Wanda(NaN)

Phantoms of the Sierra Madre(en)

A Danish writer travels to Mexico with the purpose of locating a mysterious Apache tribe that fervently seeks to remain in obscurity.

Elle va crier(fr)

Audrey, a woman in her mid-fifties, has never been able to make peace with her tumultuous family history. A clumsy mother, an emotionally distant father and sexual assaults that have gone unreported. She now decides to confront her demons. Supported by her son, the director of the documentary, she revisits a striking scene from her past: the moment when she told her parents that her grandfather had raped her. Together, through a year-long production process, they transform this awkward exchange into a moment of communion, thanks to actors, a set and Audrey's desire to do herself justice.

Drinking a Monster in the parking lot of the clinic where I was born that is now a funeral home(en)

A woman returns to the site of her birth, which is now a funeral home. She drinks a white monster energy drink.

Faces from Home(pt)

In an empty house, we see the memories of a home, from those who once lived and filled it with joy and love.

Dear Albania(en)

Eliza Dushku takes on her homeland of Albania.

Parque Necrópolis(es)

Meeting David Wilson(en)

African American filmmaker David A. Wilson decided to look into his family's history during the slave era. The result is this documentary, which provides a unique perspective on the long shadow cast by slavery in America. Wilson travels to North Carolina to visit the plantation where his ancestors once toiled and to meet its current owner -- a white man named David Wilson, whose slave-owning ancestors originally occupied the property.

Our Maternal Home(en)

Filmmaker and educator Janine Windolph ventures from Saskatchewan to Quebec with her two teens and younger sister, tracing their familial origins to the Cree First Nation of Waswanipi. Against the scenic backdrop of these Traditional Lands, Elders offer newfound interdependence and hands-on learning, transforming this humble visit into a sensory-filled expression of reclamation and resilience. Our Maternal Home lovingly establishes a heart-centred form of resistance to confront and heal from the generational impacts of cultural disconnection, making space for what comes next.

Strudel Sisters(hu)

Two elderly sisters share the delicate art of making traditional Hungarian strudel and reveal a deeply personal family story about their mother, who taught them everything they know.

Memory Box(pt)

To open a photographs box is to travel through past and present, thinking about the future.

Heidi in China(en)

In 1946, Heidi is entrusted to a Swiss family by her father. He will never come back for her. Today, François Yang questions his mother about her past. What follows is a journey to China, a quest to reconstruct memory. Through contact with her brothers and sister, Heidi measures the extent of the drama experienced by her family that remained in China, persecuted by the Communist Party.

The Man with the Lantern(it)

To discover the truth behind the mysterious objects her uncle brought back from the Far East during her childhood, filmmaker Francesca Lixi embarks on a journey to those places through archival footage.

The Giacomettis(de)

The rugged Swiss mountain valley of Bregaglia has produced an entire dynasty of artists: the Giacomettis. Alberto revolutionised the art world with his slender sculptures. Before him, his father was an Impressionist of the first hour. What makes this valley the birthplace of so many artists?

Everyday(fr)

A school teacher never just teaches. A step back in time of the life of a school teacher in a small city in the North of France and her experience of the profession.

Villa Madjo(fr)

Ashes(es)

A cellar. A forgotten amphora. The ashes of a woman. Her granddaughter, daughter-in-law and son characterise her, entwining their memories and experiences. They reflect about filial love, gender and isolation through her overbearing nature.

Video Blues(es)

Emma reviews old tapes on VHS, which show faded family memories of those distant 80s, when she was still a child. While recalling the trips to the coast and the children's laughter, she tries to recompose pieces of a story that he never fully understood, joining the pieces of a forgotten puzzle to discover that things were not what they seemed.

Nazaten(nl)

Frans Bromet goes in search of his family history and discovers that Hermanus Bromet was a well-known slave trader in Suriname. Should he feel guilty for what his ancestor did? How do you deal with a burdened family past?

The Beaches of Agnès(fr)

Filmmaking icon Agnès Varda, the award-winning director regarded by many as the grandmother of the French new wave, turns the camera on herself with this unique autobiographical documentary. Composed of film excerpts and elaborate dramatic re-creations, Varda's self-portrait recounts the highs and lows of her professional career, the many friendships that affected her life and her longtime marriage to cinematic giant Jacques Demy.

A Day on the Broads(xx)

With their gramophone perched on the back of their launch, the family set off for a day of rest and relaxation on the Broads and Suffolk coast.