The Magic Project(NaN)

White Walls Say Nothing(es)

Buenos Aires is a complex, chaotic city. It has European style and a Latin American heart. It has oscillated between dictatorship and democracy for over a century, and its citizens have faced brutal oppression and economic disaster. Throughout all this, successive generations of activists and artists have taken to the streets of this city to express themselves through art. This has given the walls a powerful and symbolic role: they have become the city’s voice. This tradition of expression in public space, of art and activism interweaving, has made the streets of Buenos Aires into a riot of colour and communication, giving the world a lesson in how to make resistance beautiful.

The Clinic(en)

Amidst a devastating opioid epidemic, a needle exchange and free clinic operates in the shadows of Fresno, California.

Vaciar el museo(es)

Dark Matter(en)

World-renowned snowboarders Travis Rice and Elias Elhardt team up with legendary director Curt Morgan for a celebration of space and time filmed in the deep backcountry of Alaska, exclusively on location at Tordrillo Mountain Lodge.

We Will Meet in 1972 – In Dark and in Light(hu)

A television documentary about miners: the reality of their work versus how it is made to look and sound in the public sphere.

The Bridge(en)

The Bridge is a controversial documentary that shows people jumping to their death from the Golden Gate Bridge in San Francisco - the world's most popular suicide destination. Interviews with the victims' loved ones describe their lives and mental health.

Álbum de videos 2013-2014(es)

A Land Betrayed(en)

Produced by Alfred Higgins Productions with assistance from the University of Missouri-Columbia’s Academic Support Center Film Library, Keep America Beautiful, Inc., and Keep Los Angeles Beautiful, Inc., the 1963 short film A Land Betrayed examines the various ways people have spread the “cancer of ugliness” across America and offers call-to-action solutions to combat the nation-wide problem.

Richard Hugo: Kicking the Loose Gravel Home(en)

Filmed on location in Montana and Washington State, this 1976 biography of poet and teacher Richard Hugo features readings of some of his most famous poems as well as interviews with his family and friends.

Birthing at Home(en)

Alexis is a 32-year-old white woman married to Alain, an African from Rwanda. This documentary focuses on Alexis giving birth in her parents home. As her parents and great-grandmother look on, a calm mid-wife delivers ten and a half pound Jazmine. The documentary is Interspersed with interviews with Alexis, her husband, Alexis' parents, the soon to be great-grandmother and the midwife.

Smoke Signals(en)

"Smoke Signals" follows the volunteers at High Point Lookout, one of the last remaining fire lookout towers in California. Alternating between the daily duties of the fire lookouts, and a series of profiles on wildfires that have traced their history, "Smoke Signals" questions the role of the fire lookouts in the face of rapidly advancing technology and climate change.

Forever, Chinatown(en)

Forever, Chinatown is a story of unknown, self-taught 81-year-old artist Frank Wong who has spent the past four decades recreating his fading memories by building romantic, extraordinarily detailed miniature models of the San Francisco Chinatown rooms of his youth.

Man Ray: Prophet of the Avant-Garde(en)

Man Ray, the master of experimental and fashion photography was also a painter, a filmmaker, a poet, an essayist, a philosopher, and a leader of American modernism. Known for documenting the cultural elite living in France, Man Ray spent much of his time fighting the formal constraints of the visual arts. Ray’s life and art were always provocative, engaging, and challenging.

Cartoneras(pt)

Cartoneras is a documentary that grapples with Latin America’s urban realities, and the cardboard publishing movement that has emerged from these in the 21st century. Reflecting on the different contexts that propelled this form of community publishing, like Argentina’s 2001 economic crisis, the independent art scene, and the movements which formed around waste-pickers, the film’s narrative is developed through conversations with important actors from the cartonera world.

Achieving the Unachievable(en)

M.C. Escher is among the most intriguing of artists. In 1956 he challenged the laws of perspective with his graphic Print Gallery and his uncompleted master-piece quickly became the most puzzling enigma of modern art. Fifty years later, can mathematician Hendrik Lenstra complete it? Should he?

Martin Blaszko III(es)

Martin Blaszko is considered one of the most important artists of geometric abstraction in Latin America. This documentary, which ends a trilogy, follows the setup of what ended up being his last art show, through only twenty sequences.

All Rendered Truth: Folk Art in the American South(en)

A film documenting the soulful art, environments, and voices of self-taught artists on the back roads of the American South.

Pictura(en)

A documentary film directed by seven famous directors, and narrated by several famous Hollywood actors. The film attempts to give the general filmgoing public a taste of art history and art appreciation.

Taking Alcatraz(en)

A documentary account by award-winning filmmaker John Ferry of the events that led up to the 1969 Native American occupation of Alcatraz Island as told by principal organizer, Adam Fortunate Eagle. The story unfolds through Fortunate Eagle's remembrances, archival newsreel footage and photographs.

Daughters(en)

What does it mean to be your parents' daughter? - Being the protagonists of their own film, three filmmakers ask themselves this particular question. The setup: one camera, three settings and three encounters with at least one parent, discussing something so essential, it can hardly be put into words: at times brutally honest, at times lost for words, their encounter will show the difference in each child -parent experience as well as its impact on the individual. The artificial setting is opening up room for dialogues on family trauma, the fear of growing apart and the moral certainty that death will inevitably end the relationship.