In the summer of 1977, a political prisoner, living in exile, recounts the circumstances of his escape to a journalist: in April 76, a group of ETA members planned to escape from prison, but the project fails when, due to a tip-off, the guards discover the tunnel they are digging. The inmates, far from being discouraged, start a second tunnel.
Maruja
In the summer of 1977, a political prisoner, living in exile, recounts the circumstances of his escape to a journalist: in April 76, a group of ETA members planned to escape from prison, but the project fails when, due to a tip-off, the guards discover the tunnel they are digging. The inmates, far from being discouraged, start a second tunnel.
1981-11-07
6
In the 1820s, a frontiersman, Hugh Glass, sets out on a path of vengeance against those who left him for dead after a bear mauling.
Set more than a decade after the events of the first film, learn the story of the Sully family (Jake, Neytiri, and their kids), the trouble that follows them, the lengths they go to keep each other safe, the battles they fight to stay alive, and the tragedies they endure.
Spanning the years 1945 to 1955, a chronicle of the fictional Italian-American Corleone crime family. When organized crime family patriarch, Vito Corleone barely survives an attempt on his life, his youngest son, Michael steps in to take care of the would-be killers, launching a campaign of bloody revenge.
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In 1900s India, Calcuttan zamindar Devdas Mukherjee — unable to marry his lover — takes up alcohol and the company of a courtesan to alleviate the pain.
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Fernando Pessoa, one of the greatest writers in Portuguese, created an immense parallel world and several heteronyms so as to endure the loneliness of genius. José Saramago, 1998 Nobel Laureate in Literature, has a heteronym, Ricardo Reis, return to Portugal after a 16-year exile in Brazil. 1936 is a perilous year with Mussolini’s fascism, Hitler’s Nazism, Spain’s Civil War and Salazar’s New State in Portugal. And Fernando Pessoa meets his creation, Reis. Two women, Lídia and Marcenda, are Reis’ carnal and impossible passions. “Life and Death as one” allows for literature and cinema.
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