Ningwasum(2022)

Cholitas(es)

Five Bolivian indigenous women share one goal: climbing the highest mountain in America.

State of Necessity(fr)

Behind the scenes of two court cases involving activists in the fight against climate change.

Women of K2(en)

On some peaks in 2003, the statistics are impressive. For the K2 dubbed "wild mountain" or "ruthless mountain", only 240 reached the summit and more than 60 perished in the ascent. An unimaginable rate of one death in four to survive. And these statistics are even worse At the start of the 2004 climbing season, only five talented and determined women had reached the 8,616-meter summit of K2, but only two made it out alive. , they too perished while climbing other peaks of 8000 meters, these five women all disappeared in the mountains.

Sadpara The Mountaineer(ur)

Clean Mountains(nl)

Spiegelbeeld(nl)

Tilburg artist Tommy van der Loo searches for the influence of superiority thinking, racism and colour in his life. Van der Loo is an emerging artist and his work has been purchased by Boijmans van Beuningen in Rotterdam. He also had an exhibition at the Kunsthal. He also made the memorial for the abolition of slavery in Eindhoven. He has had multiple experiences with discrimination and incorporates that into his sculptures. Identity and image formation are important to him: How do you look at others, how do others look at you. The search is the inspiration for his new sculpture.

Danny's Doomsday(da)

Due to climate change a new race of flesh eating predators arise, who invade and eat everything living on earth. In a residential neighbourhood in a Danish suburb nightmare like scenes are being experienced first hand through the eyes of two teenage brothers, who can't stand each other, but are now suddenly forced to barricade themselves in the basement together, to avoid getting eaten. From one day to another, without parents and without electricity, food, water and contact to other people, the brothers have to learn to live together in their vital protection bunker, while monsters move past the basement windows and heavy, sharp claws can be heard moving around upstairs on the wooden floors.

Secret impressionists(it)

How did the Impressionists view the world? What relationship did they have with technique, with color, with light and with the universe of shapes that made up reality before their eyes? How were their works received? How did they go from being rejected by critics and the public to becoming among the most loved in the world in a few years? Secret Impressionists is an immersive journey into the intimacy of the Impressionists and their paintings which aims to offer a "privileged" visit that stimulates the spectators' curiosity and gives them a perspective on the works complementary to the live experience, allowing spectators in the hall to immerse themselves in the work of painters and grasp unpublished details.

Cut Piece(en)

Filmed at New York’s Carnegie Hall, Cut Piece documents one of Yoko Ono’s most powerful conceptual pieces. Performed by the artist herself, Ono sits motionless on the stage after inviting the audience to come up and cut away her clothing in a denouement of the reciprocity between victim and assailant.

These Are My People...(en)

This documentary short is the first film made by an all-Aboriginal film crew, training under the NFB's Challenge for Change Program. It was shot at Akwesasne (St. Regis Reserve). Two spokesmen explain historical and other aspects of Longhouse religion, culture, and government and reflect on the impact of the white man's arrival on the Indian way of life.

Kainai(en)

On the Kainai (Blood) First Nations Reserve, near Cardston, Alberta, a hopeful new development in Indigenous enterprise. Once rulers of the western plains, the Bloods live on a 1 300-square-kilometer reserve. Many have lacked gainful employment and now pin their hopes on a pre-fab factory they have built. Will the production line and work and wages fit into their cultural pattern of life? The film shows how it is working and what the owners themselves say about their venture.

This Was the Time(en)

When Masset, a Haida village in Haida Gwaii (formerly known as the Queen Charlotte Islands), held a potlatch, it seemed as if the past grandeur of the people had returned. This is a colourful recreation of Indigenous life that faded more than two generations ago when the great totems were toppled by the missionaries and the costly potlatch was forbidden by law. The film shows how one village lived again the old glory, with singing, dancing, feasting, and the raising of a towering totem as a lasting reminder of what once was.

Georgia O'Keeffe: Painter of the Far West(fr)

Enlightened by her biographer Roxana Robinson and art historian Barbara Buhler Lynes, co-founder of the Georgia O'Keeffe Museum in Santa Fe, this documentary unfolds the fascinating trajectory of the artist who became an icon of American art. Featuring her works, her confidences - between interviews and excerpts of correspondence read by Charlotte Rampling - and her husband's photographs, this film explores the two inseparable passions that marked Georgia O'Keeffe's life and career: Alfred Stieglitz and New Mexico, which she never ceased to travel through, like a pioneer, in order to immerse herself in its Indian culture and its grandiose landscapes.

Reverón(es)

Directed by Margot Benacerraf, Reverón is a poetic and visually striking documentary that delves into the life and artistic vision of Venezuelan painter Armando Reverón. Set in the sun-drenched coastal landscape of Macuto, where the artist lived in near isolation, the film captures his eccentric lifestyle and unique creative process. Through evocative imagery and a contemplative narrative, Reverón explores his deep connection to nature, his experiments with light and texture, and his profound artistic genius. This seminal work stands as a tribute to one of Venezuela’s most influential painters and a landmark in Latin American documentary filmmaking.

What Price Art? By Tracey Emin(en)

Why is it that art by male artists always sells for more than that of female artists? Is it subject matter? Is it machismo? Or is it plain old sexism? In this film, Tracey Emin crosses the country on a quest to find out. She meets artists such as Dame Maggi Hambling and Rachel Whiteread; curators such as Norman Rosenthal and gatekeepers such as Oliver Baker from Sotherby's? Have things changed? Or is it society that needs to change before the art market can follow?

Climate: The Movie (The Cold Truth)(en)

"Climate: The Movie" highlights a different perspective on the climate change debate and is supported by scientists who have signed the Clintel's World Climate Declaration. This group of researchers seeks to present an alternative narrative in the face of the dominant discourse.

Attiuk(fr)

The people of Unamenshipu (La Romaine), an Innu community in the Côte-Nord region of Quebec, are seen but not heard in this richly detailed documentary about the rituals surrounding an Innu caribou hunt. Released in 1960, it’s one of 13 titles in Au Pays de Neufve-France, a series of poetic documentary shorts about life along the St. Lawrence River. Off-camera narration, written by Pierre Perrault, frames the Innu participants through an ethnographic lens. Co-directed by René Bonnière and Perrault, a founding figure of Quebec’s direct cinema movement.

Le dernier poumon du monde(fr)

Queer as Art(en)

Documentary celebrating the LGBTQ contribution to the arts in Britain in the 50 years since decriminalisation. It features interviews with leading figures from right across the arts in Britain, including Stephen Fry, David Hockney, Sir Antony Sher, Alan Cumming, Sandi Toksvig, Jeanette Winterson, Will Young and Alan Hollinghurst, and it explores the distinctive perspectives and voices that LGBT artists have brought to British cultural life.

Raqs-e-Inquilab(en)

The film interweaves the personal narratives of four Kashmiri artists, three of whom - Syed Mujtaba Rizvi, Hina Arif and Zeeshan Jaipuri - are children of the conflict, their impressionable adolescent years years landing right in the middle of the region's most violent period in the 90s. The fourth character, renowned painter and art teacher Masood Hussain, grew up in a time of relative peace before becoming witness to Kashmir's tragic transformation. While their individual traumas are unique, they are connected by their pursuit to process this splintered world through unfiltered artistic expression.