It's December 16, 1972, 50 years ago. The first social cooperative in the world is born in Trieste. It was formed by 28 people: two sociologists, two psychologists, five nurses, a healthcare assistant, two doctors and sixteen private individuals who all have the same residential address: via San Cilino 16, Trieste. They are interned in a psychiatric hospital and therefore have no civil and political rights: they cannot vote, marry or make a will. Imagine founding a cooperative. Thus the Court of Trieste rejected the request to establish the cooperative. It would have been a long march through the institutions.
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A documentary, divided into "chapters", about the life of the inmates of the asylum on Leros. From the point of view that the mentally ill are victims of social oppression, the film turns a harsh light on the psychiatric system and offers pointed criticism of the policies that produce such inhuman conditions.
The Interrupters tells the moving and surprising stories of three Violence Interrupters — former gang members who try to protect their Chicago communities from the violence they once caused.
A historical documentary documenting the rise, function, and abandonment of a 17 story building that once housed The Rochester Psychiatric Center. This film tells the story of the building through historical footage, interviews of former staff and patients who recount their memories of the behemoth facility while also exploring the abandoned building as it is today.
The story of artist Edith Lake Wilkinson, a painter who was committed to an asylum in 1924 and never heard from again. All her worldly possessions were packed into trunks and shipped to a relative in West Virginia where they sat in an attic for 40 years. Edith's great-niece, Emmy Award winning writer and director Jane Anderson, grew up surrounded by Edith's paintings, thanks to her mother who had gone poking through that dusty attic and rescued Edith's work. The film follows Jane in her decades-long journey to find the answers to the mystery of Edith's buried life, return the work to Provincetown and have Edith's contributions recognized by the larger art world.
This third opus will take us into the homes of some of the ADAMANT and AVERROES & ROSA PARKS’ protagonists, during the visits led by their caregivers.
The lives of four Syrian families, resettled in Baltimore and under a deadline to become self-sufficient in eight months.
Capturing the story of WikiLeaks founder Julian Assange with unprecedented access, director Laura Poitras finds herself caught between the motives and contradictions of Assange and his inner circle in a documentary portrait of power, betrayal, truth and sacrifice.
In 2009 the Norwegian government introduced several measures to restrict immigration. One of the measures was to provide unaccompanied asylum seeking children temporary residence permits. They should be returned to their country of origin when they turn 18. In Norway child welfare custody of their children without close caregivers. This does not apply to unaccompanied asylum-seeking children between 15 and 18 years.
The four Afghan refugees who have applied for asylum in Austria strike up the song, “The caravan moves on” again and again. Encouraged by the journalist Lucy Ashton to record their lives on their smartphone cameras as a video diary, the friends film their precarious daily routine between visits to authorities, small jobs, and changing accommodations. Yet even when hope is lost, one certainty remains: the power of friendship.
Greece is in crisis. But the economic crisis is not the only one. An asylum crisis has gripped the country at this time of severe austerity. And it hits the most vulnerable: Refugees, including minors, who have left everything behind fleeing their countries to find safety. In Greece, they are left destitute and on the streets, unable to apply for asylum and threatened by escalating racist attacks. Trapped in Greece, they have one message for Europe and the rest of the world: Let us leave!
“Where is the human soul? Is it in the heart? In the brain? Or maybe elsewhere?”, wonders an old doctor who has spent his life working at a psychiatric hospital in the Siberian countryside. The place, which was inaccessible for film crews, can be shown thanks to its residents, some of whom spent several decades at the hospital. This discreet and, at the same time, insightful observation of the patients’ daily lives transforms into meditation on the human nature, which is not entirely penetrable.
Thomas Hirschhorn, one of the few Swiss artists of world renown, often touches on social wounds with his provocative works. In 2013, Hirschhorn built a monument for Italian philosopher and communist Antonio Gramsci in a public housing project in the Bronx. The contentious artist collaborated with neighborhood residents whose everyday life is impacted by poverty, unemployment and crime. Conflicts and misunderstandings are bound to arise as Hirschhorn’s absolute devotion to art is confronted with the resident’s lack of prospects and fatalistic outlooks. The «Gramsci Monument» becomes a summer-long experiment where diverse worlds collide: blacks and whites, the art elite and street kids, party people and poets, politicians and philosophers. A nuanced film about art, politics and passion.
Social workers dispel myths about why children are removed from their biological parents, breaking down their overwhelming workload. Lawyers uncover the harsh reality of young children navigating the legal system. Advocacy organizations try to keep children safe and away from predators. An eclectic array of interviews from foster care alumni explore their connections (or lack thereof) with social workers, the fragile bond with each foster home, how trust can fall apart, and how those unable to adapt spent time in group homes. The film concludes with alumni success stories, working to remove the stigma of foster care.