Extraordinary soprano Lise Davidsen stars as the volatile diva Floria Tosca for the first time at the Met. David McVicar’s thrilling production also features tenor Freddie De Tommaso in his eagerly anticipated company debut as Tosca’s revolutionary lover, Cavaradossi, and powerhouse baritone Quinn Kelsey as the sadistic chief of police Scarpia. Met Music Director Yannick Nézet-Séguin conducts the electrifying score, which features some of Puccini’s most memorable melodies. This live cinema transmission is part of the Met’s award-winning Live in HD series, bringing opera to movie theaters across the globe.
4.6Young women in Nazi-occupied countries are packed onto a train and shipped off to a prison camp, where the sadistic commandant uses them as rewards for his lesbian guards and perverted and deviate troops.
5.6Varg Veum is going to be a father. In a way he could never imagine, life takes on a new direction while he is searching for a missing pair of siblings in the prostitution circles in Bergen. Varg realizes that life will never be the same when he has to make a decision: Let the criminals go free or expose Karin to mortal danger.
4.6When his grandmother takes ill, foolish brute Recep tries to satisfy her wishes by getting a job and attempting to find a suitable wife.
6.8Using behind-the-scenes footage, home movies and rare TV commercials and network promos, this video profiles Batman through the years from its beginnings as a comic book to the successful 1960s TV series.
6.8Before the three feature films, Mario Schifano directs the camera towards the people around him to create real film diaries. His friends, his time partner and the artists he frequented are portrayed in their everyday life or object of the mechanical gaze of the camera, a filter through which to look at the outside world.
"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri
7.4Intertwined stories from the gladiator/athletes participating to the Calcio Storico Fiorentino yearly championship.
6.3Jerry keeps sleepwalking and doing things unknowingly to Tom. He becomes aware of this and tries to stay awake.
6.8The making of Matrix Revolutions, The (2003) is briefly touched on here in this documentary. Interviews with various cast and crew members inform us how they were affected by the deaths of Gloria Foster and Aaliyah, and also delve into the making of the visual effects that takes up a lot of screen time. Written by Rhyl Donnelly
7.1Hugo Pratt's famous comics adventurer, Corto Maltese while sojourning in Adana, Turkey, discovers a map to the treasure of Cyrus, an ancient king of Persia. To assist him in his quest, he enlists his old friend/nemesis the unbelievable Raspoutine whom he first has to help escape from the prison of Samarkand (aka "La maison dorée de Samarkand", the golden house of Samarkand). On the long and tortured way to the riches, he encounters all kind of interesting characters, soldiers of fortune, lost British actors, and even his doppelgänger.
5.7In a remote Kyrgyz village, a mother navigates daily life as her family is drawn into the upheaval of World War II. Left behind to tend the land and hold her household together, she clings to hope amid growing uncertainty. As seasons pass, the quiet weight of absence and memory shapes her world. A deeply personal story of endurance, Mother’s Field captures the emotional cost of war from the perspective of those who wait.
5.8Yanki (Japanese delinquent) Hayato, is on his way with his senpai, (upperclassman) Yocchan to a so-called “resort” job with good pay, food, and housing. Hayato, not being able to commit to work, meets another Yanki who’s trying to work hard and form a family. Meanwhile, Yocchan ends up falling for the lunch lady at the “resort”... Will she be the one for him?
7.5On July 9th GCW presents Fight Club Houston straight from Premier Arena in Houston, Texas. The lineup is almost completed, check it below: AJ Gray vs Bryan Keith Nick Gage vs Sadika Joey Janela vs Dante Ninja Mack vs Jack Cartwheel Effy vs Gino Jimmy Lloyd vs Carter Lucha Scramble .... more to be added soon!
9.1A short comedy spoof about Universal Monsters and their everyday unconventional work done at their very own talent agency for their movies.
6.2Asian Hawk leads a mercenary team to recover several lost artifacts from the Old Summer Palace, the bronze heads of the twelve Chinese Zodiac animals which were sacked by the French and British armies from the imperial Summer Palace in Beijing in 1860. Assisted by a Chinese student and a Parisian woman, Hawk stops at nothing to accomplish the mission.
5.7In this sequel to the popular adventures of Mademoiselle C, the strange Mademoiselle Charlotte began a new life as a postwoman in Saint-Gérard where she encounters a particularly dishonest businessman.
6.1Cheng runs away from a marriage arranged by his parents to the temple. Then he starts to learn with the monks later on. However, his master Hung Duk only assigns hard work and does not teach them Kung Fu. Cheng and his mates are disappointed. The Rover, a Kung Fu fanatic, puts them to shame. He once a Shaolin student but expelled for misbehavior, goes back to Shaolin to humiliate the monks. Cheng and his mates are beaten by the Rover. Hung Duk eventually starts to teach them Kung Fu but the abbot punishes him for his flight with the Rover. Cheng is incensed. He goes out and pits himself desperately against the Rover…
4.0This set has Edita Gruberova singing in top form, all her scooping cast aside, which one finds in abundance in her Lucia under Richard Bonynge. Here, however, she makes ravishing use of those bits of tone that only she can produce: those instances of coloratura and dramatic legato with little asides and small florishes of style that suggest her intelligent approach and her high degree of musical involvement in this role. She does this in her I Puritani and her Anna Bolena, less so in Roberto Deveraux and Maria Stuarda(both sets). Listen to Addio del passato and the Sempre Libra...ravishing, yes, but there are again those nuances learned from Callas that she makes her own. A very singualr perform,ance, and extremely moving with its detail and cry for pity throughout..from the start even. Neil Schicoff is excellent, not an unworthy Alfredo at all! His is a great lyric tenor voice that should have been in the top line.
0.0This May 2010 production of Massenet's 1910 opera "Don Quichotte" marked the opera's centenary and also Jose Van Dam's operatic farewell at the Theatre de la Monnaie, Brussels. It is beautiful in every way--vocally, scenically, sonically, and visually--and a worthy record of Van Dam's farewell. Van Dam is just shy of 70 in this production, but you would never guess it from his singing or stage movements--a consummate artist. His is a noble portrayal and deeply moving. The Act V death scene is a model of beautiful singing and acting.
6.9The live version of Jeff Wayne's 1978 bestselling album was brought to the stage in 2006 as part of a sell-out tour of the UK. Filmed at London's Wembley Arena, and using a blend of theatre, music and visual imagery, the production incorporates performers from the original recording, including Justin Hayward, Chris Thompson and Wayne himself. There's also audio and visual elements featuring Richard Burton, as well as the ten-piece Black Smoke Band and the 48-piece Ulladubulla Strings.
0.0The young soldier Don José intends to marry Micaëla, a girl from his home village. But when he meets the sensual and high-spirited Carmen, he sacrifices everything to be with her. Carmen grows tired of Don José and falls in love with the toreador Escamillo. Unable to bear her leaving him, Don José tracks Carmen down to a bullring where Escamillo is fighting and murders her.
0.0Lucia’s brother Enrico is horrified to learn she has fallen in love with his sworn enemy Edgardo. He hastily arranges her marriage to his associate Arturo. Edgardo and Lucia privately exchange rings before he leaves to fight in France. Enrico tricks Lucia into believing that Edgardo has been unfaithful. Longing for death, she signs the contract with Arturo – moments before Edgardo returns. Lucia murders Arturo in their wedding bed. His death is followed first by Lucia’s, and then by Edgardo’s.
0.0Nabucco, King of Babylon, takes Jerusalem in his war with the Israelites – but his daughter Fenena loves the Israelite Ismaele. She releases their prisoners, leading her vengeful half-sister Abigaille to plot to take power. Nabucco declares himself a god and is struck by a bolt of lightning. Abigaille tricks the now feeble king into signing a death warrant for the Israelites, including Fenena and Ismaele. Nabucco prays to the God of Israel for forgiveness; his sanity is restored and he saves the prisoners from death. He converts himself and his people, while Abigaille commits suicide.
7.7The young Clara creeps downstairs on Christmas Eve to play with her favourite present – a Nutcracker. But the mysterious magician Drosselmeyer is waiting to sweep her off on a magical adventure. After defeating the Mouse King, the Nutcracker and Clara travel through the Land of Snow to the Kingdom of Sweets, where the Sugar Plum Fairy treats them to a wonderful display of dances. Back home, Clara thinks she must have been dreaming – but doesn’t she recognize Drosselmeyer’s nephew?
0.0Famous opera singer Dmitry Hvorostovsky performs live songs from his album 'Deja vu' by composer Igor Krutoy about life, love, music, fate and even death at the Kremlin Palace.
10.0Besides the landing on the moon by the Apollo 11 mission in 1969, Richard Nixon’s meeting with China’s leader Mao Zedong in February 1972 then represented one of the biggest media spectacles in history. Nixon himself established the reference between the two events: “We came in peace for all mankind” not only marked the lunar module Eagle’s landing spot – Nixon also spoke of it into the microphones just before his departure to China. It was not John Adam’s aim to create a superficial or even a caricaturing representation of Nixon’s visit when composing his opera. He attempted to create a “heroic opera” about the construction of modern myths by using archetypical characters and situations. Director Marco Štorman stages Adams’ minimal music opera as a deconstruction review about the power of images, the politics of staging and the staging of politics.
0.0Erich Wolfgang Korngold's "Die tote Stadt" in a Bayerische Staatsoper production from 2019, directed by Simon Stone. Kirill Petrenko is conducting Jonas Kaufmann and Marlis Petersen.
0.0Axel Köhler’s production of Der Freischütz at the Dresden State Opera was described by Die Presse as “a minor miracle in Dresden”. In the words of the Salzburger Nachrichten, Köhler “scored a bulleye” with his sombre and satanic interpretation of Weber’s Romantic opera about love, temptation, souls sold to the Devil, obsession andfaith. According to the Financial Times, Christian Thielemann and the Dresden Staatskapelle conjured up a sense of “mortal terror from the orchestra pit. […] Thielemann is in command of every detail. That makes for utterly gripping listening.”
9.0Cio-Cio-San, the young Japanese bride of dashing American officer Lieutenant Pinkerton, finds her romantic idyll shattered when he deserts her shortly after their marriage. She lives in hope that one day he will return. Three years later, Cio-Cio-San and her little son see Pinkerton’s ship in the harbour. She excitedly expects his visit – but Pinkerton and his American wife Kate have come only to take the boy away, to raise him in America. Cio-Cio-San bids her son farewell and then takes her own life.
5.7Disenchanted opera star Carlotta Manson falls for ruffian cat burglar Barney McGann and gives up her career to marry him. But Barney grows disenchanted himself at being known as the husband of a diva and itches to get back to his life of crime and manliness.
0.0This is the 2004 version of Kaija Saariaho's opera performed by the Finnish National Opera and conducted by Esa-Pekka Salonen.
6.5Woody Allen's production of the Puccini comic opera at LA Opera in 2015
0.0The production was the Vienna State Opera debut for the young Swiss conductor Philippe Jordan – the Argentinian tenor Marcelo Álvarez, took the title role. His Charlotte on this occasion was the young Latvian mezzo-soprano Elīna Garanča. Her performances have been enthusiastically received and she has already been labelled as the new mezzo wonder. Staged by internationally sought-after Rumanian director, Andrei Serban, the apparently sentimental love story – normally presented in 18th century period costumes - reveals a study of personal relationships and a close observation of a woman, who comes of age too late. Serban’s aim was to rid the opera of the unjustified reputation of banality that clings to it despite its underlying tragic mood. By setting the production in the stiff, claustrophobic atmosphere of a small town in the 1950s, he aimed to make the audience more aware of its deeper levels of self-denial.
6.0Emmanuelle Haïm has established herself as one of the world’s leading performers, conductors and interpreters of Baroque repertoire, not only with Le Concert d’Astrée, the ensemble she founded in 2000, but with several of the world’s greatest orchestras. Known for her fresh and expressive approach to Baroque music, she has garnered critical acclaim and several international awards with her own ensemble, including Victoires de la Musique Classique, ECHOs, Gramophone Awards, and Grammy nominations.
0.0Opera in one act, libretto by G. Forzano based on Dante's Divine Comedy. Third part of his opera Triptych. The plot is based on canto XXX of "Inferno" from "The Divine Comedy", which are dedicated to the rogue and deceiver Gianni Schicchi, who was punished for his sins: he impersonated a dying rich man in order to make a forged will on his behalf. Gianni Schicchi is Puccini's only comic opera, a brilliant example of a modern opera buffa based on the tradition of Verdi's Falstaff. The most expressive recitative, bubbling melody, sharp character, impetuous tempo distinguish her music. Recorded live at Glyndebourne Opera House, Sussex, UK on 11 July 2004.
