Movie: John Adams: Nixon in China

Top 10 Billed Cast

James Maddalena
James Maddalena

Richard Nixon

Robert Brubaker
Robert Brubaker

Mao Tse-tung

Janis Kelly
Janis Kelly

Pat Nixon

Kathleen Kim
Kathleen Kim

Chiang Ch’ing

Richard Paul Fink
Richard Paul Fink

Henry Kissinger

Russell Braun
Russell Braun

Chou En-Lai

Ginger Costa-Jackson
Ginger Costa-Jackson

First Secretary to Mao

Teresa S. Herold
Teresa S. Herold

Second Secretary to Mao

Tamara Mumford
Tamara Mumford

Third Secretary to Mao

Haruno Yamazaki
Haruno Yamazaki

Solo Dancer

Video Trailer John Adams: Nixon in China

Video: Nixon in China: "I am the wife of Mao Tse-tung" -- Kathleen Kim (Met Opera)

Nixon in China: "I am the wife of Mao Tse-tung" -- Kathleen Kim (Met Opera)

Nixon in China: "I am the wife of Mao Tse-tung" -- Kathleen Kim (Met Opera)

Nixon in China: "News" -- James Maddalena (Met Opera)

Nixon in China: "News" -- James Maddalena (Met Opera)

Nixon in China: Banquet Scene excerpt (Met Opera)

Nixon in China: Banquet Scene excerpt (Met Opera)

Nixon in China: Flesh Rebels excerpt (Met Opera)

Nixon in China: Flesh Rebels excerpt (Met Opera)

All 4 videos

Nixon in China: "I am the wife of Mao Tse-tung" -- Kathleen Kim (Met Opera)

Nixon in China: "I am the wife of Mao Tse-tung" -- Kathleen Kim (Met Opera) - Teaser

Nixon in China: "News" -- James Maddalena (Met Opera)

Nixon in China: "News" -- James Maddalena (Met Opera) - Teaser

Nixon in China: Banquet Scene excerpt (Met Opera)

Nixon in China: Banquet Scene excerpt (Met Opera) - Teaser

Nixon in China: Flesh Rebels excerpt (Met Opera)

Nixon in China: Flesh Rebels excerpt (Met Opera) - Teaser

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Besides the landing on the moon by the Apollo 11 mission in 1969, Richard Nixon’s meeting with China’s leader Mao Zedong in February 1972 then represented one of the biggest media spectacles in history. Nixon himself established the reference between the two events: “We came in peace for all mankind” not only marked the lunar module Eagle’s landing spot – Nixon also spoke of it into the microphones just before his departure to China. It was not John Adam’s aim to create a superficial or even a caricaturing representation of Nixon’s visit when composing his opera. He attempted to create a “heroic opera” about the construction of modern myths by using archetypical characters and situations. Director Marco Štorman stages Adams’ minimal music opera as a deconstruction review about the power of images, the politics of staging and the staging of politics.