An experimental film, a register of the peculiarities of life in rural Paraguay.
An experimental film, a register of the peculiarities of life in rural Paraguay.
1969-01-01
5
Filmed April 12, 2003 at a benefit concert held at and for The Anthology Film Archives, the international center for the preservation, study, and exhibition of avant-garde and independent cinema. In addition to screening films for the public, AFA houses a film museum, research library and art gallery. The event, which raised money for the Archives and celebrated the life and work of avant-garde film maker Stan Brakhage, featured Sonic Youth providing an improvised instrumental collaboration with silent Brakhage’s films. The band performed with drummer/percussionist Tim Barnes (Essex Green, Jukeboxer, Silver Jews).
A young photographer's home is haunted by it's former residents.
Top Nazi officials, intent on rooting out traitors and those in the military who may be plotting to overthrow Adolf Hitler, recruit and train a group of beautiful prostitutes whose mission is to use any means necessary to uncover plots against the Fuhrer.
Pro Skier Danger Dave and pal Sven Wolfeshlegelsteinhausenbergerdorff travel to the hill for the fun day of hitting the slopes, and some big jumps!
After the passing of his wife, a lonely newspaper editor discovers Berenalin: a medication that promises to put an end to his grief. Its effects begin to drive a wedge between him and his daughter, who needs him more than ever.
Teenager Connie and her friends try to save an island full of nature and place of their encounters from being destroyed by the construction of a hotel there.
Professor Karl Michaeli is a former star cellist and grantler , as he is in the book. After the death of his beloved wife Maria in 2014, the retired music professor lives alone in a three-room apartment in Vienna. To his displeasure, several foreign families are housed in his apartment building. The widowed, free-spirited apartment building owner Esther Polgar also houses refugees in his home. These are a special thorn in Karl's side.
Ken spends his days getting ready for his new lead role and getting into the skin of his new character: A, a troubled young man who tries to commit suicide after getting rejected by the man he loves. But Ken has another fight to deal with and while his family and friends are supportive, his hope to win this battle is slowly dying. Will fiction bleed into real life?
Experts set out to prove that female great white sharks rule the ocean.
Asumu Adachi imagines if he could be like Kamen Rider Hibiki, and are approached by talking Disc Animals who teach him how to be like Hibiki, eventually allowing Asumu to transform into Kamen Rider Armed Hibiki.
The naive school teacher Lena suddenly loses both her job and her husband. "The problem is definitely in me," she decides, and on the advice of a friend, she signs up to reshape herself for the "Become a Goddess" training. The result is obvious: a new image and a loving admirer Andrey. It's just not clear whether Lena managed to find herself, and whether something very important was lost in the process.
After six years away, D.A. Kuryu Kohei (Kimura Takuya) returns to his former Josai branch of the Tokyo District Public Prosecutors Office, just in time for a brewing storm. Kohei's first case starts out simple enough. The suspect, a blonde-haired security guard, had already confessed to manslaughter, but he suddenly retracts his confession and takes things to court with big-shot defense attorney Gamo (Matsumoto Koshiro). It turns out that the security guard is a key alibi witness in a high-profile political corruption case, and the results of his case will directly affect the next. With the media, politicians, and a special investigative team breathing down his back, Kohei must handle the case with care (and flair) to find out the truth.
The unemployed Reda develops feelings for his neighbor Hanan who runs away and lives with an aristocratic lady for whom she works, leaving Reda to get involved with terrorist groups. Meanwhile, Jaber earns his living by fraud and deceit and eventually dies in an accident.
Bhim Singh is a domineering father and husband. He lives a fairly wealthy lifestyle with his wife, and a somewhat submissive son, Kishan. He gets Kishan to marry a simple and plain-looking woman named Chanda, much to Kishan's chagrin and reluctance. After the marriage, Kishan goes to Bombay to look for employment, and soon finds one. When he returns home to visit his "ailing" mother, his father instructs him to take Chanda with him to Bombay, as her rightful place is with Kishan. Kishan agrees to do so. Upon arrival in Bombay, Chanda is shocked to find out that Kishan is married to an attractive woman by the name of Radha. Now Chanda must decide whether to expose Kishan's dual life; to simply return to her parents' home; commit suicide. Or will Radha opt for a fourth option?
This is a 1991 documentary film about the legendary artist and filmmaker, Joseph Cornell, who made those magnificent and strange collage boxes. He was also one of our great experimental filmmakers and once apparently made Salvador Dali extremely jealous at a screening of his masterpiece, Rose Hobart. In this film we get to hear people like Susan Sontag, Stan Brakhage, and Tony Curtis talk about their friendships with the artist. It turns out that Curtis was quite a collector and he seemed to have a very deep understanding of what Cornell was doing in his work.
A meditation on the human quest to transcend physicality, constructed from decaying archival footage and set to an original symphonic score.
Works with sound recordings of Dion McGregor, who became famous for talking in his sleep.
In 1992 the Universal Exhibition in Seville was held in Spain. Chile participated in this exhibition by displaying in its pavilion an ice floe captured and brought especially by sea from Antarctica. In these true facts is based the fantasy narrated in Dreams of Ice. Filmed between November 1991 and May 1992 on board the ships Galvarino, Aconcagua and Maullín, in a voyage that goes from Antarctica to Spain, in this documentary film in which dreams, myths and facts converge towards a poetic tale turned into a seafaring saga, in the manner of the legends of the seafarers that populate the mythology of the American continent and universal literature.
Lars von Trier challenges his mentor, filmmaker Jørgen Leth, to remake Leth’s 1967 short film The Perfect Human five times, each with a different set of bizarre and challenging rules.
First part of the collaborative project "Brise-Glace" showing the diverse travels on the icebreaker "Frej". Directed by Jean Rouch.
Clouds 1969 by the British filmmaker Peter Gidal is a film comprised of ten minutes of looped footage of the sky, shot with a handheld camera using a zoom to achieve close-up images. Aside from the amorphous shapes of the clouds, the only forms to appear in the film are an aeroplane flying overhead and the side of a building, and these only as fleeting glimpses. The formless image of the sky and the repetition of the footage on a loop prevent any clear narrative development within the film. The minimal soundtrack consists of a sustained oscillating sine wave, consistently audible throughout the film without progression or climax. The work is shown as a projection and was not produced in an edition. The subject of the film can be said to be the material qualities of film itself: the grain, the light, the shadow and inconsistencies in the print.
On the island of Tanna, a part of Vanuatu, an archipelago in Melanesia, strange rites are enacted and time passes slowly while the inhabitants await the return of the mysterious John.
Sistiaga painted directly on 70mm film a circular (planetary?) form, around which dance shifting colours in a psychedelic acceleration matched by the soundtrack’s deep-space roar and howl. - Cinema Scope
A self-portrait short film on 16mm from a trans male perspective.
The rare short film presents a curious dialogue between filmmaker Julio Bressane and actor Grande Otelo, where, in a mixture of decorated and improvised text, we discover a little manifesto to the Brazilian experimental cinema. Also called "Belair's last film," Chinese Viola reveals the first partnership between photographer Walter Carvalho and Bressane.
A moving recording of the late writer and renowned jazz singer Abbey Lincoln is captured in this new film from Brooklyn-born director Rodney Passé, who has previously worked with powerhouse music video director Khalil Joseph. Reading from her own works, Lincoln’s voice sets the tone for a film that explores the African American experience through fathers and their sons.
As Black and LGBTQ+ History Month begin this February, material science clothing brand PANGAIA leads celebrations with a poetic film that honors these two communities. Following a year of isolation, and with it a deeper understanding of the importance of outdoor spaces and the environment, Wè is a portrait of the self-love and acceptance we have learned to show others and gift to ourselves.
A fly-on-the-wall display of lives changing and time passing told through an unanswered question.
Rather than writing a simple letter to explain his absence from the press conference for his latest Cannes entry, "Goodbye to Language," at the Cannes Film Festival, instead, legendary filmmaker Jean-Luc Godard created a video "Letter in motion to (Cannes president) Gilles Jacob and (artistic director) Thierry Fremaux." The video intercuts from Godard speaking cryptically about his "path" to key scenes from Godard classics such as "Alphaville" and "King Lear" with Burgess Meredith and Molly Ringwald, and quotes poet Jacques Prevert and philosopher Hannah Arendt.
In making this piece, Bourque literally distorted the personal home movie images appearing on the film plane through various manipulations in the process of doing her own low-tech contact printing. The point of contact in printing is continuously shifted so that the film plane appears warped and the images fluctuate, creating a distorted space of fleeting apparitions, like resurfacing memories.
An experimental short film about the depressive scenery of Eastern European winter