Martin(2017)

Wild Boar Piglet(ru)

They say that if a daughter looks like a father, then she will certainly be happy. But what if you look like a person whom you have never seen in your life? And all you know about him is speculation, fantasy and a small bronze figure.

Frontier Documentary(en)

An NHS nurse of twenty years reflects on a challenging and strenuous career as time dwindles to her retirement.

Dancing Outlaw(en)

This documentary short, produced for West Virginia public TV's "Different Drummer" series, introduces us to Jesco White, a hard-living, tap-dancing Boone County resident whose repeated run-ins with the law have interfered with his dream of becoming as renowned a "mountain dancer" as his late father, D. Ray White. We meet Jesco's three distinct personalities; the gentle and loving Jesse, the violent and dangerous Jesco, and the extremely strange Elvis. We also encounter various members of Jesco's family, all nearly as eccentric as Jesco himself. You will ask, "Are these people for real?" Yes, they are.

Borderlands(en)

With shared economic, environmental, and humanitarian concerns, communities of local planners, designers, and citizens work toward cross-border collaboration. Ronald Rael, an architecture professor, takes an opportunity to use art to prove the uselessness of building borders.

Refuge(e)(en)

Refuge(e) traces the incredible journey of two refugees, Alpha and Zeferino. Each fled violent threats to their lives in their home countries and presented themselves at the US border asking for political asylum, only to be incarcerated in a for-profit prison for months on end without having committed any crime. Thousands more like them can't tell their stories.

Libor Podmol – Život je cíl(cs)

In the Grip of Terror: Making Talk To Me(en)

The cast and crew talk about making the film with some behind-the-scenes footage.

Echo Of The Past: The Terrence Tower(en)

A historical documentary documenting the rise, function, and abandonment of a 17 story building that once housed The Rochester Psychiatric Center. This film tells the story of the building through historical footage, interviews of former staff and patients who recount their memories of the behemoth facility while also exploring the abandoned building as it is today.

The Trees with Orange Rings(en)

Conservationist photographer and filmmaker Kyle Dudgeon, with the help of wildlife biologist Steve Hoffman, follows a family of great gray owls in the Bridger Mountains of Montana whose habitat is threatened by a logging project. The first feature film of this longtime bird photographer, The Trees with Orange Rings is a passionate documentary short profiling the natural history of these owls and confronting important environmental issues over the span of two years.

Cats, Birds and Fishes(en)

Some champion exhibits from the National Cat Club Show and the Combined Bird and Aquaria Show, described by W. Cox-Ife, F. Hopkins, and L.C. Mandeville.

Guide to a Midwest Hometown(en)

Coming back during Winter, Alex Powell explores both the places and personal connections found in his hometown and how they've changed. “Guide to a Midwest Hometown” explores what makes the barren places at home feel sentimental and special, and the good and bad feelings that come when being back home. Inspired by "How To With John Wilson".

Afraid Doesn’t Exist(de)

Anna Zett collages mostly unreleased footage from the Berlin Archive of the GDR-Opposition into a pulsating short film thriller. The film opens up an associative realm which allows for the re-evaluation of experiences of violence hard to access today.

Petit Rempart(fr)

Mariem, 53, a former estate agent, has been living at a shelter for several months. Surrounded by women in far more precarious circumstances than herself, she tries to regard her unprecedented social downfall as an immersion in real life. By the time she leaves, Mariem’s view of the world will have changed forever, enriched by all the women she has met along the way.

The Business End: Violence in Cinema(en)

An unflinching look at the ongoing debate on violence in movies and its effect on the audience.

138 Pounds in My Pocket: The Story of Hind Al-Husseini - Women, War and Welfare in Jerusalem(it)

Moscow Holidays. Home Video(ru)

In November 2001, Chechen schoolchildren came to Moscow for a vacation. For them, this is the first peaceful city in their life. A war without a single frame of war.

Dark Matter(en)

This personal film is made up of landscape photos from the archive of the director's father, through which he returns to his life while exploring the material possibilities for creating "landscapes": the film itself is exposed to the effects of yeast, salt, leaves and seaweed. By reacting with the film emulsion, each foreign element creates a new and different image quality, while the noise on the soundtrack underscores the fragility of incomplete memories.

The New Normal(en)

Is the past the future we want ? The race to get back to normal made us question this very idea of normalcy itself – Is it normal that our planet is dying because of our economic priorities? Is it normal when lockdowns only protect the rich while the economically disadvantaged are left jobless and take to the streets? Is it normal that our children and relationships are dependent on the thin addictive threads of technology Is it normal that we live in a world without kindness? This film uses poetry and visual metaphor to explore these questions.

Who's Afraid of Cris Negão?(pt)

Cristiane Jordan, or Cris Negão, as she was called, was a transvestite who worked as a bawd in downtown of São Paulo known by her violent methods to control the other transvestites. Hated and feared by a legion, she also had her fans until she was tragically murdered with two shots in the head. The documentary is a dive into the transvestite universe through the stories of this legendary character of São Paulo's underworld.

Living in Tents(en)

In January 2011 Paul Crane discovered a tent city in downtown St. Louis, along the Mississippi River. He was curious as to who these people were, how they ended up there, and what life was like for them each day. He initially thought he would simply go down during the day and capture footage when possible, but he quickly realized that if he wanted to truly capture how these people lived and the full reality of their collective and individual existence, he would have to be there full time and become a part of the place, so he moved in with them.