Skin of Glass(2026)

Woodstock - Mais Que Uma Loja(pt)

"Woodstock - Mais Que Uma Loja" tells the story of the Woodstock Discos store, a stronghold considered ground zero for heavy metal in São Paulo and one of the pioneers of the style in Brazil.

Montanhão: Raízes da Luta(pt)

Pivetta(en)

Fulano de Tal(pt)

Hotel Laide(pt)

Favela no Ar(pt)

The documentary shows the awakening of the poor youth to social consciousness in the identification of life that imitates art with art that imitates life. It is the São Paulo chapter of the cultural history of national rap in the voice of its main exponents.

Agnus Gay(pt)

Footage from the first ever São Paulo LGBTQ Pride Parade, which took place on the 28th of June 1997 on Avenida Paulista. The annual event would go on to become the largest pride parade in the world.

Juventus Rumo a Tóquio(pt)

A chronicle of reactions about a historic football game in the life of Juventus from Mooca (São Paulo). The agitation of the organized fans, the tension of the old guard and the engagement of the youngsters of small age. A great little epic.

OG: The Harry Jumonji Story(en)

'OG' is a film about a legendary, Brazilian born, NYC skateboarder, Harry Jumonji. In the course of telling his story, through his triumphs and travails, Jumonji emerges in this portrait as an adolescent innocent, much like skateboarding itself. He is irrepressible, manically energetic and ultimately, pure. He has a transcendent presence, well beyond charm or charisma, of such unalloyed joy that nothing he does is unforgiveable. This is fortunate because, as a drug addict, unsurprisingly, he lies, cheats and steals. Harry is rendered as the poet, the sprite, the artist and the street saint he is.

O Tigre e a Gazela(pt)

The faces, the gestures and speech of beggars, madmen and revelers passing through the streets of São Paulo. The sounds and images are illustrated with Frantz Fanon extracts.

Brazil to Britain: Bianca's Story(en)

To celebrate the 40th anniversary of Villa becoming champions of Europe, BT Sport Films created Super Villans to tell the unlikely story of how the club rose to become European champions, shocking the football world by toppling Bayern Munich. The film, a light-hearted and exuberant journey through the late Seventies and early Eighties featuring music, animations and archive reminiscent of the era, is narrated by Mark Williams, the well-known Villa fan who grew up during the glory days of the club.

Doces Relatos(pt)

Ayahuasca, Expansão da Consciência(pt)

The story of Ayahuasca, from its emergence in the Amazonian Forest, to its popularity with the Santo Daime religion, and on to its arrival in urban centres. Combining scientific, religious and anthropological perspectives on the use of Ayahuasca in modern society, and in parallel with the director own healing process, for the first time, a holistic, yet balanced view of this controversial subject.

Fora da Caridade Não Há Salvação(pt)

Super Perna dos Copinhas-Transmissão Oficial(pt)

Napalm - the sound of the industrial city(pt)

Directed by journalist Ricardo Alexandre, the documentary tells the story of the Napalm nightclub, responsible for the new wave and post-punk generation in Sao Paulo. Mixing live shows, cutting-edge DJing and videos in its "modern" internal television system, the venue quickly became a meeting point for young people who shaped the grayer side of Brazilian rock in the 80s.

São Paulo: Uma Cidade Segregada(pt)

MUNZIGER(pt)

Cycling down the streets of São Paulo's West Zone, Munziger blindly follows his instincts.

Punks de São Paulo(pt)

Documentary about punks of the city of São Paulo and its difficulties, struggles and ideals, the importance of music in the universe of its ideology, interviews and images of shows of some musical groups like Ratos de Porão, Inocentes and Fogo Cruzado.

Vlavianos: Impulse and Reason(pt)

The documentary follows Nicolas Vlavianos (1929-2022), a renowned sculptor, in the final years of his life. It captures the moment — when he is around 90 years old — that he returns to an old drawer, tries to pick up his tools, and realizes he no longer has the strength to hold them. That simple gesture becomes the symbolic trigger: the end of his long creative cycle and the beginning of a farewell to his art. From there, the film documents the dismantling of Vlavianos’s studio and workspace, and the gradual process of his withdrawal from physical creation. It’s not just a retrospective of works: it’s a portrait of decline, memory, mortality, and legacy.