers using women, but decides to try him on a trial basis. Meanwhile, the cop she pays off wants an arrest to make it look like he's doing his job, but Hazel doesn't want to sacrifice any of her "associates". The sleazy side of life is explored in this delightfully dark and deadpan film.
5.7The journey of Midlands teenager Johanna Morrigan, who reinvents herself as Dolly Wilde: fast-talking, lady sex-adventurer, moves to London, and gets a job as music critic in the hope of saving her poverty stricken family in Wolverhampton. Based on Caitlin Moran's bestselling semi-autobiographical novel.
6.6The Kingdom of the People of the Earth once ruled over the land, but now all that remains is the Sword of the Earth. in the city of Eindoak. Satoshi, Iris, and Dent arrive in Eindoak during a harvest festival's Pokémon Tournament and meet the legendary Pokémon Victini who wishes to share its powers of victory to someone. Elsewhere in the city, a descendant of the People of the Earth named Dred Grangil has arrived who seeks to revive the kingdom's power with the Sword of the Earth, bringing them back into power over the land, and Satoshi and his friends must stop him before he destroys the land along with Victini.
7.8After the death of his father and brother Danish, Faizal Khan vows to take revenge by destroying Ramadhir Singh's gang.
6.9One night of severe rain, Sonic and Chip come by an old mansion where they decide to take shelter. Whilst Sonic seems unfazed by the creepy surroundings, Chip is scared out of its wits. The mansion is inhabited by three scary - yet sweet - ghosts who like to play tricks on innocent visitors: A cute and girlish ghost who likes to collect photographs of her terrified guests. The remaining two boy ghosts compete for her attention by taking photographs of their scare victims. Their scariness is the key to popularity in the realm of ghosts. The boy ghosts are excited at the prospect of hunting their new and unusual guests, Sonic and Chip. Who will win the ultimate competition to her heart?
5.2Alex and Selma are a couple in love on a trip to the heart of Bosnia and Herzegovina. Suddenly, Selma feels a mysterious force is chasing them.
4.3A mysterious package from Timbuktu? A door knocker that rattles off riddles? Music boxes that come to life? Piccolo Pizza and Piano Pudding? Where will you find such magical, musical, mysterious things? At Uncle Rubato’s Marvelous Musical Mansion! Dance and sing in every room with enchanting new friends and help Uncle Rubato, Aunty Annabella, Alex, Benji, and Kelly solve a most baffling mystery---who or what took all the missing musical treasures? Enjoy this wholesome entertainment for the entire family. Dazzling sets and over 20 uplifting song and dance numbers showcase adorable characters who inspire the love of music while sharing important values including self-esteem and being considerate of others.
7.9A pretty young girl falls for an enigmatic, shy man who sweeps her off her feet. She becomes pregnant but is not allowed to tell him. His advisers are adamant. Back home, they have set up a wedding with the daughter of an antagonistic family and marriage will put an end to the blood feud between them.
A collage of daily life in Aq Kupruk builds from the single voice that calls the townspeople to prayer, the brisk exchange of the baazar, communal labor in the fields, and the uninhibited sports and entertainment of rural Afghans. The theme of the film focuses on rural society. The film and accompaning instructor notes explore concepts of development, modernization, environmental equilibrium, and especially change, identifying change agents, and analyzing barries and stimulants to change.
At dawn a nomad caravan descends on Aq Kupruk from the foothills of the Hindu Kush. In their camp, and in commerce with the townspeople, the Maldar reveal the mixture of faith and distrust that has kept nomads and sedentary people separate and interdependent over the centuries. The theme of the film focuses on political and religious beliefs. The film and accompanying instructor notes in this series embrace five different and complex units of analysis concerning how political change occurs; individual attitudes, ethnic identity, national loyalties, institutional affiliations, and ideological beliefs.
6.2This intimate ethnographic study of Voudoun dances and rituals was shot by Maya Deren during her years in Haiti (1947-1951); she never edited the footage, so this “finished” version was made by Teiji Ito and Cherel Ito after Deren’s death.
0.0AMIN portrays Qashqai musician Amin Aghaie, a young modern nomad and his family who despite facing steep financial, cultural and political obstacles are dedicated to their art and culture. Amin travels to remote towns and villages to record the music of the surviving masters whose numbers decline each year. His nomadic family are selling their meager belongings to help support their son's education in performance and ethnomusicology at Tchaikovsky's Conservatory in Kyiv, Ukraine, but it is not enough. Amin, desperate to finish his academic education, sells his violins one at a time just to pay for his tuition.
0.0The people of Unamenshipu (La Romaine), an Innu community in the Côte-Nord region of Quebec, are seen but not heard in this richly detailed documentary about the rituals surrounding an Innu caribou hunt. Released in 1960, it’s one of 13 titles in Au Pays de Neufve-France, a series of poetic documentary shorts about life along the St. Lawrence River. Off-camera narration, written by Pierre Perrault, frames the Innu participants through an ethnographic lens. Co-directed by René Bonnière and Perrault, a founding figure of Quebec’s direct cinema movement.
10.0The Greek shadow puppetry began 130 years ago. A student of Greek shadow puppetry travels to China, where shadow puppetry began over 2000 years ago. There he follows Chinese shadow puppeteer master He Shihong in Wushan of China. Watching his performances and listening to him talk about his art and his career in it, many parallels are drawn and he expresses them by including his Greek shadow puppetry teacher in the film. This documentary is a cultural bridge between Greece and China through the art of shadow puppetry.
0.0A group of filmmakers travel to a Kolla community in Salta to film their folkways. We see all aspects of their life: farming, herding, cooking, football, and making music during a Pachamama festival. In the course of filming, the leader of the Kolla community changes the filmmakers' view of what the documentary should be, and at the end of their visit they are changed. "La vida se puede ir amasando, como el barro": As life goes along, it becomes more pliant, like clay. An announcement at the beginning of the film states that this is neither fiction nor documentary, but I'd say it's closer to documentary.
0.0Shigeki, one of the Ainu people of northern Japan, follows the traditions of his ancestors and teaches his son Motoki about their heritage. But how can old customs be revived after centuries of suppression?
6.6Robert J. Flaherty’s follow-up to Nanook of the North shifts from the Arctic to the South Seas, portraying Samoan village life with a painterly eye. Blending ethnographic detail with a romanticized “Gauguin idyll,” the film celebrates daily rituals, communal traditions, and the passage into adulthood, suffused with what Flaherty called “pride of beauty, pride of strength.”
0.0The Reef Islands Ethnographic Film Project was started in 1994 by the two anthropologists, Jens Pinholt and Peter I. Crawford, and village communities in Bekapoa, Ngasinue/Fenualoa and Vaiakau. Field and film visits took place in 1994, 1995-1998, 2005, 2010, 2015 and 2017. This film is based on one such visit in June 2015, by Peter I. Crawford and Birgitte Hansen, a nutrition expert. The focus was on a diachronic study of nutrition, collecting information in three villages and comparing it with material from the 1970s and the 1990s. Pileni was one of the villages.
0.0On the night of 3 August 1996 a school of striped dolphins ran ashore near the village of Tuo on Ngasinue/Fenualoa Island in the Reef Islands (Solomon Islands). Dolphins have a special kinship-related link to the Aiwoo-speaking people in Tuo. Moffat Bonunga tells the legend or so-called local kastom story that explains why. Moffat's explanations are linked with those of another local expert, Commins Veio, who tells his version of the story to Nathaniel Meningi inside the men's house (sapolau) in Tuo. The night the dolphins run ashore, Moffat immediately contacts the film crew - the villagers want the crew to film this peculiar phenomenon. Although the film focuses on the kastom story and the villagers' re-enactment of the hunt, it also documents the villagers' joy that the sea once again has proved an important source of food.
0.0The film follows a group of Nenets women gathering firewood in a snow-covered tundra. This film is part of a larger Yamal Nenets Series, which explores the daily life of nomadic reindeer pastoralists on the Yamal peninsula in Western Siberia during the calving period in the spring. The footage for the series was captured during a three-month period of ethnographic fieldwork in 1999.
0.0A ritual vase, the hampi, is placed in the center of the Musée de plein air de la République du Niger in Niamey, during a ritual ceremony featuring possession dances. With this film, Jean Rouch continues his ethnological and cinematographic study of Songhay ritual objects. He demonstrates that, in a particular context, the transfer of a hampi vase to a museum requires the organization of a ritual ceremony to obtain the gods' approval. At the time, however, reservations about filming a possession dance for the opening of a shrine in a museum made the move "questionable from a museological point of view".
0.0In front of Jean Rouch's camera, Germaine Dieterlen recalls her ethnographic itinerary, at the Musée de l'Homme, in Mali and in the Paris of the 1930s.
0.0Germaine Dierterlen talks about Dogon mythology at a conference on the Bandiagara cliffs. The Songo canopy is a sacred site in Bandiagara. Its walls are covered with paintings depicting the different phases of creation. A little further on, in a cave near the village of Bongo, symposium participants are discussing the Tellem, the people who lived in the houses built into the cliffs before the arrival of the Dogon. The archaeological remains and migratory movements of these two peoples are discussed.
0.0In Sangha, through the window of her house, Germaine greets Djamgouno, her main informant. He then translates for her a conversation she has with a half-blind old man. She recounts her memories of a past party at which Amadigné worked with her as an informant. Later, in front of the cliff, Germaine, Djamgouno and Pangalé are sitting on rocks, and Germaine talks about the many caves that can be visited by climbing small spelunking ladders. Rouch intervenes during the interview, asking the protagonists about the settlement of the cliff by the Dogon, who learned from the Tellem how to climb the cliff. Rouch then asks about the Tellem's predecessors who lived there 2,400 years ago. Germaine admits the ignorance of researchers on the subject, and Rouch concludes by joking about the new task that now falls to Germaine Dieterlen.
6.5Forest of Bliss is an unsparing yet redemptive account of the inevitable griefs, religious passions and frequent happinesses that punctuate daily life in Benares, India's most holy city. The film unfolds from one sunrise to the next without commentary, subtitles or dialogue. It is an attempt to give the viewer a wholly authentic, though greatly magnified and concentrated, sense of participation in the experiences examined by the film.