
Baritone Benjamin Appl and pianist James Baillieu reimagine Schubert's song cycle Winterreise in the wintry setting of an Alpine landscape at the top of a mountain pass in Switzerland - a place that emphasises the timelessness of Schubert's music

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Baritone Benjamin Appl and pianist James Baillieu reimagine Schubert's song cycle Winterreise in the wintry setting of an Alpine landscape at the top of a mountain pass in Switzerland - a place that emphasises the timelessness of Schubert's music
2022-02-27
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5.6A beautiful blonde joins a small group of men running an oil station in the Sahara Desert and starts the emotions soaring.
The film is a continuous time-lapse with multiple exposures of the sunset from the same angle and position on 16mm film. The shoot was done in a span of 5 years. The title 13 is because the time-lapse has a 13-second interval per frame.
3.9In this amusing antiwar comedy, seven inept and reluctant soldiers land on a desert island to carry on with the fighting. Just after their parachutes have collapsed behind them on the beach, helicopters approach and land nearby. Out pops a bevy of beautiful women sent to entertain the troops, which they do, and then they leave. From that point onward, there are a series of misadventures
5.7Destruction and betrayal take center stage in the latest installment of the New Fist of the North Star series. When Kenshiro returns to find the city in ruins and its citizens tormented, his pain is compounded when he is betrayed and imprisoned by Tobi. As Tobi prepares a brutal assault on Seiji, Kenshiro must summon all of his strength to break free and take put a halt to his former friend's destructive scheme.
'Growth" is an exploration of the universality of growing up through the eyes of those who have experienced it first hand. Captured entirely from above and featuring over 75 unique individuals, this short meditative documentary explores the complexity, subtlety, and beauty of growing up.
6.0A dark, gritty drama that wraps around Louie Lazaro. a drug addict and a male dancer. As he tries to escape the evils of his past.
3.5Joy flies to Hong Kong, where she meets her best friend Alain. With him, she visits the hottest districts of the city. She is kidnapped and imprisoned in a brothel and has to pay a high price for her freedom.
4.8Ambitious young script writer Igor Sullivan, who just lost his lover, concentrates on a romantic comedy. He gets advice from seasoned professional James Ford, who explains the `fomula` way, while Igo keeps insisting on artistic input of his own. Thus they draft piece by piece, often after dropping or amending the first version, a (not quite) standard triangle. It involves Internet firm colleagues Patrick, the good boy, and his womanizing buddy Mark Gibson, the vixen being the firm`s new consultant Jennifer.
7.5“NARUTO to BORUTO THE LIVE 2019”, a special event for the 20th anniversary of the first publication of “NARUTO” series in Weekly Shonen Jump!! Featuring live performances by artists performing the theme songs of both “NARUTO” and “BORUTO: NARUTO NEXT GENERATIONS”, anime cast members reading original story episodes, and more.
5.9Two Singaporean girls join together to form the Papaya Sisters, a getai group that sings at performances during the seventh lunar month. Big Papaya is estranged from her mother, who disapproves of her performances, whilst Little Papaya is an orphan who suffers from terminal cancer. The two are assisted by Auntie Ling and her son, Guan Yin. The two soon rise to the top of the Singaporean getai scene singing traditional Hokkien songs, but their fame brings along with it the enmity of the Durian Sisters, a rival group of techno-singing Eurasian girls.
9.5A fascinating journey with Israel’s notorious provocateur, Prof. Amir Hetsroni, into the depth of his romantic and interpersonal relationships, alienated childhood, and public persona versus his self-identity.
6.3A comedian uses her troubled past as material for her stand-up routine, trying to rise up through the comedy circuit by playing Northern England's working men's clubs.
6.0A Puerto Rican seamstress ponders leaving her island to go live with her daughter in the United States.
10.0The movie arose out of our sparetime as teenagers with fresh driver’s licenses and cobbled-together camera gear, wandering around a tired and honestly pretty grim post-industrial mill community, reinforced with after-hours access to the darkroom at the Sun Journal (where Aaron’s dad was the visuals editor), and some half-formed education in the techniques of Robert Frank, Frederick Wiseman, Dogme 95, Italian neorealism, pre-Obama Shepard Fairey, plus whatever culture pushed its way through the creaky pipes of low-bandwidth dial-up internet, or was smuggled up the actual superhighway of I-95 from Boston and eventually New York, or mailed first class via United States Postal Service from a burgeoning Netflix in those classic matte red envelopes, as valuable and rare as cash sent from China. [...] Somehow we negotiated access to a Canon XL1 3-CCD MiniDV camera and shotgun mic from the local public access station, in exchange for taping the high school graduation we didn’t participate in.
8.5In the middle of a broadcast about Typhoon Yolanda's initial impact, reporter Jiggy Manicad was faced with the reality that he no longer had communication with his station. They were, for all intents and purposes, stranded in Tacloban. With little option, and his crew started the six hour walk to Alto, where the closest broadcast antenna was to be found. Letting the world know what was happening to was a priority, but they were driven by the need to let their families and friends know they were all still alive. Along the way, they encountered residents and victims of the massive typhoon, and with each step it became increasingly clear just how devastating this storm was. This was a storm that was going to change lives.
7.7A look behind the lens of Christopher Nolan's space epic.
0.0There is hardly a better way to approach Ludwig van Beethoven than through his piano concertos. Beethoven’s own instrument was the piano, and in his improvisations – which made him the darling of the Viennese salons – he merged virtuosity and unbridled expression. The piano concertos give a clear idea of these performances. At the same time, they are prime examples of Beethoven’s ability to create large orchestral works with seemingly endless arcs of tension. The complete recording of all five works with Mitsuko Uchida and Sir Simon Rattle was one of the most spectacular projects of the Berliner Philharmoniker during the Rattle era – and at the same time the highlight of the collaboration between the orchestra and the pianist, which began in 1984.
0.0Valery Gergiev is widely recognised as the greatest modern interpreter of Tchaikovsky’s music and the Mariinsky holds a peerless reputation in the repertoire. Together they deliver definitive interpretations of Tchaikovsky’s most popular symphonies. These acclaimed performances were filmed at Salle Pleyel in Paris during January 2010, directed by Andy Sommer. The themes of fate and death pervade Tchaikovsky’s final symphonies. The composition of the Fourth Symphony coincided with the breakdown of Tchaikovsky’s marriage and a failed suicide attempt, yet he considered it to be his greatest. In contrast he believed his Fifth to be flawed and uninviting, yet today this heartfelt work is widely regarded as one of his finest. The subject of fate is further instilled in the Sixth Symphony, premiered shortly before Tchaikovsky’s death. It was posthumously entitled ‘Pathétique’ by his brother and is a deeply melancholic work, full of dynamic extremes and an inherent sense of finality.
0.0Surely Bach’s French Suites, which he composed during his years at Cöthen (1717–1723), are among the finest inducements to practise that any teacher has ever made to a pupil. In this case Bach wrote them for his young wife, Anna Magdalena. The over-riding impression left by these suites is one of endearing tunefulness. Clavier-Übung II is a later collection of didactic keyboard pieces. It comprises two greatly contrasted works: the Italian Concerto and the Overture in the French Style. These performances admirably demonstrate the thoughtful and persuasive approach that András Schiff adopts when performing Bach. Recorded live at the Bachfest 2010, Protestant Reformed Church of Leipzig, 11 June 2010 Repertoire J.S. Bach: French Suites Nos. 1–6, Overture in the French Style in B minor, Italian Concerto in F major, BWV 971
0.0Live performance of Johann Sebastian Bach's Magnificat, BWV 243 from Herbert von Karajan's New Year's Eve concert in 1984.
1.0In this short, Johnny Green leads the MGM Symphony Orchestra in a performance of the overture to Rossini's "La Gazza Ladra".
7.0Letters, Riddles and Writs is a one act opera for television by Michael Nyman broadcast in 1991.
0.0In Anton Bruckner’s 7th Symphony, the listener encounters a music characterized by great spaciousness and profound solemnity, a music which speaks of grief and lamentation, but also of their transcendence. With its monumental architecture and intensity of sound, the symphony has moved listeners ever since its triumphal premiere in 1884. The Guardian calls Daniel Barenboim’s London interpretation “Tremendous … Barenboim and the Staatskapelle seem to have this work in their systems, and the overall impression was of music unfolding organically at its own pace rather than of a work being self-consciously interpreted or led.” Anton Bruckner Symphony No. 7 in E major (original version) Daniel Barenboim, conductor Staatskapelle Berlin Recorded live at the Philharmonie Berlin, 25 June 2010
Recently diagnosed with ADHD, a symphony conductor uses the career shutdown of the 2020 pandemic to dive into her mental health. She looks for ways to face the challenges and honour the gifts of being neurodiverse.
0.0The Berliner Philharmoniker’s European Concert, held each year on 1 May, is invariably an international highlight. Performing in 2008 in Moscow's renowned Tchaikovsky Conservatory, the orchestra under Sir Simon Rattle presented outstanding performances of works by Beethoven, Stravinsky and Bruch, whose Violin Concerto featured one of today’s most fascinating artists, the Russian violinist Vadim Repin. Stravinsky: Symphony in Three Movements Bruch: Concerto for Violin No.1, op.26 Beethoven: Symphony No.7 in A major, op. 92
0.0Every year, the Berliner Philharmoniker hold a kind of classical-music fête with a bright, cheerful concert to end the season. In 2009 about 22,000 people had come together at the Berlin Waldbühne to enjoy the traditional summer picnic concert. The theme of the evening was “Russian rhythms”, and star conductor Sir Simon Rattle, the Berliner Philharmoniker and Yefim Bronfman, one of the most famous pianists in the world today, presented a superb selection of Russian music. Repertoire Tchaikovsky: The Nutcracker, op. 71, Overture, The Christmas Tree, March, Pas de deux (Intrada) Rachmaninoff: Piano Concerto No.3 in D minor, op. 30 Stravinsky: Le Sacre du printemps Lincke: Berliner Luft
0.0Repertoire Modest Mussorgsky: Night on Bald Mountain; Antonín Dvořák: Song to the Moon from “Rusalka”, Op. 114; Aram Chatschaturjan: Adagio from “Spartacus”; Richard Strauss: Final Scene from “Capriccio”, Op. 85; Richard Wagner: Overture to “Rienzi, der Letzte der Tribunen”; E. W. Korngold: Mariettas Lied from “Die tote Stadt”; Richard Strauss: Zueignung, Op. 10 No. 1; Sir Edward Elgar: Salut d’amour; Giacomo Puccini: Donde lieta uscì from “La bohème”; Tu che di gel sei cinta from “Turandot”; Ruggero Leoncavallo: Musette svaria sulla bocca viva from “La bohème”; Mimì Pinson, la biondinetta from “La bohème”; Piotr Tchaikovsky: “Romeo and Juliet” (Fantasy Overture)
10.0The Waldbühne in Berlin, one of the most appealing outdoor amphitheatres on the European continent, is the home of the Berliner Philharmoniker’s summer concerts. With audiences of more than 20,000, these are some of the most popular classical music concerts in the world. Riccardo Chailly is famous for having one of the broadest and most eclectic repertoires. Here, under his baton, the orchestra presents perennial favourites by Shostakovich, Rota and Respighi. Live recording from the Waldbühne, Berlin, 23 August 2011, directed by Kasten Henning, produced by Jan Bremme. TV Producer: Dorothea Diekmann, RBB. Repertoire Dmitry Shostakovich: Suite No. 2 for Jazz Orchestra (Suite for Variety Orchestra), Lady Macbeth of Mtsensk Suite – Allegretto; Nino Rota: ‘La Strada’ Ballet Suite; Ottorino Respighi: Fountains of Rome • Pines of Rome • Danza gueresca ‘Belkis’; Paul Lincke: Berliner Luft
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6.2The film covers a hundred years in the lives of the Ricordi family, the Milan publishing house of the title, and the various composers and other historic personalities, whose careers intersected with the growth of the Ricordi house. It beautifully draws the parallel between the great music of the composers, the historic and social upheavals of their times, as well as the "smaller stories" of the successive generations of Ricordi.
This video depicts Tanglewood in its very early years. It contains very rare footage of Serge Koussevitzky and Aaron Copland.