Ode to Dorothy reexamines the relationships of the main characters in The Wizard of Oz, revealing these relationships to be much more complicated and dark then we first understood as children. Comprised of footage from The Wizard of Oz and Meet Me in St. Louis, two musicals starring Judy Garland, the tape takes existing, iconographic images and reinterprets the footage to create an alternative narrative to the original storyline intended by L. Frank Baum.
Ode to Dorothy reexamines the relationships of the main characters in The Wizard of Oz, revealing these relationships to be much more complicated and dark then we first understood as children. Comprised of footage from The Wizard of Oz and Meet Me in St. Louis, two musicals starring Judy Garland, the tape takes existing, iconographic images and reinterprets the footage to create an alternative narrative to the original storyline intended by L. Frank Baum.
1998-09-01
0
Young Dorothy finds herself in a magical world where she makes friends with a lion, a scarecrow and a tin man as they make their way along the yellow brick road to talk with the Wizard and ask for the things they miss most in their lives. The Wicked Witch of the West is the only thing that could stop them.
This is the only feature directed by the famed French painter and sculptor Martial Raysse. In keeping with the revolutionary spirit of the time, the movie has no plot to speak of and appears to have been largely made up on the spot. We follow the cat man into a bizarre fantasy universe presented in negative exposure that reverses color values (black is white and vice versa) and written words. The cat man steals a car and then picks up a young girl he promises to take to “Heaven.” Heaven turns out to be a country chateau inhabited by several more animal mask wearing weirdoes...
Ozzy is an enthusiastic and friendly flying monkey, son of the legendary Goliath, the brave warrior. They serve Evilene - the wicked witch - just as the rest of their kin. But Ozzy is not happy about it and when Evilene's plans put Oz once again in peril, Ozzy reaches out to the Champions of Oz, three great friends (the Lion, the Scarecrow and the Tinman) with incredible qualities that have taken Emerald City to its maximum splendor.
Dorothy, saved from a psychiatric experiment by a mysterious girl, finds herself back in the land of her dreams, and makes delightful new friends, and dangerous new enemies.
Moonwalker is a 1988 American experimental anthology musical film starring Michael Jackson. Rather than featuring one continuous narrative, the film expresses the influence of fandom and innocence through a collection of short films about Jackson, some of which are long-form music videos from Jackson's 1987 album Bad. The film is named after his famous dance, "the moonwalk", which he originally learned as "the backslide" but perfected the dance into something no one had seen before. The movie's introduction is a type of music video for Jackson's "Man in the Mirror" but is not the official video for the song. The film then expresses a montage of Michael's career, which leads into a parody of his Bad video titled "Badder", followed by sections "Speed Demon" and "Leave Me Alone". What follows is the biggest section where Michael plays a hero with magical powers and saves three children from Mr. Big. This section is "Smooth Criminal" which leads into a performance of "Come Together".
The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.
Begotten is the creation myth brought to life, the story of no less than the violent death of God and the (re)birth of nature on a barren earth.
Rather than adapt a later or create a new Oz story, this production has Dorothy still in posession of the shoes, and she clings to an apple tree during a tornado which takes her back to Oz. The Scarecrow, Tin Woodman, and Lion (using the names created for the nearly-abstract television series, Tales of the Wizard of Oz, from which this was derived) have had their MGM gifts destroyed by the restored Wicked Witch, and the four proceed to the Wizard for help, who is ineffectual as usual.
Children's author Dorothy Gale makes a decent living continuing her grandfather's series of Oz books. When a new agent enters the scene, Dorothy moves to New York city. In the midst of a major business deal for her books, Dorothy discovers that her books are not based on her imagination, but on repressed memories. While Dorothy struggles with the revelation, she is forced to confront The Wicked Witch of the West, who has descended upon the Big Apple, determined to settle an old score.
A Japanese salaryman finds his body transforming into a weapon through sheer rage after his son is kidnapped by a gang of violent thugs.
A young woman named Dorothy Gale dreams of becoming a singer but is unable to pursue her dreams. After being swept up by a tornado with her pet prawn Toto, Dorothy embarks on a journey to meet the Wizard of Oz, the person who both Dorothy and the citizens of Oz believe can help make her dream come true.
It follows the filmmaking journey of two filmmakers as they navigate through the urban sprawl of inner KL during the pandemic. It showcases the city in a raw, exposed and gritty fashion but still with a certain charm. Throughout their filmmaking process, they capture the peculiar events in the life of three strangers: the son (Fakhrul Aiman), the outsider (Eli Orkid) and the hustler (Nidusmas). They happen to express themselves in extreme ways at the sight of their own reflection in “the vantablack” -- they snap into a state of mind where they lose all their inhibitions and show their true self in a very physical way: through visceral, almost primal dance movements.
A personal, subjective journey into the mind of Greta Thunberg, before realizing her calling as a climate activist. While struggling with mental health issues and bullying because of her Aspergers, she also grapples with the sense of impending doom due to the climate crisis. These same struggles and fears drive her to make change and become the person she is today.
A psychiatrist tells two stories: one of a trans woman, the other of a pseudohermaphrodite.
Italian immigrant kidnaps a wealthy British woman, and they fall in love.
Hoping to find a sense of connection to her late mother, Gorgeous takes a trip to the countryside to visit her aunt at their ancestral house. She invites her six friends, Prof, Melody, Mac, Fantasy, Kung Fu, and Sweet, to join her. The girls soon discover that there is more to the old house than meets the eye.
Adachi's follow-up to Bowl using the figure of a woman suffering from an unusual sexual aliment has often been taken as a controversial allegory for the political stalemate of the Leftist student movement after their impressive wave of massive fiery protests failed to defeat the neo-imperialist Japan-US Security Treaty. The ritualistic solemnity of the charged sexual scenes contribute to the oneiric qualities of Closed Vagina which Adachi would later insist was an open work, not meant to deliver any kind of deliberate political message. - Harvard Film Archive
The cunning and wicked Urfin wants to become ruler of Magic Land. With an army of wooden soldiers, he captures the Emerald City and renames it ti Urfinville. He is all but ready to celebrate victory, when his plans are ruined by an ordinary girl named Dorothy, who arrives in Magic Land just at the right time. She must return home, but not before she helps her friends - the Scarecrow, the Tin Man, and new-brave Lion - defeat Urfin. And in order to do that, they need to find out who he really is.
Shot in the abandoned buildings of Gary, Indiana and the cornfields of Western Illinois, The Twenty-One Lives of Billy the Kid presents a fractured historical narrative without any real protagonist, one in which the titular character goes mostly unseen - Billy the Kid as the always-off-screen assailant, as a ghost’s laugh, as a shadow on the road.
Born in Los Angeles but a New Yorker by choice, Barbara Hammer is a whole genre unto herself. Her pioneering 1974 short film Dyketactics, a four-minute, hippie wonder consisting of frolicking naked women in the countryside, broke new ground for its exploration of lesbian identity, desire and aesthetic.