Staden brinner(2025)

The Building and Burning of a Refugee Camp(en)

Three men seeking asylum in Ireland find themselves on the streets, caught between restrictive migration policies and an increasingly aggressive far-right movement. Dennis Harvey captures an explosive sequence of events on the streets of Dublin.

The Rumba Kings(en)

In the fifties, when the future Democratic Republic of Congo was still a Belgian colony, an entire generation of musicians fused traditional African tunes with Afro-Cuban music to create the electrifying Congolese rumba, a style that conquered the entire continent thanks to an infectious rhythm, captivating guitar sounds and smooth vocals.

Racist Trees(en)

Can a tree be racist? A few years ago, debate on this issue reached as far as Fox News. The focus was a row of tamarisk trees along a huge golf course in Palm Springs, which screened off the neighborhood of Crossley Tract. This is a historically Black neighborhood, named after its founder Lawrence Crossley, who was one of the first Black residents to settle in the largely white tourist paradise, established on indigenous land over a century ago.

« Je ne suis pas chinetoque » : Histoire du racisme anti-asiatique(fr)

Journalist Émilie Tran Nguyen invites the viewer to follow her in her quest and discover, at the same time as her, the historical origins of this anti-Asian racism. Told in the first person, alternating archive images, interviews with historians, sociologists and field sequences, this film traces the making of prejudices in the French imagination and pop culture, to twist the neck of stereotypes, deconstruct and act.

Negra(en)

I was about seven years old the first time someone called me \"black\" on the street. I turned around to see who they were talking to, until I realized they were talking to me.

Dresden Story(en)

People are interviewed in Dresden, Ontario, to sample local attitudes towards racial discrimination against black people that brought this town into the news. After a round-up of the opinions of individual citizens, white and black, commentator Gordon Burwash joins two discussion panels, presenting opposite points of view. The rights and wrongs of the quarrel are left for the audience to decide.

Refugees: Enemies or Victims?(en)

The Syrian Civil War has created one of the greatest humanitarian crises in the last 60 years. REFUGEES: ENEMIES OR VICTIMS? investigates the very important question of whether the United States is doing enough to uphold its long tradition of helping those in need.

Homefront(uk)

A family with five children flees the war raging in their home village on the Russian border. They end up in Mshanets, a farming village on the other side of the country, remote and unknown. Here the family starts building a new home. At the same time, two documentary makers come to the village, looking for a story. In the Lymar family they find the ideal characters for their film. But one day, when the renovation of their house is almost finished, the family disappears. The filmmakers go in search of their characters and along the way they try to find an answer to the question: what does a person need to feel at home?

FC Roma(cs)

A team of Romany football players try to overcome prejudice in this Czech documentary.

Salty Dog Blues(en)

The film looks at men and women of color in the U.S. Merchant Marine from 1938-1975. Through chronicling the lives of these men and women who, with a median age of 82, are beset with a host of life-threatening illnesses, the movie tells how they navigated issues of racism, disparities in the workplace, gender and familial relations.

Joe Louis: America's Hero Betrayed(en)

An American story. Traces the career of Joe Louis (1914-1981) within the context of American racial consciousness: his difficulty getting big fights early in his career, the pride of African-Americans in his prowess, the shift of White sentiment toward Louis as Hitler came to power, Louis's patriotism during World War II, and the hounding of Louis by the IRS for the following 15 years. In his last years, he's a casino greeter, a drug user, and the occasional object of scorn for young Turks like Muhammad Ali. Appreciative comment comes from boxing scholars, Louis's son Joe Jr., friends, and icons like Maya Angelou, Dick Gregory, and Bill Cosby.

Yellow Fever(en)

What does beauty look like? In this award-winning short, Kenyan filmmaker Ng’endo Mukii combines animation, performance, and experimental techniques to create a visually arresting and psychologically penetrating exploration of the insidious impact of Western beauty standards and media-created ideals on African women’s perceptions of themselves. From hair-straightening to skin-lightening, YELLOW FEVER unpacks the cultural and historical forces that have long made Black women uncomfortable, literally, in their own skin.

But... Seriously(en)

A documentary juxtaposing the events of the 20th century with the commentary of stand-up comedians.

Falácias(pt)

Hoyerswerda '91(de)

Play with the Devil – Becoming Zeal & Ardor(de)

Zeal & Ardor catapults Swiss musician Manuel Gagneux from the underground to the world stage. Religion, racism, segregation and appropriation: Gagneux makes music against taboos. But being a leader against his will scares the introverted artist. Can he remix the game?

Traffic Stop(en)

Breaion King, a 26 year-old African-American school teacher from Austin, Texas - is pulled over for a routine traffic stop that escalates into a violent arrest. Dashcam clips intercut with verite scenes tell a story of racism in law enforcement through the eyes of one of its victims.

White Hotel(en)

When two women with a video camera follow an HIV research team to Eritrea, Africa, they find a strange and magical country which transforms their documentary into an intimate investigation of their own capacities to love, suffer and forgive.

Incarceration Nation(en)

An examination of the connection between relentless government intervention since colonisation to the trauma and disadvantage experiences by Indigenous Australians - the two key drivers of incarceration.

Statues Also Die(fr)

Commissioned by the journal Présence Africaine, this short documentary examines how African art is devalued and alienated through colonial and museum contexts. Beginning with the question of why African works are confined to ethnographic displays while Greek or Egyptian art is celebrated, the film became a landmark of anti-colonial cinema and was banned in France for eight years.