Falsos Positivos(2009)

Esmeraldero(es)

The true story of the rise of a Japanese businessman from Los Angeles named Eishy Hayata from an Airline engineer into the legend of the Emerald world -- the Emerald Cowboy

Mamus(en)

A stunning and intimate portrait of the Arhuaco indigenous community in Colombia. In 1990, in a celebrated BBC documentary, the Arhuaco made contact with the outside world to warn industrialized societies of the potentially catastrophic future facing the planet if we don’t change our ways. Now, three decades later, with the advances of audio/visual technology, we go back to the Snowy Peaks of Sierra Nevada de Santa Maria to illuminate their ethos against the backdrop of an increasingly fragile world.

Abortion: Stories from North and South(en)

Women have always sought ways to terminate unwanted pregnancies, despite powerful patriarchal structures and systems working against them. This film provides a historical overview of how church, state and the medical establishment have determined policies concerning abortion. From this cross-cultural survey--filmed in Ireland, Japan, Thailand, Peru, Colombia, and Canada--emerges one reality: only a small percentage of the world's women has access to safe, legal operations.

El Culebro: La historia de mi papá(es)

The story of legendary Colombian actor Hernando "El Culebro" Casanova, told by his youngest son Nicolás Casanova, featuring unseen archival footage and unheard tracks.

Colombia in My Arms(fi)

After 52 years of armed conflict the FARC guerrillas are about to hand over their arms in exchange for political participation and social inclusion of the poor. Ernesto is one of them. The much celebrated Colombian peace agreement throws Ernesto and the polarised society around him into chaos in which everyone is afraid of the future and their own survival.

Salsa Lives(es)

La Salsa Vive is a vibrant cinematic exploration of Afro-Cuban music's history, tracing its roots from New York's lively streets to Cali, Colombia, now the global salsa capital.

When the Road Ends(en)

Growing up in poverty as a child, Dylan dreamt of travelling the world on a motorcycle. Many years later he broke the shackles of a normal life and took to the road. After journeying 200,000km across four continents, the road from Panama to Colombia comes to an end, swallowed up by an impenetrable jungle. Dylan has no choice but to take to the sea, building a raft powered by his motorcycle engine in the hope of reaching Colombia's road network 700km away. He must brave strong ocean currents and storm batterings in his journey from Central to South America.—Journeyman Pictures

The Power of One(en)

Naturalist, Alex Valdez, and a team of young documentary filmmakers will take us on an adventure to discover an unknown ecological sanctuary deep in the jungles of Colombia, where an anonymous conservationist, who goes simply by the name Jorge, is replanting a rain forest from a deforested piece of land and creating a home for a variety of endangered animals. This film is the first step in our mission to showcase the hundreds of unknown conservationists around the globe and inspire a whole generation to believe in the power of one.

Mi pesadilla fue que me mataba la guerrilla(es)

Dangerous Play(es)

Copa Libertadores, 1989. A true story about football, corruption and the power of Pablo Escobar and his cartel, told by its protagonists: five referees who resisted the dramatic weight of an era.

Pueblos de Arrecife(es)

Barranquilla To The World(es)

Julián, a 19-year-old young man, invites us on a revealing journey in 'Barranquilla Au Monde'. This documentary unravels the surprising history that links Barranquilla with France, from the arrival of its first migrants to the palpable influence they left in the gastronomy, fashion and elegant urban landscape marked by Art Deco. Through his encounters with experts and witnesses, Julian explores the French legacy in the delicate art of stained glass and in the foundations of local education, culminating in the vibrant presence of institutions such as the Alliance Française, demonstrating that this historical connection is still alive and enriching Barranquilla's present.

1982(es)

1982 is not a year, it is a number. It is the number of massacres that occurred in Colombia. Using a Hollywood film from 1919 the film creates a portrait of distant and yet persistent individuals, an observation of the gesture that survives despite the blind light cast upon them by time, routine or indolence.

La Flor de La Lengua de Vaca(es)

Camila lives her last days in the jungle as a guerrilla of the FARC-EP at the crossroads between an uncertain future of peace and the lingering memory of a childhood severely punished. Sent to a war hospital in the middle of the jungle, Camila begins a journey into her past, to the depths of an old wound that needs to be healed. A journey that ends up leading her to an unexpected reunion with her friend Ricardo, a young guerrilla recently amputated due to a mine.

Raíces(es)

In her search for job opportunities, Marley, a Sitionuevera mother, moves to Barranquilla, leaving her children in the care of her mother, Claudia in the municipality of Sitionuevo. As the community embraces traditional life, Marley yearns for a different future, triggering a generational conflict between deep roots and aspirations for change, but ultimately being a story of the power of love.

Voices of Kidnapping(en)

Ghostly images of Colombia’s jungle landscapes are set to radio transmissions sent by family members to their kidnapped loved ones—heartrending messages of grief, support, and, against all odds, hope.

Sought for Satan, found the family(es)

With the VHS images of his childhood, Miguel tells Fábio a particular story of his experience as a Colombian child and of the first manifestations of Satan in his life.

Song of the Flies(es)

The experimental animated film Song of the Flies (El Canto de las Moscas), translates the desolation caused by the violence of the Colombian armed conflict through the poetic voice of Maria Mercedes Carranza (1945–2003) and the audiovisual dialogue between 9 Colombian women. In 24 places, as a transit over the course of a day (Morning, Day, Night) a map of terror is drawn where massacres took place in Colombia in the 1990s. Archival images, the artists’ personal memories and the use of loops and analogue materials bring to life the landscapes ravaged by violence and build a polyphony of memory and mourning, a universal song of pain.

Hostage in the Jungle(en)

Ingrid Betancourt was the world’s most famous hostage. On February 23rd 2002, Ingrid, a presidential candidate in Columbia’s elections, was kidnapped by the left-wing FARC rebel group along with her assistant and friend Clara Rojas. She was held for over six years in the jungle. This is the first documentary account of what happened in the jungle in her words and those of fellow hostages. In a truly remarkable interview Ingrid relives stories of escape and betrayal, love and hate, terror and extraodinary courage.

Insurgencia por la paz(es)

Documentary about the dialogues of the Mesa de Paz de La Habana between the Colombian insurgent forces - FARC-EP - and the Colombian government, during the year 2014.