Evian : procession de la Fête-Dieu III(1898)

Evian: Procession de la Fête-Dieu I(fr)

An oddly routed parade.

Evian : procession de la Fête-Dieu II(fr)

Demolition of a Wall, I(fr)

The first of two Lumiere wall demo films. As workers carry wheelbarrows full of rubble away, a wall tips over and collapses in a cloud of dust. The workers then return to clear away the debris.

Evian : procession de la Fête-Dieu IV(fr)

His New Stenographer(en)

Billy Brooks, a lawyer, sets out to get a divorce for a client by framing him in a compromising situation. But the scheme goes askew when the client's wife gets a job as Billy's new stenographer and he, not knowing who she is, selects her as the correspondent to frame her own husband.

Mother Hummingbird(fr)

A neglected Baroness falls in love with her oldest son's military officer friend, their adulterous romance leading the two to flee to Algeria.

The Divine Voyage(fr)

A girl in search of sailors lost in the Pacific.

Molière(fr)

A film about the life of Molière (1622-1673).

Voyageur et voleurs(fr)

Velvet Underground's First Public Appearance(en)

Velvet Underground's first public appearance.

In Between(en)

Footage from 1964-1968 that did not find its way into the Walden reels is joined in this classic period piece. Mostly centered in New York, it also includes travel footage and appearances by David Wise, Salvador Dali, Allen Ginsberg, Jack Smith, Shirley Clarke, Jane Holzer and more. Mel Lyman plays his banjo on the roof.

Notes for Jerome(en)

During the summer of 1966 Jonas Mekas spent two months in Cassis, as a guest of Jerome Hill. Mekas visited him briefly again in 1967, with P. Adams Sitney. The footage of this film comes from those two visits. Later, after Jerome died, Mekas visited his Cassis home in 1974. Footage of that visit constitutes the epilogue of the film. Other people appear in the film, all friends of Jerome.

Paradise Not Yet Lost(en)

The film is arranged in six chronologically-ordered parts, each filmed in a different location during Oona's third year.

Off We Go!(de)

Documentary short on the Octoberfest in Munich.

Scenes from Allen's Last Three Days on Earth as a Spirit(en)

This is a video record of the Buddhist Wake ceremony at Allen Ginsberg's apartment. You see Allen, now asleep forever, in his bed; some of his close friends; and the wrapping up and removal of Allen's body from the apartment. You hear Jonas' description of his last conversation with Allen, three days earlier. You see the final farewell at the Buddhist temple, 118 West 22nd Street, New York City, and some of his close friends: Patti Smith, Gregory Corso, LeRoy Jones-Baraka, Hiro Yamagata, Anne Waldman, and many others.

To Barbara Rubin with Love(en)

This is a mini-portrait of one of the legendary figures of the 60s who should be credited for the discovery of the Velvet Underground, for saving Bob Dylan's mind after the motorcycle crash, for her pioneering sound/image installations, for keeping the New York Sixties' art community together, for one of the key works of erotic cinema Christmas on Earth, and etc. and etc.

Report from Millbrook(en)

Jonas Mekas documents Timothy Leary’s Millbrook estate in the wake of a police raid, juxtaposing serene images of the property with audio of officials justifying their actions. Blending diary footage with subversive reportage, the film exposes the gap between perception and authority, offering an oblique portrait of the counterculture and its suppression.

Williamsburg, Brooklyn(en)

Filmed in 1950 soon after Jonas Mekas arrived in New York, this short documents everyday life in Williamsburg, Brooklyn. It was the first film he shot with his 16 mm Bolex camera, but he did not edit and present the footage until 2003, making it both his earliest and one of his final works on film.

Håndværkerskolen: Brolægger(da)

Travel Songs(en)

Compiled from two decades of travels through Europe, Jonas Mekas’s Travel Songs gathers five diaristic segments filmed in Avila, Stockholm, Moscow, and Assisi. Shot with his characteristic spontaneity and playfulness, the film turns casual sightseeing into a lyrical meditation on place, memory, and movement.