Gehtto Ballet follows the inter-linked stories of a number of students in a groundbreaking program called Dance For All. The raison d'etre of the program - founded by Philip Boyd and his late wife Phyllis Spira - is to give disadvantaged kids in the townships the opportunity to study ballet and, if they are lucky, find a way out by joining a professional ballet company.

Gehtto Ballet follows the inter-linked stories of a number of students in a groundbreaking program called Dance For All. The raison d'etre of the program - founded by Philip Boyd and his late wife Phyllis Spira - is to give disadvantaged kids in the townships the opportunity to study ballet and, if they are lucky, find a way out by joining a professional ballet company.
2009-12-30
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For a way out, they had to stay on their toes.
0.0Giulia Tonelli, principal dancer at the Zurich Opera House, returns from maternity leave. She has to fight to find her place and a new balance, between the competitive and extremely demanding world of an elite ballet company and her new family life.
7.3Sergei Polunin is a breathtaking ballet talent who questions his existence and his commitment to dance just as he is about to become a legend.
0.0"In order to preserve all our achievements for posterity it is necessary to resort to the aid of the motion picture, which will be a great contribution to the immortalization of our art. The years are passing by, and we hope that our achievements, registered on film, will aid future generations to learn and perfect themselves. In the not too distant future our first experience in this field will be shown to a wide public: pictures of the methodology of classical ballet at the Moscow and Leningrad Ballet Schools. This film will be a scientific aid in outlying districts as well." - Agrippina Vaganova
5.5Some argue that modern graffiti was born in Philadelphia, where the pioneers of wall-writing became citywide celebrities during the late 1960s and early 1970s. Graffiti eventually consumed the city, and a new mayor made it his top priority to fight back. In the process, the city's Mural Arts Program was born. Philadelphia is now a great outdoor museum. Yet graffiti still thrives, with new writers always ready to replace those who are caught or quit.
6.2A documentary on the Kirov School of Ballet in Russia, narrated by Princess Grace of Monaco.
7.0On a cold night in Milwaukee high art meets pop culture as award winning choreographer Margo Sappington (OH! CALCUTTA!, BILLBOARDS) premieres her latest ballet, "Common People", set to the music of William Shatner and Ben Folds from their album, Has Been. GONZO BALLET explores the genesis of this unique artistic collaboration by fusing the music, poetry, and dance of "Common People" with interviews of the creators, dancers, and audience members.
0.0Ella Havelka made history in 2013 by becoming the first Indigenous dancer at the 50-year-old Australian Ballet. In this engaging, MIFF Premiere Fund-supported world premiere, Ella – a descendant of the Wiradjuri people – charts her inspiring journey from growing up in modest circumstances as the only child of a single mother in rural Australia to gaining entry to National Ballet School, then spending formative years with the acclaimed Bangarra Dance Theatre before accepting the invitation of The Australian Ballet's artistic director David McAllister to join one of the world's foremost ballet companies.
A joyful Pas de Deux, performed by Clara Rasmussen and Margrethe Andersen. Clara Rasmussen/Wieth/Pontoppidan (1883-1975) was to become one of the most famous actresses of Danish silent cinema; one of her most notable performances is in Dreyer’s 'Leaves from Satan’s Book' (1921), in which she plays Siri in the last of the four sections. (Stumfilm.DK)
Vaudeville dancer Amy Muller performs a portion of her stage routine, which features dancing on her toes. She dances on one toe for part of the performance. Later, she also twirls and does cartwheels.
0.0Every weekend for six years, Jessica takes a bus from NYC, where she lives and works as a set decorator, to Boston, her hometown, where she cares for her dad, Aloysius, who is 87 and has advanced Alzheimer's disease.
7.8In early 2013, it was announced that choreographer and dancer Benjamin Millepied, known as the man behind the ballet of Black Swan, would take over as director of the Paris Opera Ballet. Reset finds Millepied on the eve of his first gala with the Opera, designing and refining his inaugural choreography for the esteemed institution. As a film, Reset possesses of the same artistic assuredness as its subject as he blocks out the preliminary steps for his choreography. It explores various concepts of space simultaneously: the digital space, the space of the opera house (each scene opens with a declaration of which studio it’s in) and the space of the stage, the distance from stage right to stage left. It’s a portrait of a watershed moment for one of the ballet's oldest institutions and one of its brightest new stars, both on the cusp of great transition.
0.0A documentary about dancer Heinz Bosl who died in 1975 - aged 28.
0.0Steven McRae, principal dancer with the world-renowned Royal Ballet, is 33 years old and at the pinnacle of his career when he severely damages his Achilles tendon in the middle of a show attended by 2,500 spectators. This is the story of his amazing rehabilitation and the nerve-racking days leading up to his triumphant return to the stage.
10.0Shannon Davidson and Ashley Shaw at the iconic Royal Opera House in Covent Garden, delving into their thoughts and feelings about the timeless classic "The Red Shoes" to celebrate its 75th anniversary.
5.2The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890.
7.0Filmmakers Alan and Susan Raymond spent three months in 1976 riding along with patrol officers in the 44th Precinct of the South Bronx, which had the highest crime rate in New York City at that time.
6.7A documentary film that highlights two street derived dance styles, Clowning and Krumping, that came out of the low income neighborhoods of L.A.. Director David LaChapelle interviews each dance crew about how their unique dances evolved. A new and positive activity away from the drugs, guns, and gangs that ruled their neighborhood. A raw film about a growing sub-culture movements in America.