The Faces of Parkinson(2022)

Moravian Hellas(cs)

Karel Vachek’s graduate film offers us a documentary essay which is both a light-hearted and aggressive little piece and also a parody of investigative film journalism. The Strážnice folk festival, backed by the cultural Party apparatus of the time, for years had little to commend itself to authentic folklore. In the film the event assumes the form of a bizarre stage spectacle with almost surrealistic elements that Vachek reinforces with unconventional approaches (commentary appearing as titles on screen, singing, declamations into the camera, feature etudes, the fusion of news coverage and fiction). The result is a stirring film collage depicting various characters, from crowd-pleasers, Easter egg decorators, kitsch artists and peddlers, to museologists and local residents, all of whom come up against the eccentric "identical” twin reporters Karel and Jan Saudek and a bored actress who appears as an extra. Using their special blend of irony and wit, they present us with the sad truth.

África(es)

Africa, a trans woman dedicated to musical representation and comic entertainment on Facebook exhibits her daily life through live broadcasts, having success and a large influx of viewers. This while she is getting ready for her special program in honor of her best friend Vicenta de Loris, since a year has passed since her life was taken from her.

Me To Play(en)

As their bodies give way to Parkinson's disease, two New York actors put their hearts into one final Off-Broadway production of Beckett's "Endgame," the play that posits, "there's nothing funnier than unhappiness."

The Moșilor Fair(ro)

The Moșilor Fair is an exercise by a student director who used his film before he had managed to finalize the originally planned movie. The result is a fascinating experimental montage, without music or sound of any kind, showing details of a legendary fair in the capital.

Litter Pickin' Punks(en)

Feeling disgruntled, a group of punks start a litter picking group to counter the amount of litter their community faces.

Day Sleeper(en)

A short documentary about a female truck driver in the United Kingdom.

One Way Trip(es)

Two young women try to adapt to a new city: nostalgia, loneliness, friendship and family are mixed throughout the emotional process of both characters. A reflection on the sense of belonging and the experience of being a foreigner.

Green Street(cs)

Her first foray into documentary filmmaking was a short called Green Street (1959), a look at an over-loaded freight train departing from Prague. Though only nine minutes in length, Chytilová’s astute editing ensured a visual spectacle.

Bringing Out A Smile(es)

The daily life of the volunteers of the Compañeros de Batalla foundation, dedicated to providing support and hope to the children fighting cancer at the Pediatric Specialties Hospital in Maracaibo.

The Week Starts on Friday(cs)

A short documentary about the production of movie marquee art for cinemas in Prague.

Gabriel Lynch: Where I'm Going Next(en)

Gabriel Lynch is an Australian singer-songwriter who has been in the industry since 2006. Gabriel reflects on his career including how he started, and the difficulties facing emerging artists in the modern age.

I’ve Never Been in a Fight(en)

Have you ever been in a fight? Even thrown a punch? Because Andrew never has. His mom raised him as a pacifist, and she would like to keep it that way. But deep down, Andrew has a question: how much can he know about himself if he’s never been punched in the face? More importantly: how much can he know about his mom, the woman that has sacrificed so much for him, if he’s never fought for anything?

Simply Girl(pt)

Denise, Hannah and Leticia are three ordinary women with extraordinary stories to tell. As transgender people, they talk about the challenges of finding their true identities within an intolerant and prejudiced society.

The Man Who Drank the Universe(en)

It is late 2004, and 34-year-old Englishman Alistair Appleton is about to fly from London to the Brazilian coast, where he will drink ayahuasca for the first time. With wit, insight, and sensitivity, Alistair shares this experience with us, and chats with some fellow participants before and after the ayahuasca ceremonies. For the past few years, Alistair had been working as a television presenter. In 2000, he started making trips to the Centre for World Peace and Health in Scotland to learn how to meditate. When clinical psychologist Silvia Polivoy opened an ayahuasca healing center in Bahia in 2004, Alistair faced his fears and seized the opportunity to attend.

where are you now(en)

When Loo Lay Yen suffers a stroke, the lives of her husband and three boys are changed forever. Shot by her eldest son, Tai Binquan, the film features family albums alongside raw documentary footage. where are you now is both a loving tribute to Loo and a piercing inquiry into care, dignity and the ethics of representing end-of-life experiences.

The Woman Who Can Smell Parkinson's Disease(en)

The story of a remarkable Scottish woman who can smell Parkinson's Disease

Don't You Feel Lovely Today(en)

Why wouldn't you? Is there any reason not to? We've got so much at our disposal, so, why don't you? Won't you tell me? Won't you please tell me? To have you down is simply unacceptable. Just look at this; or this; at all these hallmarks to guide you and convey to you the prime ways to feel lovely. Just follow them and you'll be set. So, I ask you again... Don't you feel lovely today?

My Dad and the Volcano(en)

Gavin built a giant volcano sculpture that's now in his dad's shed. Gavin seeks his dad's understanding but he's uninterested in modern art and refuses to participate in the documentary.

CERN, or The Factory for the Absolute(cs)

Together(nl)

When producer Kees Rijninks, the husband of filmmaker Carmen Cobos, is diagnosed with Parkinson's disease, their world is falling apart. Yet after months of sadness, anger and denial, it appears that they have sufficient resilience to find a new balance in their lives. In TOGETHER they follow for a year a group of incurably ill patients, their partners and their neurologist to find an answer to the question how people deal with the knowledge that they are incurably ill. Do they find the resilience to give their lives a positive meaning in hopeless circumstances?