Image Archive archivist Dino Everett assembled a feature-length compilation of SCA student works from the late ’60s and ’70s. The compilation features recently uncovered and previously unseen student films by Dan O’Bannon and John Carpenter. • BLOOD BATH (1969, written and directed by Dan O’Bannon) B/W (original 16mm) 7 min. • THE DEMON (1970, written and directed by Charles Adair) B/W (original 16mm) 19 min. • GOOD MORNING DAN (1968, written and directed by Dan O’Bannon, camera by John Carpenter) Color (original 8mm) 19 min. • CAPTAIN VOYEUR (1969, written and directed by John Carpenter) B/W (original 16mm) 7 min. • BLOOD BATH (1976, written and directed by Dan O’Bannon) Red tint (original 16mm blown up to 35mm) 8 min. • JUDSON'S RELEASE (1971, written by Alec Lorimore, directed by Terence H. Winkless) (original 16mm) Color 15 min. Total program time: 80 minutes.
Image Archive archivist Dino Everett assembled a feature-length compilation of SCA student works from the late ’60s and ’70s. The compilation features recently uncovered and previously unseen student films by Dan O’Bannon and John Carpenter. • BLOOD BATH (1969, written and directed by Dan O’Bannon) B/W (original 16mm) 7 min. • THE DEMON (1970, written and directed by Charles Adair) B/W (original 16mm) 19 min. • GOOD MORNING DAN (1968, written and directed by Dan O’Bannon, camera by John Carpenter) Color (original 8mm) 19 min. • CAPTAIN VOYEUR (1969, written and directed by John Carpenter) B/W (original 16mm) 7 min. • BLOOD BATH (1976, written and directed by Dan O’Bannon) Red tint (original 16mm blown up to 35mm) 8 min. • JUDSON'S RELEASE (1971, written by Alec Lorimore, directed by Terence H. Winkless) (original 16mm) Color 15 min. Total program time: 80 minutes.
2014-10-10
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You'll never look at a statue of the Virgin Mary the same way again. Based on the assertion that divine apparitions aren’t what they always appear to be, Vesuvius is an interesting take on the psychopath with Catholicism smacked against the background. Gio Alvarez provides a convincing portrayal of a madman, and people can even argue if this short inclines toward the supernatural or the psychological. Whereas Grave Torture uses darkness impeccably, Vesuvius plays with light so well.
The week before Halloween, Jason Hollway's parents separate, and his dad moves out. Jason is depressed and doesn't want to go trick or treating with his friends Jenn, Ted, and Austin. His mom and grandpa encourage him, first by a trip to a pumpkin patch and then with the promise of a party at the end of the evening. The neighborhood has a scary story of a son's murder of his father 25 years before, so all the kids are frightened of Sam Hain: they ring his doorbell and run. All evening, the kids talk about the Sam Hain house: one by one, Jason's pals disappear; soon, it's just him and a silent Pumpkin Man walking up to Sam Hain's door. What will Jason do?
Sometimes, the gas man needs to read the meter. Sometimes, he has other things in mind.
Left 4 Dead - The Movie is a fan made non profit project based on the hit video game from Valve!
Sasha, is a teenager at constant odds with her promiscuous mother, Bastet. When young Stuart walks her home from school, Sasha is forced to confront the dark secret making her more like her mother than she'd care to admit.
Girl invites boy over but her "idol" won't allow it. Directorial debut from Heather Wixson of Dread Central. She is quoted, "Growing up, I had two loves - horror and professional wrestling - and to be able to bring the two worlds together for this story is definitely a representation of my deep love for both."
A man's thirst for a frozen beverage leads to chaos on a lonely desert highway.
Two young women find themselves in a dark room where there is a distinctly strange feeling.
A 3-D short subject in which the narrator goes to a creepy old house in search of his missing aunt. There he encounters the Frankenstein monster, a witch, a wooden Indian who comes to life, and assorted other monsters and frightening characters, all of whom manage to throw something toward the camera.
Mr. Olivares is already recovered; all he needs is to take a vacation in a paradisiacal place where he can relax.
During the holidays at his grandparent's village, John meets Mary, a mysterious girl who tells the terrifying legend surrounding the peasant's old house. John, unlike the character in the tale, is fearful. Mary is not.
A magnet moves on a floor. A moth beats against a window. A doll child watches the magnet; threads of metal filings gather around the magnet.
The setting of this fantastic scene represents the hall of an old chateau in which a miser has locked up seven large bags containing his wealth. Satan, who has made his way into the chateau, puts the seven bags in a strong box, and makes with his hands some cabalistic motions. The miser comes into the hall and is greatly astonished to find his fortune missing. He opens the coffer and immediately the bags leap out. He gathers them up and puts them back into the coffer. When he opens it again he finds that they have been transformed into seven young girls, who rush out and chase after him, beating him unmercifully. They shut him up in the coffer from which his gold has vanished. The miser pushes open the lid of the coffer, and to his profound despair finds that both young girls and money have disappeared. (This view is most sensational in its mysterious scenes.) (Star Film Catalog)
Marrisa lives alone in the dark with an even darker secret. Her only contact to the outside world were her patients, who come and go, oblivious of whether the fetuses that Marisa extracts from them survive or not. A complication besetting one of her patients threatens Marisa’s reclusive world. She fights back to protect it.
A young woman move towards a house that holds a potentially dangerous spirit that has been tormenting her. The woman tries to fight against the film itself as it starts to cause the world to collapse.
A group of directionless, bored, drug-using teenagers get involved in a cult, resulting in a murder.
A pumpkin is kidnapped from the pumpkin patch, stabbed and disemboweled in a ritual known as "Halloween."
Directed by Masami Akita,who is also one of Japan's leading noise musicians under the name Merzbow. With a soundtrack by the director himself, this intense and ultra-gory seppuku film shows a young woman taking her own life by an act of ritual harakiri.
Grotesque animated spirits punish a disbeliever who scorns his wife’s interest in the occult.
Bedelia is a dirty old woman who kills all her neighbors and his son Jon hides the corpses.