

2011-03-15
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0.0Occasionally, "your own" life is only based on the lifes of the rest. The human being, cutted off from the cultural and social, finds things in common with the other of the antipodes. An essay of the common and the different. The protagonist writes a letter and digress and imagine, with what isn't theirs. Taking it, transforming it and turning into another part of their body.
0.0Pedro is Mallorcan, born to a mother from Burgos and a father from Mallorca. Due to his distant relationship with his father, Pedro doesn't fully master Mallorcan as a language. He turns to the works of Damià Huguet to remember his father, as only his poems can fill the void left by his death. The poet's words transport Pedro to his childhood and his roots, even though many of the words are unknown to him, despite them belonging to his language. This becomes the driving force behind the protagonist's search for his own identity, his origins, what it means to be a man, father-son relationships, collective identity, and "mallorquinness". Pedro constantly questions the emotions stirred by Huguet's poetry, and, most importantly, who he is and where he belongs.
0.0Two generations dialogue through the images they filmed of their children, a reflection of the emotional bond that arises from their involvement with what was shot.
6.9Klaus Kinski has perhaps the most ferocious reputation of all screen actors: his volatility was documented to electrifying effect in Werner Herzog’s 1999 portrait My Best Fiend. This documentary provides further fascinating insight into the talent and the tantrums of the great man. Beset by hecklers, Kinski tries to deliver an epic monologue about the life of Christ (with whom he perhaps identifies a little too closely). The performance becomes a stand-off, as Kinski fights for control of the crowd and alters the words to bait his tormentors. Indispensable for Kinski fans, and a riveting introduction for newcomers, this is a unique document, which Variety called ‘a time capsule of societal ideals and personal demons.’
0.0Capturing Water delves into Cape Town’s escalating water crisis, a growing emergency in recent years. As pollution of natural water sources worsens and industrial and urban developments threaten access to clean water, government responses remain inadequate.
Follows Isabella Grace Cohn as she works to understand and expose the roots of sexual harm — her peers’, her mother’s, and eventually her own. Along the way, she meets diverse survivors, perpetrators, and experts. Together they explore the cultural, educational and legal gray areas that fuel the cycle of harm in a quest for hope and transformation.
0.0Jérôme was sexually abused as a child by a priest. In a deeply personal film, he tries to search for clues in his memories and come to terms with the complicity of his former social environment.
During the era of President Soekarno, several students were selected to study abroad, including Awal Uzhara, Sjumandjaja, Ami Priono, and Zubair Lelo. They were sent to Russia to study cinematography at VGIK (The Gerasimov Institute of Cinematography). Sjumandjaja and Ami Priono went on to become famous directors in Indonesia, but Awal Uzhara never had the same fortune. After completing his Master's degree in Moscow around 1965, political instability in Indonesia arose. The country's background, where Awal had studied, became associated with a negative stigma about communism, which was linked to him.
0.017-year-old Ali Allouche, who is battling cancer, binges on food shows during his chemo treatments. Inspired by Anthony Bourdain’s "Parts Unknown," Ali plots a cross-country adventure to visit innovative chefs and immerse himself in America’s rich food culture.
0.0Toby Hadoke visits Brian Clemens widow and sons to discusses his life and career.
7.2At the height of the space race, three U.S. astronauts are tapped as the first Apollo crew. With dazzling archival footage and exceptional access, this riveting documentary explores the tragic events that followed, shaking NASA to the core.
A documentary following the production of a daily newspaper.
0.0Sarah and Kate find themselves as activists amid a war for reproductive rights in Florida and beyond. Together, they are more than business partners. They are best friends who find strength in one another to continue their hard work.
0.0When her mother decides to sell their house, decolonial writer Julietta Singh returns to her childhood home on the Assiniboine River to say goodbye. As Singh listens to the stories embedded in its walls, the house reveals 140 years of overlooked histories—Japanese, Deaf, Métis, Indigenous, and Irish women whose lives, like Singh’s, were shaped by resistance and care. In this genre-defying, cross-community film, the home becomes more than a personal archive, transforming into a site of radical feminist possibility.
Farmer John Peterson returns to talk about Angelic Organics farm and its connection to the arts and Rudolf Steiner’s philosophy.
7.0In 1973 Bob Marley and the Wailers found themselves stranded on the West Coast of the United States after being asked to leave the Sly & The Family Stone tour for outperforming them every night. To make the best of the situation the band made their way to Los Angeles where they performed this recording session at the famed Capitol Studios. Bob Marley, Peter Tosh and Joe Higgs lead the Wailers in a seminal performance filmed with four cameras at the Capitol Records Tower on October 24, 1973. Meticulously restored and long believed lost, the previously unseen live session documents the reggae legends at a crucial moment in their career.