Tu lembra?(2025)

Fishing Dreams(id)

Someone tells of a dream he had, which was to go fishing and get lots of fish, this kind of dream is often associated with a symbol of good luck. But he was afraid that the dream would happen again and again, from generation to generation.

Heart of a Bull(en)

A concert film documenting a performance from the Houston artist Orpheus Von Doom.

Megalópolis(es)

Exploration of the territory in a delirious time-space journey through the largest Megalopolis in America.

It Fell on Deaf Ears(en)

Because Quebec Sign Language cannot be captured on paper, videography has revealed itself to be the best way to represent this visual language. The first ‘comic strip’ in sign language, the film depicts snatches of conversations between various deaf and hearing protagonists. A visit to a silent world, where the hearing impaired ask us to listen to them.

why some people be mad at me sometimes(en)

A meditation on the misappropriation of Dancehall music while using Black Feminist Citational praxis.

What We Never Forget For Peace Here Now(en)

What We Never Forget For Peace Here Now is a personal peace memorial produced in the United States, a country that does not have war memorials dedicated to peace. This video explores how we forget and how we remember memories of war. I think about who are my survivors and witnesses of war, and the deep impressions they've given me, becoming a part of me. Drawing inspiration from peace activists young and old, I ask viewers to join me in a practice of peace, here and now.

Third Shift Coming Home(en)

This audio-visual tone poem uses the language of filmmaking to offer a first-hand evocation of the turbulent psychological effects one can experience due to prolonged lack of sunlight.

Balada para futebol(pt)

Losing Touch(en)

Searching for life in daily rituals, Losing Touch undertakes a shift in perception and presents the city as an ugly yet ecologically rich landscape. The film depicts the internal dialogue on coping with the grief and fear of ecological degradation, using the local streets of Berlin as a means to materialise and confront these emotions. As both the body and mind begin to wander, encounters with the landscape over a 24 hour period are transformed into an overstimulating and emotionally charged journey. Camcorder footage, film developed in beer and cyanotype create sensational and playful depictions of the surroundings, joining the rats scurrying on the ground and fleeing the night lights with the moths. Creatures of metal and flesh interact within and between the frames, coming together as an ugly yet vibrant community. Subverting the nature-culture dichotomy, a new image of nature is formed, not only as a romantic, distant place, but rather a dirty, omnipresent force.

Suburban Sky(xx)

A series of suburban skies and the feeling of there being something else, intangibly out of reach.

Nostalgia for the Lake(es)

A vision from Limbo, where the canoeist of the eternal lake floats in his boat, between sleep and wakefulness. When he sleeps, he dreams of the everyday of a parallel time. when he wakes up, the same song haunts him again and again. his boat, “ara” (time, in guarani) travels through time like a shooting star.

Ensaio Sobre Você(pt)

As If I Were Remembering(en)

A short trip to Cyprus to visit my Grandad, his house and the surrounding neighbourhood after 20 years.

Two Sides of the Moon(en)

Artist Som Supaparinya presents the video work Two Sides of the Moon. This film recounts the lives of fishermen and fisherwomen at the beginning and end of the Moon River where it joins the Mekong, on the border between Thailand and Laos. Each place - and its people - is confronted with the modification of the river landscape by the man-made dam, but their stories and the impact on their lives are contrasting. One community has started to learn how to fish, while the other is counting the names of lost fish and tools. The concept of light and darkness derives from the brightness of the moon and its shadows, and the contrast between the two sides of the river reveals the inequality of fates.

Mind Mounter(ja)

This film is a secondary expression movie which is produced from much stuff of old postcards as souvenir of the mountain resort. It is an experiment for considering about the possibility that the old photo postcard become the device of sharing memories of the world of today.

Mini Poder '22(en)

Chileans are asked about their definition of the word (and the concept of) "power", as they answer images flash on the screen of powerful and powerless figures in Chilean history.

AlieNATION(en)

This short film shot in a small town in Sweden navigates themes of nostalgia through an original monologue, reflecting on gender identity struggle and the pursuit of a new beginning in a foreign land.

47 Days, Sound-less(en)

47 Days, Sound-less by Vietnamese artist Nguyễn Trinh Thi is a film that explores the relationships between sound and silence, vision, language, colours and their absence. Nguyễn identifies “peripheries”—including natural landscapes used as backdrops, uncredited characters and soundtracks from American and Vietnamese movies—that reveal more-than-human perspectives. Offering new ways of looking and listening, 47 Days, Sound-less invites audiences to reflect on the inextricable relationship between a place and its inhabitants.

Maalbeek(fr)

Sabine is looking for a missing image: a day that has left its mark forever and that everyone remembers but her. But maybe this absence is what allows her to move on with her life?

Fragments on the flow(en)

Fragments from Brussels, about the flow of the city, A cinema, A body, A film, and a wind that blows through the town. The film is a Schizomentry experience that blends real stories and fiction. After all, where is the border?