This documentary is featured on the two-disc Chaplin Collection DVD for "The Kid" (1921), released in 2004.
Self
Self
This documentary is featured on the two-disc Chaplin Collection DVD for "The Kid" (1921), released in 2004.
2003-03-02
5.7
"A Woman of Paris" (1923) was the first film Chaplin made for United Artists Film Corporation, which he founded with his friends Mary Pickford, Douglas Fairbanks and D. W. Griffith. Chaplin had long considered making a dramatic feature. For the first time, he decided to direct. Actress and filmmaker Liv Ullmann analyses the film. She talks about the acting, the originality of the characterizations, as well as the "feminine" viewpoint Chaplin adopted for the first time in his films.
As children in the loving Ekdahl family, Fanny and Alexander enjoy a happy life with their parents, who run a theater company. After their father dies unexpectedly, however, the siblings end up in a joyless home when their mother, Emilie, marries a stern bishop. The bleak situation gradually grows worse as the bishop becomes more controlling, but dedicated relatives make a valiant attempt to aid Emilie, Fanny and Alexander.
At some point, they dreamed of becoming a part of the national taekwondo team, but now, they have surrendered to reality. There were three friends, Hoon-i, Seong-ho, and Tae-yeong.
A man wrestles with his personal demons and obsession with a writer's life.
The life and career of Dominican comedy duo Raymond Pozo and Miguel Céspedes.
Forget martinis and Austin Powers. This documentary is an unflinching portrait of the realities of "swinging," and it's not exactly a shaggadelic picture; in fact, the swingers we meet in the film are older, often lonely people. Most of them are simply looking to break out of their conventional, well-ordered lives by adopting "the lifestyle." Birds and bees may not do it, but we learn that monkeys do -- as well as 3 million Americans.
Hava's brothers decide to divide their paternal property. According to traditional customs, the right to inheritance belongs to male descendants only whereas Hava has no right to inherit. The eldest brother is obligated to find a husband for his sister. Hava must be married and live at her husband's house.
A mentally disturbed man stalks a woman who had once aborted the child he had fathered.
Compilation tape with music by various underground musicians, interspersed with random video footage.
About three women in search of a home return to South Korea after an absence of more than thirty years. In the 1970s, they left everything behind in order to go to Germany as "guest workers." Although assimilated in their new country, they long for the old one. Now they are able to realize their dream of returning with their German husbands to Dogil Maeul, the German village that has been created for people like them. Situated in a picturesque bay, the village is indeed more German than Germany--there is even whole meal bread and Frankfurter sausages. This is the new-old home to which their sixty something husbands Armin, Willi and Ludwig have come in the hope of spending their remaining years. However, there is still something missing for the three women as they discover it is not so easy to pick up where they left off.
Ling-Kit HO is just like one of many other students in Tin Shui Wai. However, he is a lot more hard-working than all the others as he wants to get away from this besieged city. Apart from his study, he is indifferent to everything because he comes from a defunct family. Having to take care of his mentally-ill mother, Ling Kit is also forced to face his Dad – a heavy drunker and a heavy gambler. His younger brother Chun-Kit has left the family for years. At that time, Chun-Kit was heavily bullied by his classmates in school and he was always beaten by his drunken father. Being the elder brother, however, Ling-Kit did not protect Chun-Kit from being beaten so Chun-Kit left in great panic.
This sentimental wartime drama is missing its first reel, in which, we gather, an abandoned love child is left in an apple barrel and taken in by a kindly grocer. We join the action four years later when the much-loved girl is seen playing happily in the grocer's humble kitchen. But when the child's dying mother confesses her secret, what will become of Little Pippin?
A look at the greatest martial arts movie stars, featuring clips and trailers.
Insane Fight Club is back. This year the boys are taking their unique form of entertainment to England as they stage fight nights in Birmingham, Leeds, Liverpool and Newcastle.
"In the Gay Nineties New York had grown up into bustles and balloon Sleeves ... but The Bowery had grown younger, louder and more rowdy until it was known as the 'Livest Mile on the face of the globe' ... the cradle of men who were later to be famous.
Feature length documentary examining the troubled life and tragic death of college football standout and talented NFL running back Lawrence Phillips, whose scars of childhood abuse and abandonment haunted him throughout his career.
Released two years after James Dean's death, this documentary chronicles his short life and career via black-and-white still photographs, interviews with the aunt and uncle who raised him, his paternal grandparents, a New York City cabdriver friend, the owner of his favorite Los Angeles restaurant, outtakes from East of Eden, footage of the opening night of Giant, and Dean's ironic PSA for safe driving.
A look at the life and work of Christina Lindberg, the most famous Swedish model of the 1970s and star of exploitation cinema.
A tribute to the late, great French director Francois Truffaut, this documentary was undoubtedly named after his last movie, Vivement Dimanche!, released in 1983. Included in this overview of Truffaut's contribution to filmmaking are clips from 14 of his movies arranged according to the themes he favored. These include childhood, literature, the cinema itself, romance, marriage, and death.
When Francois Truffaut approached Alfred Hitchcock in 1962 with the idea of having a long conversation with him about his work and publishing this in book form, he didn't imagine that more than four years would pass before Le Cinéma selon Hitchcock finally appeared in 1966. Not only in France but all over the world, Truffaut's Hitchcock interview developed over the years into a standard bible of film literature. In 1983, three years after Hitchcock's death, Truffaut decided to expand his by now legendary book to include a concluding chapter and have it published as the "Edition définitive". This film describes the genesis of the "Hitchbook" and throws light on the strange friendship between two completely different men. The centrepieces are the extracts from the original sound recordings of the interview with the voices of Alfred Hitchcock, Francois Truffaut, and Helen Scott – recordings which have never been heard in public before.
An examination of why the James Bond films have proved so popular including a discussion between the four actors who have played Bond, an interview with Cubby Broccoli and contributions from the directors, production designers, special effects and stuntmen.
Jonathan Ross delves into the world of James Bond and meets with new and former cast members who reveal humorous stories and anecdotes in a series of interviews. All the 5 Bonds at the time are featured, though only Lazenby (reflecting in the usual frank, self criticizing manner), Moore and Brosnan granted an interview. Connery and Dalton are featured through some unused footage from LWT's 30 years of James Bond program. The ever faithful Desmond Llewelyn turns up in character as well as some other less related peeps like Christopher Lee, Paul McCartney and the ultimate playboy: Hugh Hefner -- who all give an interesting perspective on the worlds most famous spy.
The earliest surviving celluloid film, and believed to be the second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), possibly on 14 October 1888. The film shows Adolphe Le Prince (Le Prince's son), Mrs. Sarah Whitley (Le Prince's mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. The Roundhay Garden Scene was recorded at 12 frames per second and runs for 2.11 seconds.
A documentary incorporating footage of Montgomery Clift’s most memorable films; interviews with family and friends, and rare archival material stretching back to his childhood. What develops is the story of an intense young boy who yearned for stardom, achieved notable success in such classic films as From Here to Eternity and I Confess, only to be ruined by alcohol addiction and his inability to face his own fears and homosexual desires. Montgomery Clift, as this film portrays him, may not have been a happy man but he never compromised his acting talents for Hollywood.
A short documentary exploring the ongoing relevance and power of 'Salò o le 120 giornate di Sodoma'.
Spider-Man and Daredevil team up to fight Kingpin.
This documentary is featured on the DVD for Captain Blood (1935), released in 2005.
In 1928, as the talkies threw the film industry and film language into turmoil, Chaplin decided that his Tramp character would not be heard. City Lights would not be a talking picture, but it would have a soundtrack. Chaplin personally composed a musical score and sound effects for the picture. With Peter Lord, the famous co-creator of Chicken Run and Wallace & Gromit, we see how Chaplin became the king of slapstick comedy and the superstar of the movies.
A look at the first years of Pixar Animation Studios - from the success of "Toy Story" and Pixar's promotion of talented people, to the building of its East Bay campus, the company's relationship with Disney, and its remarkable initial string of eight hits. The contributions of John Lasseter, Ed Catmull and Steve Jobs are profiled. The decline of two-dimensional animation is chronicled as three-dimensional animation rises. Hard work and creativity seem to share the screen in equal proportions.
A series of thirty-two trailers put together to illustrate the film industry's attitude to and packaging of African-American screen imagery.
2nd Edition of Loose Change documentary. What if...September 11th was not a surprise attack on America, but rather, a cold and calculated genocide by our own government?We were told that the twin towers were hit by commercial jetliners and subsequently brought down by jet fuel. We were told that the Pentagon was hit by a Boeing 757. We were told that flight 93 crashed in Shanksville, Pennsylvania. We were told that nineteen Arabs from halfway across the globe, acting under orders from Osama Bin Laden, were responsible. What you will see here will prove without a shadow of a doubt that everything you know about 9/11 is a complete fabrication. Conspiracy theory? It's not a theory if you can prove it.Written and narrated by Dylan Avery, this film presents a rebuttal to the official version of the September 11, 2001 terrorist attacks and the 9/11 Commission Report.
This documentary captures the sounds and images of a nearly forgotten era in film history when African American filmmakers and studios created “race movies” exclusively for black audiences. The best of these films attempted to counter the demeaning stereotypes of black Americans prevalent in the popular culture of the day. About 500 films were produced, yet only about 100 still exist. Filmmaking pioneers like Oscar Micheaux, the Noble brothers, and Spencer Williams, Jr. left a lasting influence on black filmmakers, and inspired generations of audiences who finally saw their own lives reflected on the silver screen.
On the night of her 30th birthday, Lindsay Corwin, an unlucky environmentalist with a string of bad relationships, decides to make the ultimate wish: for all of her birthday wishes to come true. When her nearly three decades of wishes, including everything from losing weight to meeting Mr. Right, start magically coming true all at once, Lindsay is awestruck—until she realizes the life, and the man, she’s always wished for might not be the one she really wants.