Journalism in times of war has become an increasingly lethal and traumatic endeavor for the men and women who face constant threats to their lives and psyches. With the death toll skyrocketing from only two reporters killed in World War I to almost a journalist a week being killed in the last two decades, UNDER FIRE weaves together portraits, battlefield accounts and combat footage to reveal what the reporters see, think and feel. Martyn Burke, documentary filmmaker whose work has brought him to battlefields around the world, and Anthony Feinstein, the psychiatrist who works with journalists to heal the trauma, delve into the experiences of top tier correspondents from AP, New York Times, BBC, and LA Times, among others, bringing a unique understanding and insight into the psychological cost of covering war
Journalism in times of war has become an increasingly lethal and traumatic endeavor for the men and women who face constant threats to their lives and psyches. With the death toll skyrocketing from only two reporters killed in World War I to almost a journalist a week being killed in the last two decades, UNDER FIRE weaves together portraits, battlefield accounts and combat footage to reveal what the reporters see, think and feel. Martyn Burke, documentary filmmaker whose work has brought him to battlefields around the world, and Anthony Feinstein, the psychiatrist who works with journalists to heal the trauma, delve into the experiences of top tier correspondents from AP, New York Times, BBC, and LA Times, among others, bringing a unique understanding and insight into the psychological cost of covering war
2011-11-11
6.5
After the death of their abusive father, two estranged twin brothers must reunite and sell off his property.
Two souls lost in a world of modernisation find each other in a moment's need for clarity and appreciation.
Before the three feature films, Mario Schifano directs the camera towards the people around him to create real film diaries. His friends, his time partner and the artists he frequented are portrayed in their everyday life or object of the mechanical gaze of the camera, a filter through which to look at the outside world.
A series of bizarre murders. Psychometer Rinko cooperates with detectives in the investigation. The investigation is a difficult one, and the only clues are Rinko's visions when she is in ecstasy, and the crazy smile of a creepy man that appears vaguely.
The execution was scheduled and the last meal consumed. The coolness of the poisons entering the blood system slowed the heart rate and sent him on the way to Judgement. He had paid for his crime with years on Death Row waiting for this moment and now he would pay for them again as the judgment continued..
A poster worker must remove the poster of the original movie, when the figures of Renato and Paolo suddenly moves and leaves the poster driving an ambulance dressed as nurses.
HIDE is a contained psychological thriller about one resilient wife’s (Nadine Malouf) fight to escape her husband’s (Ben Samuels) escalating gaslighting and abuse during lockdown. The female-centric genre film is lensed in the wife’s evolving perspective as she slowly comes to see what is happening to her and finds the support to fight back. Visually mesmerizing and emotionally arresting, the film’s pace and pathos pull us into a story that will feel uncomfortably familiar to too many of us.
Free-lance undercover agent Coplan receives a phone call from an old girlfriend in Turkey. The panic-stricken woman gives sketchy details of a plot that threatens world security. When Coplan arrives, he is told the woman has been killed, and the trail of the murderer leads to her mad-scientist brother.
A small band of resistance fighters battle the cyborgs that have taken control of the planet.
A runaway bride and her bridesmaids are stranded in a city run by clowns. Everything seemed normal at first but this clown cult has their own set of rules. It's a carnival ride as our girls tries to stay alive to escape Clown City.
Carmen, an independent and modern woman, goes to dinner at her sister Ana's house, a married woman subject to all gender structures. Mateo, Ana's husband, intervenes at dinner and continually clashes with Carmen's way of life.
Two women, two destinies, two Nastyas. One is a policewoman, the other a criminal. But who of them is actually in prison? At the basis of the script lies the real story of Nastya Cherepanova, a postwoman from near Nizhni Novgorod, who in 2011 stole pensions from a savings bank and went to search for a better life with her lover.
The three sons of devout Danish farmer Morten have widely disparate religious beliefs. Youngest son Anders shares his father's religion, but eldest son Mikkel has lost his faith, while middle child Johannes has become delusional and proclaims that he is Jesus Christ himself. When Mikkel's wife, Inger goes into a difficult childbirth, everyone's beliefs are put to the test.
An investigative reporter seeks to expose the whereabouts of a slush fund belonging to the former president of South Korea, Lee Myung-bak.
In 1997, Osama bin Laden declared war on the USA and Pulitzer Prize winning CNN correspondent Peter Arnett embarked on a mission to locate and interview him. A War Story follows the dramatic events leading up to the interview and the Kiwi journalist's horror on 9/11, as he recalled bin Laden's veiled threats.
Mexico, March 2015. Carmen Aristegui, incorruptible journalist, has been fired from the radio station where she has worked for years. Supported by more than 18 million listeners, Carmen continues her fight. Her goal: raising awareness and fighting against misinformation. The film tells the story of this quest: difficult and dangerous, but essential to the health of democracy. A story in which resistance becomes a form of survival.
Danish soldiers are sent to Afghanistan in 2009 for 6 months, to help stabilize the country against the Taliban. They're stationed on Armadillo military base in Helman province. Unlike other war movies, this is the real deal – no actors.
Memories of his four-year journey focused on the Hong Kong protests. Narrated in the first person, is rich with reflections and contemplations, most intertwined with feelings of guilt.
In the most dangerous country in the world for journalists, Newsweek Middle East editor, Janine di Giovanni, risks it all to bear witness, ensuring that the world knows about the suffering of the Syrian people.
In a documentary about Samuel Fuller, the spectator gets different impressions about the Hollywood director and his films. The film is divided into the three sections: The Typewriter, the Rifle and the Movie Camera. The first segment covers Fuller's past as a newsman where he began as a copy boy and ended as a reporter. Part two describes Fuller's experiences in World War II, in which he participated as a soldier. The last section focuses on Fuller as director. Tim Robbins interviews Samuel Fuller revealing the director's own memories and impressions. Beside the interview, Jim Jarmusch, Martin Scorsese and Quentin Tarantino accompany the documentary with their comments.
Documentary examining Bokassa's rule in the Central African Republic using the testimony of witnesses and visits to key sites.
Four journalists talk about their experiences and share their testimonies of the Russian invasion of Ukraine.
The film chronicles the life and revolutionary times of death row political prisoner Mumia Abu-Jamal.
Investigative journalist, Jeremy Scahill is pulled into an unexpected journey as he chases down the hidden truth behind America's expanding covert wars, and examines how the US government has responded to international terrorist threats in ways that seem to go against the established laws of the land.
Based on Lee Smith's book of the same name, this documentary follows the story of the biggest political scandal in U.S. history.
Journalist David Farrier stumbles upon a mysterious tickling competition online. As he delves deeper he comes up against fierce resistance, but that doesn’t stop him getting to the bottom of a story stranger than fiction.
Pirated satellite feeds revealing U.S. media personalities’ contempt for their viewers come full circle in Spin. TV out-takes appropriated from network satellite feeds unravel the tightly-spun fabric of television—a system that silences public debate and enforces the exclusion of anyone outside the pack of journalists, politicians, spin doctors, and televangelists who manufacture the news. Spin moves through the L.A. riots and the floating TV talk-show called the 1992 U.S. presidential election.
Vancouver-based filmmaker and TV news veteran Fred Peabody explores the life and legacy of the maverick American journalist I.F. Stone, whose long one-man crusade against government deception lives on in the work of such contemporary filmmakers and journalists as Laura Poitras, Glenn Greenwald, David Corn, and Matt Taibbi.
In a cluttered news landscape dominated by men, emerges India’s only newspaper run by Dalit women. Armed with smartphones, Chief Reporter Meera and her journalists break traditions on the frontlines of India’s biggest issues and within the confines of their own homes, redefining what it means to be powerful.
An emotive, intimate film on the life and death of acclaimed young Northern Irish journalist Lyra McKee, whose murder by the New IRA in April 2019 sent shockwaves across the world. Directed by her close friend Alison Millar, the film seeks answers to her senseless killing through Lyra’s own work and words.
Acclaimed journalist Paul Moreira investigates how Russia manipulates public opinion, undermines democratic governments and attempts to alter world events. The public face of foreign policy: the state news channels, Sputnik and Russia Today. But working in the shadows is the hidden part: the hackers and trolls pushing the Russian agenda - The Russians know that public perception of their country has reached a new low. Russophobia is massive. Their message is tainted with illegitimacy. But how does the Russian information war machine work?
The story of the legendary wits who lunched daily at the Algonquin Hotel in New York City during the 1920s. The core of the so-called Round Table group included short story and poetry writer Dorothy Parker; comic actor and writer Robert Benchley; The New Yorker founder Harold Ross; columnist and social reformer Heywood Broun; critic Alexander Woollcott; and playwrights George S. Kaufman, Marc Connelly, Edna Ferber and Robert Sherwood.