Statues of Portugal(1931)

As Pedras e o Tempo(pt)

Documentary short film on the city of Évora, Portugal. Usually regarded as the first film of the Portuguese New Wave.

Wake of '38(en)

Personal experiences of Northwest Ohio residents during the January 1978 blizzard that disrupted daily activities. Stories include the helicopter rescue of an expectant mother, effects on emergency services, and methods people used to survive without electricity and heat.

Land Without Bread(es)

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

Der er et yndigt Land(da)

Salty Dog Blues(en)

The film looks at men and women of color in the U.S. Merchant Marine from 1938-1975. Through chronicling the lives of these men and women who, with a median age of 82, are beset with a host of life-threatening illnesses, the movie tells how they navigated issues of racism, disparities in the workplace, gender and familial relations.

Aku-Aku(en)

Documentary following the 1955–1956 Norwegian Archaeological Expedition's investigations of Polynesian history and culture at Easter Island.

Retratação(en)

Fernando Lemos, a Portuguese surrealist artist, fled from dictatorship to Brazil in 1952 searching for something better. The movie follows the last moments of his journey and the struggle for the preservation of his legacy, trying to fulfill his last great desire: to be a good dead man.

Stonebreakers(en)

In a year of uprisings and political unrest, Stonebreakers documents the fights around monuments in the United States and explores the shifting landscapes of the nation's historical memory.

How the Monuments Came Down(en)

How the Monuments Came Down is a timely and searing look at the history of white supremacy and Black resistance in Richmond. The feature-length film-brought to life by history-makers, descendants, scholars, and activists-reveals how monuments to Confederate leaders stood for more than a century, and why they fell.

Floripes(pt)

A story with almost 100 years told by the 95 years old woman Floripes.

Baptismo de Terra(pt)

Fatima: Miracle of the Sun or Harbinger of Deception?(en)

100 years ago an event happened that changed the world. Upwards of 70,000 were gathered in the little village of Fatima, Portugal. They were told, by an apparition that had appeared to three children—what many believed to be Mary of the Bible—that a miracle would occur. Something happened on October 13, 1917 and thousands of people witnessed it… It was called, The Miracle of the Sun.

Dentro, fora do Brasil(pt)

From Caligari to Hitler(de)

Film journalist and critic Rüdiger Suchsland examines German cinema from 1919, when the Republic of Weimar is born, to 1933, when the Nazis come into power. (Followed by Hitler's Hollywood, 2017.)

Mário Eloy - A Runaway Painter(pt)

Documentary about the life and work of Mário Eloy, one of the greatest painters of the second generation of modernism in Portugal.

O outro lado da fruta(pt)

A day in the life of Marta, a raspberry grower who doesn't give up on her dreams.

How we built the Moscow metro(fr)

In the 1930’s, the workers of the underground, headed by brigades of writers, are in charge to write in real time "the history of the Moscow Metro". Based on their narratives, partially unpublished, the film recounts the first lines construction of the most beautifiul underground in the world, in the light of this "big literary Utopia", stoped by the purges of 1937-38.

Longe de Cabul(pt)

Seeds of Hunger - Ukraine 1933(fr)

Between 1931 and 1933, 4 million Ukrainians were to die of hunger. This famine was not preceded by any cataclysmic weather event, nor by a war. This was an ideological crime: decided by Stalin and approved by the Politburo, with the aim of punishing Ukrainian peasants who refused the collectivization of the countryside, cultivated a strong form of nationalism and showed resistance to communist ideology. Drawing on previously unpublished material, on many Soviet films and on a number of particular points of view, including that of Welsh journalist and whistleblower Gareth Jones, this film retraces the story of that famine.

Riding the Rails(en)

Riding the Rails offers a visionary perspective on the presumed romanticism of the road and cautionary legacy of the Great Depression. The filmmakers relay the experiences and painful recollections of these now-elderly survivors of the rails. Forced to travel more by economic necessity than the spirit of adventure, the film's subjects dispel romantic myths of a hobo existence and its corresponding veneer of freedom. Riding the Rails recounts the hoboes' trade secrets for survival and accounts of dank miseries, loneliness, imprisonment, death, and dispossession. Sixty years later, the filmmakers transport their subjects back to the tracks, where the surging impact of sound and movement resuscitates memories of a shattered adolescence and devastating rite of passage.