Bluegrass Country Soul(1972)

Nitty Gritty Dirt Band and Friends - Circlin' Back: Celebrating 50 Years(en)

Filmed and Recorded Live at Ryman Auditorium, Nashville, Tennessee, on September 14, 2015, Nitty Gritty Dirt Band and Friends - Circlin' Back: Celebrating 50 Years captures a group of longtime road warriors who've yet to lose their grit, joined onstage by John Prine, Sam Bush, Vince Gill, Jerry Jeff Walker, Alison Krauss, Rodney Crowell, Byron House, and Jerry Douglas. Rock and Roll Hall of Famer (and early Dirt Band member) Jackson Browne joined in, along with longtime member Jimmy Ibbotson, while a sold-out crowd sings along in the background. From country classics to deep cuts, the tracklist finds bandmates Jeff Hanna (guitars/vocals), Jimmie Fadden (drums/harmonica/vocals), Bob Carpenter (keyboards/accordion/vocals) and John McEuen (banjo/fiddle/guitar/mandolin) swapping harmonies, trading solos, and shining new light on a catalog of vital, vibrant music.

The Avett Brothers at Red Rocks(en)

On July 7, 2019, they celebrated their sixth consecutive year of sold-out concerts at Red Rocks Park and Amphitheater, the world’s only naturally-occurring, acoustically perfect amphitheater, located just outside of Denver. Over 9,000 fans danced, sang and cheered — it was the perfect way to spend a warm summer evening. This special features performances of “Live and Die,” “Down with the Shine,” “Head Full of Doubt,” “High Steppin,'” “Ain’t No Man,” “Laundry Room” and more.

L'Âge d'or de la pub(fr)

The Red Elvis(de)

A documentary on the late American entertainer Dean Reed, who became a huge star in East Germany after settling there in 1973.

Nashville(en)

The intersecting stories of twenty-four characters—from country star to wannabe to reporter to waitress—connect to the music business in Nashville, Tennessee.

The Police Tapes(en)

Filmmakers Alan and Susan Raymond spent three months in 1976 riding along with patrol officers in the 44th Precinct of the South Bronx, which had the highest crime rate in New York City at that time.

Quadrophenia(en)

Based on the 1973 rock opera album of the same name by The Who, this is the story of 60s teenager Jimmy. At work he slaves in a dead-end job. While after, he shops for tailored suits and rides his scooter as part of the London Mod scene.

Maria Bethânia: Música é Perfume(pt)

Brazilian singer Maria Bethania has a 40-year singing career. A documentary shows her concerts and famous family.

No Festival(en)

Due to a pandemic, the Electric Castle music festival shifts into an intimate concert staged for cameras instead, with three bands and no live audience.

Whoop Dreams(en)

A documentary covering the 2013 Gathering of the Juggalos in Cave-In-Rock, IL.

Coming Back for More(en)

Funk legend Sly Stone disappeared from the limelight for more than 20 years. Musicians and the media tried to find the recluse but failed. In 2005 Willem Alkema started searching for Sly. Sly didn't want to be found or filmed, but Willem didn't give up and finally followed Sly in his first steps on stage in decades.

You Gave Me A Song: The Life and Music of Alice Gerrard(en)

You Gave Me A Song offers an intimate portrait of old-time music pioneer Alice Gerrard and her remarkable, unpredictable journey creating and preserving traditional music. The film follows eighty-four year old Gerrard over several years, weaving together verité footage of living room rehearsals, recording sessions, songwriting, archival work, and performances with photos and rare field recordings. Much of the film is told in Alice’s voice and via interviews with musical collaborators and family members who share the story of Alice and others chasing that high lonesome sound.

James Brown Soul Brother No. 1(en)

The James Brown Story

Loyal to My Image(en)

Through one woman's experience as an adopted person and also as a mother who relinquished her child in 1971, this documentary highlights the many complex issues associated with adoption.

There Is No Authority But Yourself(en)

A Dutch documentary about the history of the anarchist punk band Crass. The film features archival footage of the band, and interviews with former members Steve Ignorant, Penny Rimbaud and Gee Vaucher.

Night Lunch(en)

This is Poe and Král's first effort, shot on small-gauge stock, before their more well-known endeavor The Blank Generation (1976) came to be. A "DIY" portrait of the New York music scene, the film is a patchwork of footage of numerous rock acts performing live, at venues like Madison Square Garden, Radio City Music Hall, the dive bars of Greenwich Village and, of course, CBGB.

Trade Center(en)

The voices of five gay men who cruised for sex at the World Trade Center in the 1980s and 1990s haunt the sanitized, commerce-driven landscape that is the newly rebuilt Freedom Tower campus.

Jesus Christ Saviour(de)

Klaus Kinski has perhaps the most ferocious reputation of all screen actors: his volatility was documented to electrifying effect in Werner Herzog’s 1999 portrait My Best Fiend. This documentary provides further fascinating insight into the talent and the tantrums of the great man. Beset by hecklers, Kinski tries to deliver an epic monologue about the life of Christ (with whom he perhaps identifies a little too closely). The performance becomes a stand-off, as Kinski fights for control of the crowd and alters the words to bait his tormentors. Indispensable for Kinski fans, and a riveting introduction for newcomers, this is a unique document, which Variety called ‘a time capsule of societal ideals and personal demons.’

Keith Haring: The Message(en)

Keith Haring: The Message was released in conjunction with the Keith Haring retrospective at the Museum of Modern Art in Paris. Directed by famed designer, Madonna stylist and Haring confidante Maripol, The Message goes pretty deep into both the artist and the city and times he’ll forever be identified with: New York City, circa the 1980s. The focus, as the title indicates, is upon the “struggles that animated” Keith Haring’s work, his activism – in a word, his “message.”

Tommy(en)

After a series of traumatic childhood events, a psychosomatically deaf, dumb and blind boy becomes a master pinball player and the object of a religious cult.