This is a 50-minute, independently produced film that consists of 45 one-minute instances, each overflowing into the next in a gushing expression of creativity. Despite deliberately avoiding any explicit structure or object of reference, the film speaks for itself, leading the viewer through an unhinged and chaotic sequence that, despite its absurdity, feel completely relatable. It is a rendering of collective anxiety akin to Bosch’s The Garden of Earthly Delights, seeming to present a caricature of our fears out of real footage — to say you feel “as if a Lion is trying to break in your front door” might sound like an idyllic metaphor for your anxiety, but when the metaphor is made out of real footage, the absurdity appears to collapse into a kind of deranged realism. All your most irrational anxieties could well be real; the lion is really at the door.
7.9Following an unexpected tragedy, child psychologist Malcolm Crowe meets a nine year old boy named Cole Sear, who is hiding a dark secret.
0.0Charcoal animation, taken from from Point of View: An Anthology of the Moving Image (2003).
6.9The mother of a severely traumatized daughter enlists the aid of a unique horse trainer to help the girl's equally injured horse.
8.0The drug-induced utopias of four Coney Island residents are shattered when their addictions run deep.
6.5A group of people gather at a Copenhagen suburban home to break all the limitations and to bring out the 'inner idiot' in themselves.
7.1Marnie is a beautiful but emotionally withdrawn thief, stealing from employers before disappearing under new identities. When her new boss, Mark Rutland, discovers her secret, his fascination turns to obsession, and he blackmails her into marriage, convinced he can cure her. But as he probes deeper into Marnie’s fractured mind, long-buried fears and compulsions begin to surface.
Mostly dark, rejecting images which are repeated. A stone wall, the chamber of a revolver which is, at first not recognizable, a close-up of a cactus. The duration of the takes emphasises the photographic character of the pictures, simultaneously with a crackling, brutal sound. (Hans Scheugl)
A kind of home movie made in Brus' apartment. Brus' Christmas wishes can be seen on a poster which he painted and which he holds for a short time in front of the camera.
6.0Buenos Aires is a complex, chaotic city. It has European style and a Latin American heart. It has oscillated between dictatorship and democracy for over a century, and its citizens have faced brutal oppression and economic disaster. Throughout all this, successive generations of activists and artists have taken to the streets of this city to express themselves through art. This has given the walls a powerful and symbolic role: they have become the city’s voice. This tradition of expression in public space, of art and activism interweaving, has made the streets of Buenos Aires into a riot of colour and communication, giving the world a lesson in how to make resistance beautiful.
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0.0Cleto Rojas, a peasant painter in Venezuela, discusses his artwork. From movies and Roman mythology to his own dreams and scenes of rural life, Rojas takes inspiration from all sources and transforms the world around him into fantastic visions. He teaches village children his technique of using house-paint on canvas, as his wife goes about her own housework, singing slowly. The painter is bemused by the attention of anthropologists and art critics, and he talks about the pitfalls of attention. He remembers traveling to Caracas as a young man to meet famous painters and being disappointed in them. His ambitions are more focused on the content of his work - Rojas wishes he could envision and paint one of Venezuela's heroes, Simon Boilvar, as he really was, as no accurate representations exist now. Without looking for fame, he continues painting all kinds of images as he sees them.
5.8It is the summer of 1984 in Schmalenstedt, in the middle of Holstein Switzerland, directly on the Baltic Sea. The 17-year-old Malte Ahrens, who calls himself Roddy Dangerblood, lives with his elderly parents in a farmhouse, is trained as a potter and has discovered for himself the punk that has made its way into Schmalenstedt with some delay.
0.0May 2, 2024. Amidst big names from São Paulo's drag scene, a young filmmaker dives into the experience of becoming a drag queen for one night.
6.0"Frederick" is the story of a high profile yet sardonic painter and art gallery owner who suffers from an intense version of “artist’s block.” However, his passion reignites when he has an idea for a new show, with his subject being the exploitation of beauty in society. To his surprise, he receives an unexpected visit from an intimidating yet oblivious policeman, Detective Marks, who interrogates him about the disappearance of several young fashion models. Frederick and Marks play a game of cat and mouse, culminating in a mysterious exhibition that both horrifies and entertains.
0.0William Heimdal is one of the most talented young painters in Norway, and wants to master the old classical techniques, but feels he is misunderstood by society, and should have lived in a different time. Is he complex, or is everyone else?
0.0Maurizio is a young university student living in Zürich, with a passion for diseases. Unlike many others, he can see an inherent beauty in them. Afterall, what difference can exist between a flower and an infection, if they are both a gift of nature?
9.0This film follows the life of Jacob Kainen, a prolific but often overlooked artist of 20th Century America. From his immigrant upbringing to his rebellious artistic journey in NYC, his leftist ideologies and eventual impact on the D.C. art scene, Kainen's story is one of perseverance and passion. Despite facing challenges like McCarthyism and career limitations, he found solace in his art, especially with the support of his second wife, Ruth. His legacy as an artist's artist and influential mentor endures, shaping generations of artists to come.
0.0Around six to 15 percent of all people (study by John Hearst 2011) hear voices at some point in their lives. Many of them even live with their invisible companions for their entire lives. Well over half of voice hearers are mentally healthy and lead a completely unremarkable life. Despite this, voice hearers continue to be stigmatized and are subject to prejudice. As a result, few speak openly about their experiences. In recent decades in particular, however, voice hearing has been regarded as a symptom of impaired brain function. The documentary sheds light on the phenomenon. Sufferers describe the voices in their heads, as well as the thoughts and feelings they trigger in them, and scientists explain the causes that lead people to hear voices.
Marco locks himself away in his studio to paint a new painting. The canvas, however, remains white for lack of inspiration. In order to divert himself, he decides to clean the studio and suddenly finds a bottle of Mescal.
