
Leonardo da Vinci strove to know the world equally through artistic and scientific means. This poetic portrayal of one of history’s most imaginative minds returns to the Goodman nearly three decades after it burst onto the stage in a career-catapulting production for adaptor/director Mary Zimmerman. In a production composed entirely of words from his notebooks and various treatises, da Vinci’s ideas on topics from mathematics, anatomy, architecture and engineering, to philosophy, love and the human spirit come to vivid life.

Leonardo da Vinci strove to know the world equally through artistic and scientific means. This poetic portrayal of one of history’s most imaginative minds returns to the Goodman nearly three decades after it burst onto the stage in a career-catapulting production for adaptor/director Mary Zimmerman. In a production composed entirely of words from his notebooks and various treatises, da Vinci’s ideas on topics from mathematics, anatomy, architecture and engineering, to philosophy, love and the human spirit come to vivid life.
2022-03-25
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Mary Zimmerman brings her celebrated play about one of history’s most imaginative minds back to the Goodman Theatre in 2022, thirty years after its acclaimed debut.
0.0Stage play adaptation of internationally acclaimed Japanese manga artist Rumiko Takahashi's fantasy manga series Inuyasha performed at The Galaxy Theatre in Tokyo. The series begins with Kagome Higurashi, a fifteen-year-old middle school girl from modern-day Tokyo who is transported to the Sengoku period after falling into a well in her family shrine, where she meets the half-dog demon, half-human Inuyasha. After the sacred Shikon Jewel re-emerges from deep inside Kagome's body, she inadvertently shatters it into dozens of fragments that scatter across Japan. Inuyasha and Kagome set out to recover Jewel's fragments, and through their quest, they are joined by the lecherous monk Miroku, the demon slayer Sango, and the fox demon Shippō. Together, they journey to restore the Shikon Jewel before it falls into the hands of the evil half-demon Naraku.
6.0On vacation in the Luberon, a high ranking civil servant, in love with the good old fashioned thinking, has to put up with a bunch of troublemakers in his haven of tranquillity and prevent them from watering in circles. Wife, child and mother-in-law in the front row, brother-in-law and sister-in-law as bonus gifts. Add to that a terrible heat wave and a mother left alone in her apartment in Paris... The cocktail is boiling, even explosive... with this heat it will be hard to keep it cool.
0.0In his show La formidable ascension sociale temporaire de G. Verstraeten (The Temporary Social Rise of G. Verstraeten), Guillermo Guiz, whose real name is Guy Verstraeten, reflects on his own journey and on what he sees as problematic in today's society. The main theme of his one-man show is gentrification and how to deal with it in relation to one's desire for social justice.
6.8In this new creation, Pablo abandons his caricatured persona as a reactionary editorialist. The spirit and tone remain satirical, of course, questioning the evolution of our society over the last thirty years. Family, sexuality, new technologies... these are just some of the themes on which Pablo shares his vision and his (entirely personal) truths against a backdrop of 90s pop culture—the years of his childhood!
0.0Based on the Japanese manga series "Ginga -Nagareboshi Gin-" by Takahashi Yoshihiro, this stage musicals follow the story of an Akita dog Gin, the son of the mighty hunting dog Riki. In order to take revenge on the ferocious killer bear Aka-Kabuto for his family, Gin joins the army of Ohu who also chases Aka-Kabuto. Together, they embark on an adventure to look for new comrades and fight against the killer.
7.6A feuding fairy King and Queen of the forest cross paths with four runaway lovers and a troupe of actors trying to rehearse a play. As their dispute grows, the magical royal couple meddle with mortal lives leading to love triangles, mistaken identities and transformations… with hilarious, but dark consequences.
8.4As he prepares to embark on an overseas tour, star actor Garry Essendine’s colourful life is in danger of spiralling out of control. Engulfed by an escalating identity crisis as his many and various relationships compete for his attention, Garry’s few remaining days at home are a chaotic whirlwind of love, sex, panic and soul-searching.
In 1972, Czechoslovak Television recorded a performance by the Vinohrady Theatre, which was very well received. Moliere's comedy The Miser was staged on a turntable, but in period costumes and scenery, without any hint of updating, in a traditional translation. However, it was modern and contemporary mainly thanks to the stage direction of Jaroslav Dudek and the excellent acting performances of the main actors, led by Miloš Kopecký in the role of Harpagon. His civil speech, which was not devoid of majesty, anger, imperiousness, dislike and lack of feeling towards those closest to him, was supported by the equally precise performance of Jaromír Hanzlík and Daniela Kolářová in the roles of his children, Jiřina Bohdalová as the matchmaker, and the other actors. The comedy in their performance is timeless and will delight lovers of classical theatre even today.
Live broadcast of the prestigious awards ceremony for outstanding achievements by Czech scientists from the Prague State Opera, combined with a performance of Petr Zelenka's play Elegance of the Molecule by the Dejvice Theater.
The revue about the life of Karel Hašler and his songs was written on commission by the Vinohrady Theater's most frequently performed original author, Pavel Kohout. It premiered in October 2014 and remains one of the most popular titles in the repertoire. That is why this revue was chosen as the gala performance for the theater's 110th anniversary.
This documentary short is a cinematic recording of Tales from a Prairie Drifter, a stage comedy about the North-West Resistance during the opening of the Canadian West. Highlighting the roles of Louis Riel, the Resistance leader, prime minister Sir John A. Macdonald and General Middleton, who was sent to quell the uprising, the play defines the First nations and Métis cause more succinctly than many history books. Here, the play is performed by the Regina Globe Theatre before and Indigineous audience of First Nations and Métis, whose reactions are recorded.