Uma Rua Chamada Triumpho 1969/70(1971)

Fulano de Tal(pt)

Les Charlots en folie(fr)

Documentary on Les Charlots, known as The Crazy Boys in the English-speaking world, a group of French musicians, singers, comedians and film actors who were popular in the 1960s, 1970s, and early 1980s.

Copacabana, Mon Amour: A Restauração(pt)

A documentary on the restoration of Rogério Sganzerla's 1970 film "Copacabana, Mon Amour".

Morir un Poco(es)

A film-truth document. It presents the life of Luis, a man who wanders the streets of the city, going to and from work, contemplating the windows of a world he can never have and that invite him to consume, to dream.

Killed the Family and Went to the Movies(pt)

A man living with his parents in a low middle-class apartment in Rio de Janeiro coldly stabs them with a razor and then goes to the movies. Marcia, a rich and dissatisfied young woman, takes advantage of a trip from her husband to go to her home in Petrópolis, where she receives a visit from an old friend, Regina.

Aquela Rua Tão Triumpho(pt)

The ghosts of Boca do Lixo. Ido Oliveira still walks through Triumpho St.

The Ridiculous(pt)

Rebels on the surface, retrogrades in essence. “The Ridiculists”, a duo composed of the eccentric and explosive, “The Ridiculer”, and his faithful squirer, “The Talker”, roam through the Brazilian capital breaking into homes, committing murders, as they create a legion of blind supporters along the way.

ANA C.(pt)

ANA C. uses videoart and videoperformance to express the relationship between the marginalized poet Ana Cristina Cesar with art itself.

Aliens do terceiro mundo e o sequestro de Dona Irene(pt)

After receiving a letter calling for a secret conspiracy meeting, a woman is mistaken for a controversial policy and kidnapped by a pair of revolutionaries with no money for Uber. The three end up living together and witnessing the end of the world, the alien invasion and military intervention together.

MEDÉIA(pt)

Não matei ninguém e mesmo assim fui ao Cinema(pt)

Transgender Nuclear Suicide Sojourner(en)

Lies can kill. Transgender Nuclear Suicide Sojourner is an exploration of propaganda, lies, and the overwhelming urge to end it all.

An Artisan's Legacy: Tsunekazu Nishioka(ja)

In-depth look at the twilight years, spent training apprentices, of temple builder Nishioka Tsunekazu, who was called the "devil" as he devoted his life to temple architecture. His insistence on the gargantuan timescale of linking life to the next millennium emerges from people who knew him. Remarkable as well for showing the unknown backstage of temple architecture. Nishioka, known as "the last temple carpenter," handled the major Showa-era repairs of Horyuji temple, and in 1990 was at the scene of the reconstruction work for Yakushi temple.

Guaret(ca)

Pedro is Mallorcan, born to a mother from Burgos and a father from Mallorca. Due to his distant relationship with his father, Pedro doesn't fully master Mallorcan as a language. He turns to the works of Damià Huguet to remember his father, as only his poems can fill the void left by his death. The poet's words transport Pedro to his childhood and his roots, even though many of the words are unknown to him, despite them belonging to his language. This becomes the driving force behind the protagonist's search for his own identity, his origins, what it means to be a man, father-son relationships, collective identity, and "mallorquinness". Pedro constantly questions the emotions stirred by Huguet's poetry, and, most importantly, who he is and where he belongs.

Madame Hofmann(fr)

"Welcome to my life", Sylvie Hofmann repeats this sentence almost all day long. Sylvie has been a nurse for 40 years at the North Hospital of Marseille. Her life is running. Between patients, her sick mother, her husband and her daughter, she has always devoted her life to helping others. What if she decided to think a little about herself? To retire? Does she have the right, but above all, does she really want to?

Jean des Bossons(fr)

Jean des Bossons is a documentary-fiction which recounts the activities of a high mountain guide in 1947. Around Chamonix Mont-Blanc, the guide Jean des Bossons, interpreter by the mountaineer Armand Charlet, accompanies on mountain hikes, Jean-Pierre, an apprentice guide. The novice, skis on the shoulder, is already clumsy. The professional taught him how to travel on skis uphill and downhill, then mountaineering in ice and rock parishes. By dint of training, Jean-Pierre has made it his job. Guides are also lifeguards. A group went to a glacier to rescue a man who had fallen into a crevasse. During this rescue, Jean des Bossons is the victim of an accident. A drama that prevents him from practicing the profession, but not climbing. The man sinks into the fog and Jean-Pierre cannot find him.

Shoot the Moon: The Making of 'Hugo'(en)

The cast and crew of "Hugo" discuss the process of adapting the book to screen, the work of director Martin Scorsese, the story's themes, the origins of the book, casting, costuming, adding the dogs to the cast, working with 3D and its benefits for the film, set design and special effects and more.

Ces chansons de nos vacances(fr)

The Mechanical Man at the Heart of 'Hugo'(en)

This documentary looks back at the history of automata but also briefly examines the design of the automaton seen in the film "Hugo."

The Cinemagician, Georges Méliès(en)

A look back at the life, style and influences of the famed filmmaker Georges Méliès and an examination of his role in the story of "Hugo."