

Light Upon Light: A Documentary on Hijab is an intimate and deeply personal exploration of the diverse, raw, and untold stories of hijabi women. Through open and vulnerable conversations with 7 women, the film dismantles stereotypes, highlights the challenges imposed by society, and celebrates the profound beauty of the hijab beyond a mere clothing choice. It captures the individuality of each woman’s story—how they came to wear the hijab, the struggles they’ve faced, and the strength they’ve found in it. More than just fabric, the hijab is a journey, often misunderstood, and influenced by the way the world perceives it. By amplifying voices that are often unheard, the documentary creates a space for empathy, challenges misconceptions, and invites a deeper understanding of what it truly means to wear the hijab; inspiring everyone to see hijab in a new light.
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8.2Amidst the grand walls of the Forbidden City, the film takes us on a deep journey through the ceremonial life of the Chinese emperor, unveiling the secrets and intrigues of concubines, eunuchs, and palace maids. As the West begins to influence China in the late 19th century, the dynamics within the city shift dramatically. The film highlights the preservation and restoration of invaluable treasures and paintings, culminating in the creation of the Palace Museum. With insights from renowned China scholar, Jonathan Spence, this is an intimate exploration of the rich cultural and historical tapestry that makes up the heart of ancient China.
7.1How do you reconcile a commitment to non-violence when faced with violence? Why do the poor often seem happier than the rich? Must a society lose its traditions in order to move into the future? These are some of the questions posed to His Holiness the Dalai Lama by filmmaker and explorer Rick Ray. Ray examines some of the fundamental questions of our time by weaving together observations from his own journeys throughout India and the Middle East, and the wisdom of an extraordinary spiritual leader. This is his story, as told and filmed by Rick Ray during a private visit to his monastery in Dharamsala, India over the course of several months. Also included is rare historical footage as well as footage supplied by individuals who at great personal risk, filmed with hidden cameras within Tibet.
0.0March 2008. The renowned journal ‘Science’ publishes an article confirming that the human bones discovered in 2004 on the island of Flores in Indonesia are indeed those of a new species of man. These tiny men lived there just a few thousand years ago... Scientists have named this new cousin “Homo floresiensis”, the Man of Flores.
5.5Experience spectacular aerial and ground views and cultural revelations of a country like no other in a virtual tour of Mount Ararat, Khor Virap, Yerevan, the Genocide memorial, and more. Narrated by Andrea Martin, the documentary features prominent voices from the Armenian diaspora including Eric Bogosian, Chris Bohjalian, Peter Balakian, Michael Aram, and others.
0.0Struggling with fear, tension, and anxiety amid the early stages of the COVID-19 pandemic, a high school student reflects upon what really matters.
Personal experiences of Northwest Ohio residents during the January 1978 blizzard that disrupted daily activities. Stories include the helicopter rescue of an expectant mother, effects on emergency services, and methods people used to survive without electricity and heat.
8.0In October 2023, a European research team succeeded in generating an enormous amount of energy from very little fuel. A success that fusion research had been working towards for around 70 years. Now the competition for a fusion reactor has been reignited. What role can electricity from nuclear fusion play in the future?
0.0Sandra rummages in the fragments of her memory and photographs in order to reconstruct the portrait of the life and death of her brother.
5.0Debunking the mythology surrounding the 16th century French prophet, Nostradamus.
8.0The Land of Ahimsa” is a feature length documentary that follows Dolly Vyas-Ahuja on her journey to veganism. Dolly narrates and produces the film, alongside Bollywood actor Aryeman, who directs. “The Land of Ahimsa” will strive to inspire and encourage the people of India to adopt a vegan way of life by showing them how easy it is. Indians are waking up to the truth that all animals are intelligent species and deserve a chance to live.
0.0“Te Pito o Te Henua” (The Navel of the World) tells the story of the community behind Rapa Nui’s largest and most colorful annual Indigenous celebration, the Tāpati Rapa Nui Festival. Honoring ancient rites and competitions, Rapa Nui families participate in nine days of athletic feats, cultural demonstrations and ceremonies paying respect to the land, water and other natural beings of the island. They also crown a Queen to represent her people for a year throughout Polynesia and on the world stage. The film traces the journey of 19-year-old candidate Vaitiare and her family as they join work to earn her the crown and represent this small but well-known island as its people fight for increased autonomy and recognition on the world stage. Through intimate character portraits, behind-the-curtain moments and heartfelt musical performances, “Te Pito o Te Henua” reveals the true meaning of Tāpati and the deep connections the Rapa Nui share with their lands and waters.
0.0When Roger Lee slips on his front steps, he has no idea the fall will send him spiralling into the darkest chapter of his life. Injured, and drowning in despair, he hits rock bottom—until he discovers the power of his own words. Through pain, he finds purpose, turning his struggle into wisdom that inspires millions. Now, as a world-renowned speaker, he lifts others the way he once needed lifting. A raw and uplifting story of resilience, reinvention, and the unexpected ways we rise.
0.0In this layered short film, filmmaker Janine Windolph takes her young sons fishing with their kokum (grandmother), a residential school survivor who retains a deep knowledge and memory of the land. The act of reconnecting with their homeland is a cultural and familial healing journey for the boys, who are growing up in the city. It’s also a powerful form of resistance for the women.
0.0The story of the South Shore Resource and Advocacy Center, five survivors of domestic violence, and their experience in the Massachusetts justice system.
10.0The Metaphor That Became a Room is a psychological drama exploring identity, communication, and the struggle for self-understanding. Divided into two parts, the film first delves into the protagonist’s frustration with the urge to persuade others, realizing that over-explaining only distorts meaning. A note from the past echoes a hard truth: “Someone’s unwillingness to understand will always outweigh your effort.” In A Symphony of Unfinished Selves, the narrative shifts inward, revealing the protagonist’s fractured identity. Trapped in a metaphorical room built from illusions and contradictions, he reflects on his dual persona—the social facade and the hidden, lost self. The film questions how we see ourselves versus how others see us and whether true self-recognition is possible. Through minimalist dialogue and layered symbolism, the film captures the silent tension between who we are, who we appear to be, and who we long to become.
0.0A nuanced portrait of a new generation, Dear Thirteen is a cinematic time capsule of coming of age in today’s world. Through the eyes of nine thirteen-year-olds, we see how pressing social, geographical and political challenges are shaping, and being shaped by, young people: rising anti-Semitism in Europe, guns in America, gender identity and racial divisions across Australia and Asia. With no adult commentary outside the filmmaker, Dear Thirteen offers an intimate view into the universal uncertainty inherent in growing up.
This film features some of the most important living Postmodern practitioners, Charles Jencks, Robert A M Stern and Sir Terry Farrell among them, and asks them how and why Postmodernism came about, and what it means to be Postmodern. This film was originally made for the V&A exhibition 'Postmodernism: Style and Subversion 1970 - 1990'.
