At the Bench is an anthology film showing glimpses of the everyday life of various people that gather by this little bench.
A group of Mumbai up-and-comers search for love and struggle for success in this ensemble drama that centers on an eager young call centre executive.
A film that foretells three modern-day ghost stories, set in the City of Hong Kong. The first segment deals with a popular singer that mysteriously falls into a deep coma, and the public is unaware that his spirit is detained by the ghost of an obsessed fan of his. His plea for help is only recognized by his nurse. In the second segment, four college girls are assigned an unusual project, and their selected-topic is to "interview" the ghost of the "Braided Woman." When they encounter the streets where the ghost was claimed to roam, they find themselves in a mist of terror. In the third segment, two night-duty police officers stumble upon a mysterious crisis when their speed-tracking camera detects a image of an old woman. After the woman's first sighting, the officers encounter her in every place they go, and their only solution is to find out what she wants.
On the surface, this collection of shorts by up-and-coming African American filmmakers arrived at a perfect time. The cutting-edge products of the New Black Cinema of the early '90s had disappeared, giving way to embarrassingly stereotypical, scatological fare such as Booty Call and Next Friday. This feature-packed compilation (which includes production notes, interviews with all of the filmmakers, and audio commentary by four) attempts to prove that African American cinema is intent on moving past the lowbrow humor, as six of the seven shorts steer clear of any comedy.
Mickey, Minnie, and their famous friends Goofy, Donald, Daisy and Pluto gather together to reminisce about the love, magic and surprises in three wonder-filled stories of Christmas past.
A young boy tells three stories of horror to distract a witch who plans to eat him.
Includes shorts: Girl on the Run, The Theory & Practice of Teenage Dream, Relay, U and Me and Blue Birds on the Desk.
An anthology film that takes you to different eras in the history of Kerala through three stories about relationships and emotions.
This three-part ballad, which often uses music to stand in for dialogue, remains the most perfect embodiment of Nemec’s vision of a film world independent of reality. Mounting a defense of timid, inhibited, clumsy, and unsuccessful individuals, the three protagonists are a complete antithesis of the industrious heroes of socialist aesthetics. Martyrs of Love cemented Nemec’s reputation as the kind of unrestrained nonconformist the Communist establishment considered the most dangerous to their ideology.
An unexpected love triangle, a seduction trap, and a random encounter are the three episodes, told in three movements to depict three female characters and trace the trajectories between their choices and regrets.
A collection of seven vignettes, which each address a question concerning human sexuality. From aphrodisiacs to sexual perversion to the mystery of the male orgasm, characters like a court jester, a doctor, a queen and a journalist adventure through lab experiments and game shows, all seeking answers to common questions that many would never ask.
In three separate segments, set respectively in 1966, 1911, and 2005, three love stories unfold between three sets of characters, under three different periods of Taiwanese history and governance.
An uproarious version of history that proves nothing is sacred – not even the Roman Empire, the French Revolution and the Spanish Inquisition.
Injustice and the demands of the world can cause stress for many people. Some of them, however, explode. This includes a waitress serving a grouchy loan shark, an altercation between two motorists, an ill-fated wedding reception, and a wealthy businessman who tries to buy his family out of trouble.
Return to Horror Hotel is an anthology feature with 4 segments. One is about giant a bedbugs, one is about a magical charm that turns girls beautiful, one is about a WWII sailor who hasn't aged and one is about a terrorizing severed hand.
Get ready for a wildly diverse, star-studded trilogy about life in the big city. One of the most-talked about films in years, New York Stories features the creative collaboration of three of America's most popular directors, Martin Scorsese, Francis Coppola, and Woody Allen.
Chandamama Kathalu is an upcoming Telugu anthology film directed by Praveen Sattaru and produced by Chanakya Bhooneti.The film has eight sub-stories revolving around love.The lives of the central characters in the sub-plots get intertwined with each other.Lakshmi Manchu, Aamani, Naresh, Krishnudu, Chaitanya Krishna, Abhijeet, Naga Shaurya, Vennela Kishore, Amitha Rao and Richa Panai play the lead roles.[4] Mickey J Meyer composed the music.The shooting was wrapped up in December 2013.
Three distinct tales unfold in the bustling city of Tokyo. Merde, a bizarre sewer-dweller, emerges from a manhole and begins terrorizing pedestrians. After his arrest, he stands trial and lashes out at a hostile courtroom. A man who has resigned himself to a life of solitude reconsiders after meeting a charming pizza delivery woman. And finally, a happy young couple find themselves undergoing a series of frightening metamorphoses.
Three separate stories all concern the relationships between adult children, their somewhat distant parent (or parents), and each other. Each of the three parts takes place in the present, and each in a different country. Father is set in the Northeast U.S., Mother in Dublin, Ireland, and Sister Brother in Paris, France. The film is a series of character studies, quiet, observational and non-judgmental. A comedy, but interwoven with threads of melancholy.