Life. Before and after your morning cup of coffee.
Memories haunt a man and blur the lines between reality and imagination.
A stop motion 1930s fairy tale follows a monster that yearns to be a part of civilized human society. After an unfortunate mishap, the monster’s hopes of being one with the humans is put on trial.
A child is born. We see underwater swimmers representing this. He is young, in a jungle setting, with two fanciful "instincts" guiding him as swooping bird-like acrobats initially menace, then delight. As an adolescent, he enters a desert, where a man spins a large cube of metal tubing. He leaves his instinct-guides behind, and enters a garden where two statues dance in a pond. As he watches their sensual acrobatics of love, he becomes a man. He is offered wealth (represented by a golden hat) by a devil figure. In a richly decorated room, a scruffy troupe of a dozen acrobats and a little girl reawaken the old man's youthful nature and love.
With the loss of Patroclus (his undeclared male lover), Greek warrior Achilles returns to the Trojan War.
Johnny Riggs, a con man on the lam, finds himself in a Latin-American country named Patria. There, he overhears a convent-bred rich girl praying to her guardian angel for help in managing her tangled business affairs. Riggs decides to materialize as the girl's "angel", gains her unquestioning confidence, and helps himself to the deluded girl's millions. Just as he and his partner are about to flee Patria with their booty, Riggs realizes he has fallen in love with the girl and returns the money, together with a note that is part confession and part love letter. But the larcenous duo's escape from Patria turns out to be more difficult than they could ever have imagined.
Part of the larger filmic Four Journeys Into Mystic Time, in this work director Shirley Clarke makes use of a dancer’s body not only as the primary performer, but also as a canvas on which to paint projected images. Further enhanced by editing and effective use of shadows, the film is a transformative experience.
Five friends take a getaway trip and stay at Wonder Villa. But, the haunted villa's supernatural powers suck them in and their only chance to survive is by dancing.
A man looks into a mirror and sees a reflection version of himself dancing, carefree, and rebellious -- only for the reflection to be shattered by a mystery man with a box over his head.
Three completely different stories are told through dance.
A Japanese fairy tale meets commedia dell'Arte. All in white, the naïf Pierrot lies in a wood. Doo-wop music plays as he rises, stares about, and reaches for the moon. Although music abounds and the children of the wood are there at play, Pierrot is melancholy and alone. Harlequin appears, brimming with confidence and energy. He conjures the lovely Colombina. Pierrot is dazzled. But can the course of true love run smooth?
Throughout a night out in downtown Tijuana, Laura waits for her destiny to arrive.
Boisterous nightclub entertainer Buzzy Bellew was the witness to a murder committed by gangster Ten Grand Jackson. One night, two of Jackson's thugs kill Buzzy and dump his body in the lake at Prospect Park in Brooklyn. Buzzy comes back as a ghost and summons his bookworm twin, Edwin Dingle, to Prospect Park so that he can help the police nail Jackson.
In a culture in which relations of repression are established over the body, the figure of the devil is constantly linked to it, whether through association with sexual freedom or through the idea of control and punishment. In view of this, the show created from the performativity in dance proposes to research the philosophical and experiential developments that this situation can generate in our society. Conceived by the Teatro da Pomba Gira Collective, Demons launches to open his sores and see power in the darkness.
Inspired by Arthur Rimbaud's utopian poetics, who dreamed of a universal language without words that directly touches the senses, Anatomy of the Faun acts at the limits between theater and performance. It seeks to dissect the infernal seasons and illuminations of the contemporary homoerotic scene. The mythological figure of the Faun, removed from his natural environment and placed in a city like São Paulo, is a guiding thread for this journey through the shadows and articular lights of metropolitan nights. Walking from disease to cure, this Faun is guided to the anatomy of a body that overcomes the failures of our humanity you have consumed.
The fairytale story revolves around a young prince who - along with his entourage - is turned into a nutcracker through his own ungrateful and selfish behaviour, and awaits a kindly soul who'll release him from the spell. The mouse-king seeks the magic that made this happen so that he can become all-powerful. The prince (now a nutcracker) finds hope in the form of a girl who risks everything to help him become real again, while the mouse-king and his armies do everything they can to steal the magic for themselves.
This sizzling video is guaranteed to add spice to your love life. In the privacy of your boudoir do something delightfully naughty but nice for yourself and your man by following the easy step-by-step moves of GiO. According to the San Diego Times Union "We learned to walk like sex goddesses, pose like sex goddesses, dress like sex goddesses…(and) how to take off (our) clothes with panache…" GiO will put it all together for you and teach you everything you always wanted to know about striptease.
A feisty 18-year-old Italian-American New Yorker named Cindy is sent off to Rome with her irascible stepmother and vain stepsisters. On the way, she meets and falls in love with, globetrotting bagpacker Mizio, who eventually turns out to be of Italian nobility. There's a fairy stand-in in the form of a spaced-out astrologer, a dance, and she even loses a shoe at one point. Care to venture a guess how it all turns out?
Cinematic magician, legendary provocateur, and author of Hollywood Babylon, Kenneth Anger was a unique figure in post-war American culture. His iconic short films are characterised by a mystical-symbolic visual language and phantasmagorical-sensual opulence that underscores the medium’s transgressive potential. Anger’s work fundamentally shaped the aesthetics of 1960s and 1970s subcultures, the visual lexicon of pop and music videos and queer iconography. These nine films form the basis of Anger’s reputation as one of the most influential pioneers of avant-garde film and video art. Fireworks, 1947, 14 min Puce Moment, 1949, 6 min Rabbit's Moon, 1950/1971, 16 min Eaux d'Artifice, 1953, 13 min Inauguration of the Pleasure Dome, 1954, 37 min Scorpio Rising, 1964, 28 min Kustom Kar Kommandos, 1965, 3 min Invocation of My Demon Brother, 1969, 11 min Lucifer Rising, 1981, 27 min
Bernie, a frustrated real estate agent, finds some mysterious shoes that inspire him to pursue his true dream: dancing.