
Letícia lies on an ironing board in front of her maid who calmly irons her mistress, clothed, with the same attention to detail as someone who irons out a flat piece of clothing. The artist is calm like an empty suit; she doesn’t move, she doesn’t complain, she simply lies there. She is an ordinary piece of clothing, on any given day. There is no indifference, it is just another task accomplished. In the mistress maid relationship there is no tension, just silent complicity.

Letícia lies on an ironing board in front of her maid who calmly irons her mistress, clothed, with the same attention to detail as someone who irons out a flat piece of clothing. The artist is calm like an empty suit; she doesn’t move, she doesn’t complain, she simply lies there. She is an ordinary piece of clothing, on any given day. There is no indifference, it is just another task accomplished. In the mistress maid relationship there is no tension, just silent complicity.
1982-05-11
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0.0An experimental film revolving around how an artist perceives a man and a woman.
5.3Norman Mailer and a panel of feminists — Jacqueline Ceballos, Germaine Greer, Jill Johnston, and Diana Trilling — debate the issue of Women's Liberation.
0.0Two actresses take us through a series of 'raps' and sketches about what it means to be beautiful and black.
0.0Actors Isabella Lafin and Rafael Grendene reharsing a scene from the movie Marriage Story (2019).
0.0The night before her eighteenth birthday recital, an overworked and undertalented pianist is abducted by three ghouls.
0.0Period pain varies greatly in terms of its form and intensity. It is not easy to describe in words, and it is often trivialized and dismissed. This film aims to break this taboo and visualize the feeling of having a period based on personal experiences, making it more tangible.
0.0visual album, mixed digital media, archival footage, and ghosts
6.2A group of young women from Ouagadougou study at a girl school to become auto mechanics. The classmates become their port of safety, joy and sisterhood, all while they are going through the life changing transition into becoming adults in a country boiling with political changes. In a country with youth unemployment at 52 percent, jobs are a hot issue. The young girls at a mechanics school in Burkina Faso’s capital Ouagadougou are right in the middle of a crucial point in life when their dreams, hopes and courage are confronted with opinions, fears and society’s expectations of what a woman should be. Using interesting narrative solutions, Theresa Traore Dahlberg depicts their last school years and at the same time succeeds in showing the country’s violent past and present. This is a feature-film debut and coming-of-age film with much warmth, laughs, heartbreak and depth.
10.0The emotional decline of a person after being the host of an energetic parasite.
0.0The film follows a girl born during the Iranian 1979 revolution, growing up amidst war and global events, leading to her breakdown and subsequent healing through self-care.
5.8Matthew, a college freshman, meets his dream girl in a dorm elevator during a blackout. He never sees her face, but instantly falls in love. In the morning, the power is restored, but the "dream girl" has vanished. All Matthew knows is that she lives in an all-girls dorm. He sets out on a semester-long journey to find his mystery girl among a hundred female suspects. Could it be Wendy? Dora? Arlene? Patty? Cynthia? Or the 95 other girls, any of whom could have been in that elevator with Matthew.
5.8Tom is a perfect macho, whose prejudices are challenged when he loses his job, his apartment and his girlfriend and has to move in into a house with three feminists. Without his knowing the three start an experiment to convert him into a sensitive person showing respect for women and her problems. Not able to pay his rent Tom is forced to earn it by doing the housework and babysitting. This helps him changing his attitudes towards women and his housemates who at first treated him indifferently, start to fall in love with him.